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Edith Giovanna Gassion.

Songs sung by a sensual, deep voice Edith Piaf knows the whole world - until now the first notes of the melody "Je ne regrette rien" make people all over the planet wipe their eyes from sentimental tears. However, few people know that the fate of this fragile woman, who was called “baby Piaf” by the first posters, was difficult and tragic.

Difficult childhood

Edith was born in 1915, the son of a failed actress and equally unsuccessful acrobat. As soon as the child was born, the First World War broke out in Europe and Edith's father (at birth she was named Edith Giovanna Gassion) went to the front. While he was fighting, the girl's mother suddenly realized that the family would not bring her happiness and flew away from her daughter's life, leaving her in the care of a completely irresponsible grandmother who loves to kiss the bottle. The kind granny did not disdain strong wine and often poured the drink into the bottle for her granddaughter - the girl quickly fell asleep and did not bother her guardian.

The father who returned from the front immediately took his daughter from a terrible relative and took her to his mother, who lived in Normandy. Unfortunately, at that moment it turned out that the baby was completely blind - for several years she was taken to doctors and churches, hoping for a miracle and her vision finally returned.

Despite the fact that her paternal grandmother doted on Edith, it was not easy for the girl to live in her house - the old woman kept a real brothel. In the end, her father took her with him to Paris, where they began to earn money on the streets with a simple number: the girl sang, and the man showed acrobatic tricks. Soon Edith took her younger sister on her father's side, Simon, and began to live separately, earning her own living on her own.

Rise of a legend

It is clear that Edith has never been chaste - not with such a childhood. At 17, she gave birth to her first and only child - a girl named Marcel. Unfortunately, the relationship with the daughter's father did not work out, and then a tragedy happened. At the age of three, Marcel died of meningitis, which in those years could not be treated. Piaf had no more children.

In the same year, when Marseille was gone, the graceful, skinny Edith was heard by the owner of the cabaret "Gernice" Louis Luplet. It was with performances on his stage that the singer's stellar career began.

It was he who invented her pseudonym Piaf, which means "sparrow". Perhaps he was inspired by her “eyes of a blind man who saw his sight,” her diminutiveness, disheveled curls.

Unfortunately, Louis Leplet was destined for an even more cruel fate: he was killed with a shot in the head. The killer was never found, and Piaf herself became one of the suspects, after which she, of course, had to leave the cabaret.

Triumphs and defeats

During the war, Piaf actively spoke to the military, their families, even helped organize the escape of prisoners of war. However, real fame came to her right after the Second World War - Piaf became incredibly popular, she was called to perform in the best concert halls in Paris, and then in the world, all of France instantly fell in love with her voice and gentle image.

It was during this period that she met the love of her life - boxer Marcel Cerdan. The couple could not see each other often - Piaf constantly flew to New York, then to European capitals, gave concerts, met with fans, and Serdan was building a career. Their connection ended unexpectedly and unfairly - the plane in which Marcel Cerdan flew to the United States at the performance of his beloved crashed over the ocean.

Piaf continued her concert activity, but her heart was broken - in order to numb the pain, she did not disdain morphine and other drugs. Amid the greatest fame she achieved as a singer, Edith was desperately lonely as a woman:

“The audience pulls you into their arms, opens their heart and engulfs you entirely. You overflow with her love, and she with yours. Then, in the dying light of the hall, you hear the noise of leaving footsteps. They are still yours. You no longer shudder with delight, but you feel good. And then the streets, darkness, the heart becomes cold, you are alone. "

Despite her difficult life, Edith with great enthusiasm helped talented friends. It was she who "opened" and literally pulled Yves Montand, Charles Aznavour and other stars onto the stage. She also helped her last lover, the hairdresser Theo, known under the pseudonym Sarapo. She was 47, and he was 27, it was he who was with her until the very end.

Constant tours and performances, as well as drug use and a difficult emotional state, early undermined the singer's health - she suffered from sclerosis, cirrhosis of the liver, and often ended up in hospitals. In 1963, little Edith took the stage for the last time - it happened at the opera house in Lille, France. She died six months later.

Edith Piaf is buried in the Père Lachaise cemetery in Paris. Until now, fresh flowers appear on her grave every day - fans never forget the tiny sparrow who sang with an angelic voice and lit hearts with his music.

From childhood, Edith Gassion dreamed of a career as a singer. And the path to this dream was not strewn with roses. The first step she took was to change her last name. She chose the short and sonorous - Piaf, which in French meant sparrow. Piaf's first serious performance took place on the stage of the freshly opened Jernis cabaret in mid-autumn 1935.

A completely unfamiliar performer took the stage in a loose-fitting sleeveless sweater and a worn-out skirt. General bewilderment gave way to delight, as soon as Edith began to sing the song. The applause did not subside even after she left the stage. From that moment on, creative success accompanied her throughout her life.

