Cardigan, Lanvin; Trousers, Tom Ford; shirt, van laak; Louferes, Giorgio Armani; J12 Clock Chronographe Superleggera, Black Matte Ceramics, Steel, Chanel Horlogerie

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Photo Anton Zemlyanoy

Elle and you are prone to self-criticism? Your own errors see and remember?

D.K. We have such a profession in which if you are mistaken, it is immediately visible - on the screen, on stage. Critics, and most importantly, the audience will simply won't let you forget about the error.

D.K. First of all, it is Lion Abramovich Dodin, my teacher. Valery Nikolaevich Galendev, a grand teacher for speech and my teacher. This is Vladimir Menshov, Valery Todorovsky, Oleg Menshikov ... All these are people with whom a lot more than just acquaintance.

Elle You called the names of people who, what is called, work in Mainstream.

D.K. I do not share directors and in general people of cinema on mainstream and arthus. I share them on those with whom I want to work, and those with whom to work, maybe not necessarily. "Fashionable" or not - this is the tenth business. Such separation exists in the heads of those who are not creative, but more commercial issues. For example, the picture "Dubrovsky", which was generally filmed as a television series, was as a result "painted" thousands of copies. It was circled in all cinemas, although the film cannot be called a blockbuster.

Elle Dubrovsky as a hero close to you? Do you rather on the nature of the Buntar, Robin Hood or exist in the conventional conventions conventional?

D.K. Imagine, if I say, "Yes, I exist in the specified framework," everyone will be shaved by their shoulders: "Well, okay." I will apply: "I am Robin Hood!", I will answer: "Idiot". The question is such ... difficult. Nor turn, the answer will be rather strange. In some situation, I stay in the framework, and somewhere I allow myself for all these frames to go out.

ELLE Are you interested in playing classics?

D.K. Sure. But much depends on whether it turns out in whose hands. When it is the hands of a lion dodina, I get cosmic pleasure from work. Now I play the "cherry garden", and this is a rare case, when you feel that the rehearsal is over. Or "cunning and love" Schiller. I told Lero Abramovich that I did not like the play, and then, two days after the start of the rehearsals, it came to him and apologized for his closer assessment of the Great Work. Of course, the classic is wonderful, stunning literature. Another thing is when it is perverted, pursuing incomprehensible, strange artistic goals, it seems to me strange and incomprehensible. The question arises: why, in fact?

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ELLE What impression did Keira Nightley on you?

D.K. The most wonderful one. She is very simple in communication, a cute, adorable person, with whom it is incredibly easy and pleasant to work.

Elle What role do smells play in your life?

D.K. Absolutely everything has its own fragrance. Childhood, youth, the past as a whole ... Let's say when I come to Moscow in the spring, this smell is crashed into me - warm, special, and I instantly find yourself in childhood. It was recently in Italy and felt the very fragrance that first felt in 2004, "we came to Italy, it was my first" abroad. " And suddenly, after 10 years, the same smell - and immediately so many memories ...

Elle in Chanel about you responds as a real workaholic. How do you understand what are ready for the role?

D.K. This does not happen. You can prepare forever, infinitely, and still the feeling will remain that something has not completed. On the other hand, each role requires its degree of readiness, depending on the requirements imposed by the director, from the time you have, from the scenario and your own internal standards. In Legend No. 17, for example, it was necessary to skate well. And I, as far as I could, mastered this occupation. Maybe not as good as I myself would like, but it was enough for work. And then Dubers, director Kolya Lebedev, Special Effects, Installation ...

Ell This is such a western approach - to do everything to "merge" with the hero? American stars lose weight, fully, almost under the knife falls for the sake of the role. Is it possible, in your opinion, generally compare Hollywood with the Russian film industry?

D.K. I would not compare. In Russia, a very young industry, she is only 24 years old. I start counting the time from the collapse of the Soviet Union, when we practically lost the profession as such and began to develop hardly from scratch. We are all ahead, we grow, I am absolutely convinced of this. The main complexity of the Russian film industry is not technical "backwardness" and not footage, but a problem with professional culture, ethics and reputation.

Ell explain - what does this mean?

D.K. Sometimes people employed in the cinema will not value their place, name, they allow themselves to make mistakes, not worry on this topic. Think, well, I was mistaken, well, nothing. Even the fear of dismissal does not scare.

Cardigan, Lanvin; Trousers, Tom Ford; shirt, van laak; Louferes, Giorgio Armani; J12 Clock Chronographe Superleggera, Black Matte Ceramics, Steel, Chanel Horlogerie

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ELLE In this case, what is for you "good cinema"?

D.K. I will be banal: good cinema is something that has success in the viewer.

ELLE that is the criterion - full checkout?

D.K. And the cashier including, of course. I will not flirt, I do not regret that "Legend No. 17" or "Spirie" collected money in the box office. But commercial success is not all. A good movie should touch, worry, something in me awaken.

Elle Do you have to choose between movies and theater?

D.K. Not. The main thing is to integrate everything. I released a "cherry garden", and now I am engaged in a film project, which, together with Sergey Livnev, produce and in which I play a major role, is the film of Pavel Ruminova "Freedom Status".