Biography of the singer and a difficult childhood

Many were jealous of her. It was always rumored that, most likely, Baby Piaf was born right on the street. After all, her father was a street acrobat, and the contractions of his wife, an actress of the lyric genre, began and, most likely, ended right at the gas lamp on the way home.

Edith Piaf was not embarrassed by gossip, provocative publications in the "yellow" press did not upset. She stayed away from all this, did not give any comments or refutations.

Moreover, she often colored her strange childhood memories with sheer fiction, the fruits of her wildest fantasy.

It is absolutely certain that in childhood she suffered severe inflammation of the cornea of ​​the eyes, bilateral keratitis, and poor vision greatly interfered with her in the future, forcing her to move by touch at times. The details of the miraculous healing are unknown, that's why it is a miracle. But, thank God, Piaf did not become blind.

At the age of 16, Edith Gassion had already completely taken place as a street singer and she had the first boyfriend from the indecently numerous line of her most diverse men. Louis Dupont, "Little Louis" became the culprit of her only and such an early pregnancy, and on February 11, 1933, a pretty daughter was born to Edith, named Marcella Dupont.

In December of the same year, a young mother spoke to the soldiers in the prison barracks, where she was fascinated by a blond with eyes the color of a cloudless sky, either Albert or Henri ... Their relationship lasted a couple of weeks, and then the soldier was transferred to Africa. Edith's husband, unable to return his wife, took his daughter to him. And Edith, continuing to sing and date men. Meanwhile, her two-year-old daughter died of meningitis ...

… The singer's career at the Jernis casino was short-lived. In April 1936, her employer, Papa Leplet, was assassinated. However, after the closure of the casino, Piaf never returned to the street.

After spending the spring and summer touring France "Youth Song of 1936", she began to sing in two cabarets at once - "At Odette" and "Latin Quarter". As her compatriots wrote, her unique voice was inexorably suffocating.

The singer's fate was changed by a meeting with the poet and composer Raymond Asso. Edith sang "My Legionnaire" and a dozen more of his songs, and he discouraged a lot of her boys, stopped promiscuous relationships, forbade even her own father from appearing in the apartment, who also wanted his dividends from the growing recognition of his daughter's talent.

Edith Piaf is 22 years old. Her name is on everyone's lips. “The street girl's suit and apron are gone. Baby Piaf is dressed in a simple black dress. She changed her repertoire towards sentimentality, but she won a lot in the severity of her style ... ”She was much praised.

And then the war began. Raymond Asso went to the front, saving the singer from the painful explanations of the impending breakup, and Edith, who could not tolerate loneliness, began to live with the actor Paul Meriss. She continued to sing, driving around unoccupied territory, her successes on stage and in cinema grew stronger. Meriss, who went to the army, was replaced by one "friend", then another ...

In October 1942, Edith decided to return to Paris, which was in the hands of the Germans, and her success was triumphant. The next year, she went on a kind of tour to Berlin - to perform in factories and in front of prisoners of camps.

At the end of the war, Yves Montand entered her life - for a long time (joint concerts lasted several years), but it was the love affair that did not last long. In just a week, passion gave way to mutual respect and complete understanding.

The 1947 tour in America gave her another lover - the world famous boxer Marcel Cerdan, a married man and father of a family.

He died in a plane crash on São Miguel Island in October 1949. In his honor, Piaf sang the "Hymn of Love" on the stage of "Versailles", a few more songs. And she fainted without finishing her performance.

The consolation that subsequent men brought her was short-lived and fragile. Eddie Constantine, Andre Pouss, Toto Gerardin, Jacques Pills ... For the latter, she, however, married for four years. But what do we care about these names? Where there is glory, there will always be hangers-on.

Old rheumatism made Edith addicted to drugs, she generally took alcohol to relieve stress all the time. I had to be treated in a clinic ... This treatment was the "first sign" - since then, Piaf has been continually overtaken by various ailments.

An exhausting summer tour in 1954 was interrupted by an operation - peritonitis broke out. A few months later she, already well-rested, performed at the prestigious Olympia and embarked on a 14-month US tour. Next - Cuba, Mexico, Brazil ...

Three new lovers, and all three were denied "access to the body" because of Georges Mustaki. Piaf is already 42, and his new lover, poet and composer, is only 24 years old ... They had an accident at an intersection with the name "God's mercy". Shock, wound, tears of two tendons ... Hospital again.

In February 1959, while on tour in America, Piaf developed ulcerative bleeding. A month in the clinic. Then re-hospitalization due to intestinal obstruction. In September of the same year, the singer was operated on for acute pancreatitis, and in December three more weeks of her life were taken away by viral hepatitis ...

Illnesses, remissions, repeated hospitalizations, in between - new tours and lovers ... For one of them - the hairdresser Theofalis Lambukas, 26 years old - Piaf remarried on October 9, 1962, giving her husband an amazing model of the railway for a wedding.

Two weeks after the wedding, the couple performed brilliantly on the Olympia stage, and then, one after another, new hospitalizations with blood transfusions began ... Piaf again met her last wedding anniversary in the hospital: the splenic artery burst ...

Edith Piaf died on Friday 11 October 1963. Seeing off the singer resulted in a national funeral. A whole Paris accompanied her coffin to the Père Lachaise cemetery - forty thousand people ...

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"I don't sing for everyone - I sing for everyone!" - Edith Piaf

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The song about the sparrow, which she sang as a girl, turned out to be fateful

The nickname Piaf, colloquially meaning "sparrow", became the stage name for this truly great artist of the 20th century.

Edith Giovanna Gassion was born on the night of December 19, 1915, right on the sidewalk of a Parisian street. Her mother, circus performer Anette Maillard, wrapped the newborn in the cloak of a police officer who arrived in time, and a month later gave her daughter to be raised by her parents.

Miracle with returned sight

The First World War was going on. Edith's father, a street acrobat Louis Gassion, went to the front soon after the birth of his daughter. Her mother's rude and uncouth parents, Anette Maillard, barely followed the child. In the baby's menu, the main dish was ... wine, which was given to her, mixed with milk. The illiterate grandmother did not wash her granddaughter, practically no one spoke to Edith.

When Louis Gassion came on vacation in 1917, he decided not to leave the girl with his wife's parents. His mother, Louise Gassion, who worked as a cook in a brothel, agreed to take the child with her. There the baby was washed and dressed in a new dress. It turned out that under a crust of mud is a lovely creature - alas, absolutely blind! Even in the first months of her life, Edith developed cataracts, but no one just noticed it.

Louise Gassion did not spare money for the treatment, but the doctors were powerless. The women from the house of tolerance decided to pray to Saint Teresa so that she would heal Edith. Together with Louise and the baby, they went on a pilgrimage, after which they returned home and began to wait for a miracle. After some time, it turned out that Edith had really regained her sight! She was six years old.

Street singer

After the war, Edith's father sent his daughter to school. But other parents did not want a child living in a brothel to study next to their offspring. And from the age of nine, the girl began to earn money with her father in the streets and squares of Paris. Louis showed the audience tricks, and Edith sang and collected money. This continued until she was taken to the Juan-les-Pins cabaret.

From the age of fourteen, she already lived on her own. When Edith was fifteen, the girl met her younger sister on her father's side, Simone. Simone's mother insisted that the girl bring money to the house, relations in the family were difficult, and Edith took Simone to her place. They began to sing in the street, earning about 300 francs. Enough for a room in a bad hotel, clothes, wine and canned food.

Men appeared early in Edith's life. She regularly fell in love indiscriminately and abandoned her chosen ones. The father of her only child, Louis Dupont, was no exception. Edith met him at the age of seventeen. A year later, the couple had a daughter, who was named Marcel. Edith still worked hard and, if Louis could not sit with the child, took her daughter with her. One day, Dupont asked her to choose between him and her job. Edith slammed the door.

Photo from the site gahetna.nl

The sisters began to live together again. Edith sang at night, and her daughter stayed at the hotel. One day after the performance, the young mother discovered that Louis had taken the girl. Thus he hoped to get Edith back. While the Spanish flu was raging in Europe, Marseille fell ill and was hospitalized. After visiting her daughter, Edith herself became infected. She managed to recover, but Marcel died.

Baby Piaf

At twenty, Edith met Louis Leplet, the owner of the Gernice cabaret. In October, a chilled woman was trampling on the street in a large oversized coat and shoes on bare feet, waiting for a passer-by to give a coin to a street artist. Suddenly someone said: "You're out of your mind - to sing on the street in this weather!" The phrase belonged to a sleek gentleman of about forty in an elegant suit. Edith replied rudely: "But there is something I need something!" The man asked: “Do you want to perform in a cabaret? Come tomorrow at four, I'll listen to you. " He tore off a piece of paper from the newspaper and wrote down the address. At that time, "Gernis" was reputed to be the most fashionable Parisian establishment. The intuition of an experienced producer immediately told Leplet that he had found a nugget. He promised to arrange a debut in a week and, as the legend says, he came up with a pseudonym for the singer. Leple said: "You are so small and fragile that the name Baby Piaf will suit you."

He taught her how to rehearse with an accompanist, choose and direct songs, explained how important the artist's costume, his gestures, facial expressions, behavior on stage are. In “Zhernis” the posters read “Baby Piaf”, and the success of the first performances was enormous.

On February 17, 1936, Edith Piaf sang at a big concert in the Medrano circus with such French pop stars as Maurice Chevalier, Mistinguette, Marie Dubois. A short appearance on Radio City allowed her to take the first step towards real national fame. The listeners called on the air and demanded that Little Piaf perform more ...

Breakthrough to the starry sky

The successful start was interrupted by tragedy. For unknown reasons, the owner of the cabaret, Louis Leplet, was shot in the head. Edith Piaf was among the suspects, since the producer in the will left her a small amount. The newspapers fanned a dirty story, and visitors to the cabaret in which Piaf performed were hostile, believing that they had the right to "punish the criminal." As a result, Edith was left without work and decided, until the scandal subsides, to go to the provinces. But rumors haunted her even there. Piaf had to go outside to sing again. It is not known how it would have ended if it had not been for a note found in a pocket full of holes under the lining: "Raymond Asso" and a phone number. Edith barely remembered that this was the poet she had met at Zernis. Edith called Paris and then came to see Raymond.

Asso promised her success, but demanded discipline and began to drill in full. He taught etiquette, and upon learning that Piaf did not know how to write properly, he came up with several versions of autographs for her: “As a sign of great sympathy”, “From the bottom of my heart” ... At the same time, Raymon created Piaf's repertoire and unique style. Every day she and Edith discussed new songs, rehearsed. Soon their tenacity bore fruit. The director of the largest concert hall in Paris ABC agreed to give the first part of one of Edith's concerts.

Photo from astrology.gr

On that day, she first performed not as a Baby, but as Edith Piaf. She performed new things that she had learned with Raymon, and the huge hall roared with delight. The audience did not want to let her go. Piaf had to remember songs from the old repertoire. And the press the next day exclaimed: "Yesterday the great singer of France was born on the ABC stage!"

Money, men, cinema and war

Edith's financial situation changed dramatically. She bought her own house in the center of Paris, the best designers were engaged in its decoration. But the star, having entered the mansion ... chose to sleep in the concierge's room. There, Piaf felt more comfortable than in a huge bedroom with antique furniture. The mansion has always been open to Edith's many friends. Some managed to stay with her for a month or more. Champagne, caviar in the kitchen were not translated, but if someone asked the singer how much money she had in her account, he would hardly receive a sane answer. She always lived by the principle: if you have money - good, if not - I will earn.

And she also had one rule, which she later told about in a biographical book. It concerned relationships with men: “When love cools down, you need to either warm it up or throw it away. This is not a product stored in a cool place. " Following her principle, at the beginning of World War II, Edith broke up with Raymond. Then she met with the writer, poet, playwright, artist and film director Jean Cocteau, who invited her to play in his play "Indifferent Handsome". The production was a great success. In 1941, based on the play, the film Montmartre on the Seine was filmed, in which Edith got the main role. Later, she starred in other films, including with her young lover and protégé Yves Montand. In general, she loved to provide patronage, and then forget about yesterday's lovers, whom she brought out to people ...

During the Second World War, the French were able to appreciate the patriotism of Piaf. She performed in Germany in front of compatriot prisoners of war, and after the concerts she gave them what they needed to escape (things, forged documents), at the risk of being captured and executed.

After the war, Piaf became interested in American impresario and offered to arrange a tour of US cities. Going overseas, Edith did not suspect that she would meet the greatest love of her life there - the Frenchman Marcel Cerdan, the world boxing champion.

A tale with a cruel ending

The athlete got to Edith's concert by accident. And after the performance, fascinated, he called the singer at the hotel to make an appointment. So their romance began. Next to Piaf, the big-time champion was shy, tried to keep quiet and did her every whim. He bought Edith her first mink coat. She gave Marcel diamond cufflinks, suits and crocodile leather shoes. In America, a couple appeared everywhere together. But in Casablanca, Cerdan was awaited by his wife Marinette and sons Marcel and Rene, to whom little Paul was eventually added. And the athlete in love returned to them, torn to pieces, not knowing what to do, and trying to comply with the rules of official decency.

During her next tour of America, Piaf was looking forward to the arrival of Cerdan from Paris. He was supposed to appear only a week later, and the singer called him in France. She asked to hurry up, because she can no longer bear the separation. Edith was standing backstage at New York's Versailles, preparing for her performance when it was reported that the plane on which Cerdan was flying to America had crashed near the Azores. The corpse of Marcel was identified by the watch, which the famous boxer, by a strange habit, wore on both hands.

Drugs, disease and best songs

After the death of Marcel, Piaf underwent four courses of detoxification for the treatment of alcoholism and drug addiction, three hepatic comas, two attacks of delirium tremens, seven operations and two bronchopneumonia. Her soul suffered incredibly.

Shot from the movie "A Star Without Light"

Once Edith got into a car accident, broke her arm and two ribs. The injuries sustained were not life threatening, but they caused severe pain. To remove it, the patient was injected with drugs. The singer quickly recovered, the pain subsided. When Piaf developed arthritis, she habitually turned to drugs, and soon this began to affect her psyche - Edith tried to jump out of the window. Only the presence of her friend Marguerite Monod prevented the disaster.

Then the doctors discovered she had cancer. Piaf lost a lot of weight, cut her hair. Her face, according to eyewitnesses, resembled a skull covered with leather. At forty-five, this woman looked sixty. During this sad period, she performed her best songs, including Non! Je ne regrette rien (No! I'm not sorry for anything) is a poignant masterpiece whose verses were composed in September 1960 by the young poet Charles Dumont.

Last love, last concert

The singer met the 26-year-old Greek hairdresser Theofanis Lambukas when she was once again in the hospital. She was told that in the corridor a young man was asking permission to enter the ward. Edith nodded in agreement. A tall stranger appeared in the doorway, dressed all in black, with dark hair and the same eyes. Theo called himself and handed the sick little doll, explaining that this unusual toy from his native Greece will certainly bring good luck. From surprise Edith laughed ... The next day he came with flowers.

A few months later, Theo asked Edith if she would agree to marry him. At first, Piaf objected, but then agreed. For the sake of her beloved, Piaf converted to Orthodoxy. Their wedding took place on October 9, 1962 in the Orthodox Church, to which Theo belonged. Soon the happy newlywed gave a concert at the Paris Olympia. The audience, stunned with delight, shouted standing up: "Hip-hip-hurray, Edith!" And only Theo knew that Piaf stayed a maximum of a year. This verdict was revealed to him by the doctors.

In April 1963, the artist's liver failed and she was admitted to the Neuya hospital unconscious. After intensive treatment, the condition temporarily improved, the patient ordered herself to be taken south, to the village of Plaskasje, but it was already clear that she was doomed. Edith could not eat, suffered from pain, her weight melted to 34 kilograms.

by The Wild Mistress's Notes

One winter night in 1915, a woman was giving birth on the sidewalk of a dirty Parisian street. She wrapped the newborn girl in a cloak of a policeman who had come running to the screams and named Edith. That, perhaps, is all that the circus performer Anette Maillard did for her daughter, before giving her up to her parents for upbringing and prudently disappearing. The baby's father Louis Gation immediately after her birth went to the front. This is how the great Edith Piaf was born.

On Boulevard Chapnel, a man approached the grimy nineteen-year-old girl, and the "in love" couple went to the hotel. The girl looked so pathetic that he asked: - "Why are you doing this?" “I need to bury my daughter, ten francs are not enough,” she replied. The man gave her money and left.

Edith Giovanna Gación's only daughter has died, and she will not have more children. She will survive four car accidents, an attempted suicide, three hepatic comas, a fit of insanity, two attacks of delirium tremens, seven surgeries, the first and second world wars, drive crazy crowds of men and die in 1963, before she reaches fifty. The whole of France will bury her, and the whole world will mourn. They will simply write on her grave - EDITH PIAF.

Edith Piaf (real name and surname Edith Giovanna Gassion, Gassion) (December 19, 1915, Paris - October 11, 1963, ibid.), French singer (chansonnier).

She was born into an artistic family. Her mother was the unlucky actress Anita Maillard, who bore the stage name Lina Marsa. Edith's father, Louis Gassion, earned his living as a street acrobat. When the First World War began, he volunteered for the front and received his first two-day leave only at the end of 1915 in connection with the birth of his daughter.

In 1917, Louis Gassion, having arrived in Paris on another front-line leave to see his daughter, learned that his wife had left him and gave Edith to be raised by her mother, who treated the child so badly that it literally horrified him. Louis Gassion decided to send his daughter to his own mother in Normandy, in Bernay.

Then it turned out that Edith was completely blind. Louise Gassion made every effort to cure the child. Doctors said that blindness came as a result of a severe blow to the head or an unattended infectious disease. When there was no other hope left, her grandmother took Edith to Lisieux to Saint Teresa, where thousands of pilgrims from all over France gather every year. The trip was scheduled for August 19, 1921, and on August 25, 1921, Edith regained her sight. She was six years old.

Until the age of eight, Edith went to school, surrounded by the care of a loving grandmother, but then her father took Edith to Paris, where they began to work together in the squares - her father showed acrobatic tricks, and his nine-year-old daughter sang.

When Edith was fifteen years old, she met her younger sister on her father's side, Simone. Simone's mother insisted that her eleven-year-old daughter begin to bring money into the house, relations in the family, where, in addition to Simona, seven more children were growing, were difficult, and Edith took her younger sister with her, and when her father did not like it, she left home.

Edith earned money singing on the street until she was hired at the Juan-les-Pins cabaret. This was her first engagement, which, however, did not yet mean fundamental changes - in the cabaret Edith sang the same way as on the street.

Here Edith met Louis Dupont, whom she soon married; a year later, her daughter Marcel was born. The marriage was not successful, since Edith had to take care of both her daughter and sister, and, in addition, feed her family.

Edith told her husband that she did not intend to continue to solve monetary problems alone, and offered to leave. But Louis did not want to put up with this, wanting to tie his wife, he took the child with him. Soon Edith learned that her daughter was seriously ill, after spending a couple of days in the hospital with the girl, Edith herself fell ill.

The "Spanish flu", notorious in Europe, who claimed hundreds of human lives in those years, did not respond well to healing. Doctors more often than not just waited, hoping for the patient's viability. Edith recovered, but her daughter died - the "Spanish" turned into meningitis.

In the same year, Edith turned twenty-two. While singing in the street, Louis Lepley, the owner of the Gernice cabaret on the Champs Elysees, noticed her and invited her to perform in his program. He taught her how to rehearse with an accompanist, choose and direct songs, explained how important the artist's costume, his gestures, facial expressions, behavior on stage are.

It was Leplet who found the name for Edith - Piaf (in the Parisian argot it is "sparrow"). In "Zhernis" on posters her name was printed as "Little Piaf", and the success of the first performances was enormous. Louis Leplet explained to Edith that the actress should have her own repertoire, and Jacques Bourges wrote the first songs especially for Edith - "Words without History" and "Junk Man".

On February 17, 1936, Edith Piaf performed in a big concert at the Medrano circus along with such French pop stars as Maurice Chevalier, Mistanguette, Marie Duba, and a short performance on Radio City allowed her to take the first step towards real fame. The listeners called on the radio, directly on the air, and demanded that Little Piaf perform more and more.

However, the period of prosperity for Edith soon ended. Louis Leplet died tragically (he was shot in the head). The police considered a variety of versions, but Edith was also among the suspects, since Leplet indicated in his will a small amount of money that she was supposed to receive after his death.

The press considered the incident as a tidbit: Edith began to receive invitations to perform in respectable cabarets, but she was invited in most cases so that the audience looked at "the same girl from the newspapers." The visitors were hostile, believing that they had the right to "punish the criminal."

When the situation became quite critical, Raymond Asso entered the life of Edith, it was he who largely owed the merit of the birth of "The Great Edith Piaf". Asso worked with the famous artist Marie Duba, whom Edith admired and considered the standard of the pop singer.

Asso set a condition - he will help Edith achieve everything she wants in exchange for unquestioning obedience. He began to teach Edith not only what was directly related to her profession, but also everything that she lacked: how to behave at the table, at a reception, in a company, how to maintain a pleasant conversation, how to dress and the like.

Raymond Asso began to create the "Piaf style", starting solely from Edith's personality, he wrote songs suitable only for her, "made to order" - "Paris-Mediterranean", "She lived on the rue Pigalle", "My legionnaire", "Pennant for the legion. " The music for these songs was written by Marguerite Monod, an amazingly gifted composer. She had a lifelong friendship with Edith.

Thanks to Raymond Asso, the story of Edith Piaf became the story of her songs and, on the contrary, no one could and did not want to distinguish a stage image from a real woman. Edith Piaf perfectly knew the language and manners of a woman in love - passionate, desperate, fearless. She was a heroine who experienced these feelings - reckless love, unselfish, but certainly rejected, and therefore bitter.

It was Raymond Asso who made Edith perform at the ABC Music Hall on the Grands Boulevards, the most famous music hall in Paris. A performance in "ABC" was considered an exit on the "big water", a dedication to the profession. Before performing at the music hall, Asso told Edith that "Little Piaf" would not appear on the flashy ABC billboard, the name is more suitable for a cabaret. Since then, Edith has performed under the name "Edith Piaf". The success at ABC made the press write about Edith: - "A great singer was born on the ABC stage in France yesterday."

At the beginning of World War II, Edith broke up with Raymond Asso, she had already outgrown him, he taught her everything he could teach, and she no longer needed a teacher. During this period, Edith met the famous French poet, playwright and director Jean Cocteau.

Cocteau was a very talented and versatile person, he had a fine understanding of music, singing, and plastic. He was the first person with such a significant authority in the art world who said: - "Madame Edith Piaf is brilliant." Jean Cocteau, insisted that Edith has an amazing gift of a dramatic actress, and invited her to play in a small play of his composition "The Indifferent Handsome Man". The rehearsals went well and the play was a great success. It was first shown in the 1940 season.

Edith's acting made such an impression that Georges Lacombe decided to make a film based on the play. And in 1941 the film "Montmartre on the Seine" was shot, in which Edith got the main role. During the filming of the film "Montmartre on the Seine" Edith met Henri Conte, a journalist who sincerely admired her talent, wrote a lot about her. Conte wrote some of Edith's best songs: "The Wedding", "Monsieur Saint-Pierre", "Heart Story", "Padam ... Padam ...", "Bravo, Clown!"

In the same year, the young composer Michelle Emer showed Edith his song, which then entered her repertoire and became fantastically popular - the song "Accordionist". Later, Edith collaborated a lot with Emer, he wrote for her "Monsieur Lenoble", "What did you do with John?"

Edith's parents died during the war. During the occupation, Edith performed a lot in POW camps in Germany, was photographed with German officers and French prisoners of war "for memory", and then in Paris these photographs were used to make fake documents for soldiers who escaped from the camp. Then Edith went to the same camp, was even nicer to the officers and secretly distributed false IDs to prisoners of war.

Edith helped many aspiring performers find themselves and begin their path to success - Yves Montand, the Companion de la Chanson ensemble, Eddie Constantin, Charles Aznavour. Unfortunately, some of them chose to forget about it.

In 1947, Edith toured Greece and then, for the first time, the United States. It was in America that she met her greatest love in life. There were many romantic stories in Edith's life. One of these stories, which later began to live independently and turned into a myth, into a kind of image of love, is associated with the tragically deceased Marcel Cerdan.

When Edith was introduced to the famous French boxer Marcel Cerdan, she was not particularly delighted, while Cerdan himself claimed that this meeting was a miracle for him. It was difficult to hide the rapidly developing romance - Serdan had a wife and three sons. The press immediately seized on the opportunity to make a big scandal out of the whirlwind romance of two French celebrities.

However, Cerdan quickly put an end to this, declaring without further ado that Edith is his mistress only because he is married and currently does not have the opportunity to dissolve his marriage. The next day, there will not be a word about Piaf and Serdan in any newspaper. Edith will receive an incredible size basket with flowers and a note: - "From gentlemen. To the woman who is loved more than anything else."

(To be continued)

women's online magazine - Notes of the Wild Mistress

The article uses sources: E.R. Sekacheva. Great Encyclopedia of Cyril and Methodius, site http://people.h15.ru, articles by Oksana Yarosh, site People's History, magazine "Cult of Personalities" (January / February 2000).

In December, the French singer Gilles Egro, whose voice sounds in the Oscar-winning biopic about Edith Piaf “Life in Pink” (2007), comes to Moscow with the musical dedication performance “Edith”. Egro sings her songs in her own way, but sometimes it seems that she is the very French "sparrow" with huge sad eyes. Gilles is nostalgic for Paris in the middle of the last century, but at the same time, like few, he knows how to live in the present. We talked with the singer about what she has in common with Edith Piaf, as well as about what she really was - a woman whose voice still remains a symbol of France.

Gilles Egro

A native of Cannes, Gilles Egro specialized in French chanson for a long time and worked in musical theater. In 2005, director Olivier Dahan chose her as "the voice of Edith Piaf" for his film "Life in Pink" (La môme), which won numerous awards, including an Oscar for Best Actress, and was shown with great success worldwide. ...

- Do you remember the first time you heard the song of Edith Piaf?

Yes very good. I was 12-13 years old, I listened to different records that were kept at our house. When I turned on the Edith Piaf recording, I remember thinking that it was some kind of very old music. I began to sing along with her, quickly learned many songs. And for some reason I wanted to know what kind of woman she was, the owner of such an incredible voice.

As far as I know, in addition to Edith Piaf's songs, your repertoire used to include many things from the repertoire of other French chansonniers. Who are your favorites?

I sang a lot of songs from the repertoire of such authors and performers as Barbara, Charles Aznavour, Jacques Brel - in fact, a little bit of everything. At the conservatory she specialized in lyric opera and musical comedy, then she worked quite intensively in this genre, and generally tried very different things - until the moment when Edith Piaf finally captured me in 2005.

"Life in Pink"

A film by French director Olivier Dahan, a biopic about Edith Piaf, released in 2007. Marion Cotillard played the main role, which brought her the Oscar, Cesar and Golden Globe awards.

Is this related to your work in Olivier Dahan's film Life in Pink? How did it happen that you became the voice of Piaf in this picture?

Some time before that, I decided to make a concert out of Edith Piaf's songs - I was often asked why, after singing so many performers, I never turned to her. And I was a little afraid - of inevitable comparisons, just that I would not be up to par. And in 2005 I finally made up my mind. I rehearsed a lot and read a lot about her life. It was in January, and a month later I met a woman who was Edith Piaf's secretary. I came to the presentation of her book and asked for an autograph. We got to talking, I said that I was preparing a concert of Piaf's songs, and she asked me to perform something right there, in the bookstore. Which I did - and invited her to the upcoming concert. We began to communicate - met, talked on the phone, she talked a lot about Edith. And so in October she called me before leaving for Paris ( Gilles Egro was born and lives in Cannes. - "Profile"), where she was supposed to meet with director Olivier Dahan, who is looking for "the voice of Edith Piaf" for his film. She gave me my phone number, they called me, I came to the audition, we talked to Olivier, and a couple of days later I found out that I was approved. And in November I was already recording songs with Marion Cotillard. My performing style is different from that of Edith Piaf. In addition, I do not have her accent, but for the film I needed to become as much like her as possible, Marion helped me a lot with this.

I saw video clips of your performance. It is just noticeable from them that you are not trying to copy Edith Piaf. How do you manage to find this balance between your own personality and that of Piaf?

I think that Edith Piaf, with whom we are very similar, helps me to reveal my own essence. Sometimes it even seems to me that she could sing the way I do. More than once I heard from people who knew Piaf that my performance touches them precisely because they hear in my voice the feeling with which she sang. But I can't say that I am doing this on purpose, it happens naturally, it comes from within. This is partly due to the fact that she has been with me for a very long time: I read a lot about her, talked with people of her circle. I really know and feel her well, and I understand that Edith, as she appeared on the stage, is not always a real Edith. I have a feeling that I am a little she on stage.

- And what was she like, the real Edith Piaf, what do you think?

I think she was a very strong-willed woman. The profession was her life. Like all artists, she was very lonely, lived with a feeling of elusive time, she was afraid of not being in time for something. Edith was acutely aware of the present moment, which she lived with incredibly intense. It seems to me that she did not really think about the future, she just went to her dream - to be a singer. And also, contrary to the prevailing stereotypes, she was very cheerful, joked a lot, loved entertainment.

- What episodes in the biography of Edith Piaf touch you especially?

The death of Marcel Cerdan is the most terrible event in her life. It always amazed me how she was able to survive this tragedy, to continue singing after this loss, the greatest love of her life, because in her heart she always remained a little girl who never grew up. However, to the end, of course, she did not cope with the death of Marcel. I am also personally close to her story of ascent to success. I see parallels in it with my own destiny. Until a certain moment I was known mainly in the south of France, but after Daan's film my life changed dramatically, I perform all over the world - in Europe, USA, Canada, Japan, now I'm going to Russia.

- Do you feel any difference in the perception of you - and through you yourself Edith Piaf - in different countries?

Everywhere is about the same. All over the world she is one of the symbols of France, a great French singer, a woman who praised love. And her songs are perceived regardless of the knowledge of the language - the emotions inherent in them are important here.

Why, in your opinion, has Edith become a symbol of France - both for the French themselves and for the rest of the world?

She was the greatest singer of her time and still remains unsurpassed - her voice is emotionally and vocally completely unique. In addition, she knew how to talk about very simple things with a big, real feeling, and this always finds a response, touches some important strings of the soul.

- In one of your interviews you said that since 2005 "Edith has been living with you." What is this feeling?

Previously, I had the feeling that it was I, taking her hand, leading her own life: I listened and sang her songs, read a lot and thought about her. And now she lives with me, she is already inseparable from me, she is a part of me.

- Is your love for Edith Piaf a kind of nostalgia?

Yes, you can say that. Indeed, in her songs - the imprint of that irretrievably gone time that you want to return. And the attraction of that era was in freedom, in the luxury of time, which we do not have now. We are constantly running somewhere, driving ourselves into a certain framework. It seems to me that it was not so before. Perhaps, in everyday life, life was more difficult, but I think there was more joy in it, and people were closer to each other - because they could afford to stop and look around.

- How does your style of performance and playing change from performance to performance, what does it depend on?

It depends on my emotional state, the reaction of the audience. I have been playing this performance for two years now, and during this time, of course, it has managed to change. But all the changes come spontaneously, during the concert, I don't think of anything in advance. This is a kind of intuitive process that is born in an emotional connection with the audience, with the reaction of the audience.

- What is your favorite Edith Piaf song?

My favorite song is La Foule (The Crowd). It resonates with some of my inner sensations. In general, in Piaf's repertoire, I especially love the songs of the late 1930-1950s. Everything in them is the joy of life, love, pain, a whole spectrum of emotions that replace each other, like in a kaleidoscope.

Musical performance-dedication "Edith", Moscow International House of Music, December 18