Elle on the page of this project "VKontakte" hangs ads from the series: "We are looking for a studio", "we are looking for an apartment for filming", "We need people for a crowd ..." That is, you did not find the sponsor?

D.K. We are trying to remove our cinema for not very big money. This is a film about love and parting. Roughly speaking, about how the boy threw the girl and he tries to cope with all this. In general, the movie is professional, I play it and Lisa Boyarskaya, but we also combine volunteers that it is interesting. The story based on the plot, Pasha told me a year and a half ago. I remember, we sat in a cafe, and I literally screamed: "Pasha, please, let's write a script! I'll do it all - and play, and we find the money, only write. " I hope for the new year the "Freedom Status" will appear at the box office.

ELLE What is your personal status - do you feel free person? Those who can talk and do what wants?

D.K. I think this is the wrong definition of freedom - to do and say what you want. It is necessary to talk and do what your beliefs, culture and education dictate you, must be guided by the principles, and not a simple desire to speak. If you are not afraid to say what you think you need when this requires the circumstances and you yourself, then you are really free.

Ell and how, do you get?

D.K. It is better to ask those who communicate with me. For some, I am a man of free looks. For someone - ordinary Ham. Someone considers me stupid, uncultured, uncompatible. But there are people who sincerely love me and value by my opinion.

He is unrecognizable in the role of blind albino, voluptuously killing humans in a tale-comic book about the cyborg "Hardcore". By the way, after showing the film Ilya Khasuller at the last festival in Toronto, the right to horror for ten million dollars acquired one of the largest American companies for distribution in the United States, and soon the film will be released into a wide range.

It seems that Danil got inside himself a sledgehammer and crashes with its help troubled cliché: "For me, this is a conscious story. Principle method. I understand how to make it easily, hurt with comfort in the role, but it is sooner or later you will strangle you. " Such a personal earthquake for him was the recent premiere in the Bolshoi Theater. "The big dream of an ordinary person", a musical performance with a symphony orchestra based on Sinatra's songs, Bennett, Cowla prepared for more than a year. "Of course, we risked. And yet I prefer a risk of regret that I did not dare. The concert was prepared as a one-time share, but the resonance of the events gave momentum to continue. At Christmas shows will be shown in Crocus City Hall. Planned tour in the country.

He is a developing, an exploring actor, spreading the horizons of the profession. And producing the film "Status: Free" - one of many methods of development. And the opportunity to thank a loved one, Mom Hope Zvenigorodskaya. In the film they have a touching and comedian duet. Mom is generally the main person in his life. Actress by education, she saw in him a talent and infected the acting virus: "No mother would not have anything. I could not imagine that a hypocrite could become a profession. It seemed about: I want to do this further, but what was in my idea "this"? Read poems and sing in amateurness, scratch in Kavainah? One day, Mom put me in front of him: "In this profession, the competition is more common. Such as you, thousands throughout Russia. And even among the lucky ones who fell into theatrical troupes, the real actors of the unit. You can become one of the shadows of the scene, getting lost in the crowd. " I ask: "What about idols are famous, favorite?" - "And they worked as hardening. Are you ready?" I swear inspistently, unaware how truthful her words. But Mom felt that I had the strength to cope with the wall, which would have to pierce your own forehead to become a real act. "

In the Theater Academy, a new life collapsed on him - the head went around: "I was a short-sized boy from the Kronstadt Cadet Corps, who sang a building songs, marched at the receipt. He lived among the boys. And found himself in a world where you can wear long hair, where girls sit beside and can, foolish, hug, kiss. We have seen girls on Saturdays and Sundays when we went to walk to the city. And here boiling water from the magic brew: bright colors, emotions, relationships. And at the same time the army is harsh than in the case. Classes from nine in the morning to twelve nights. "

The collision with this world not only stunned, but also awakened in him a colossal excitement. Despite the workload in the cinema, he continues to play the scene of the Small Drama Theater - one of the best in Europe. Now Lion Dodin, calling Danil his favorite student, puts Hamlet with him. But in the cinema, it seems to me, he never gained the only thing for himself for himself director who would open him the most unrecognizable Kozlovsky. "No," the Danilla objects, "there are such directors." It is interesting to work with Nikolai Lebedev, Pasha Ruminov. It is incredibly important for me to create with Andrei Kravchuk, with whom we removed the TV series "Viking". Alexey Herman - my first director in the cinema. He believed me when no one knew me. " Danil admits that Herman will always be grateful for a serious role in Garpastum. Now the shooting of the new German painting "Dovlatov" is being prepared. Kozlovsky is a shark currency, a colorful character.

At one of the film, I tried to count the number of films with his participation, which in the near future goes on the screens. The comedy "Friday", the thriller "crew", the fantastic horror stroke "hardcore", the historical novel "Matilda", later - "Dovlatov", "Decorator" ... from the feeling of wild run. "I do not have a sense of exchange. On the contrary, such a buzz! " It is clear that for Danil, it is not just a snacking of different roads, but also a permanent risk. And, it means, adrenaline, namely, it is necessary for him.

In an interview with TopBeauty, Danil Kozlovsky shows modesty, argues about the author's cinema and is recognized in love for quotations from the works of Pushkin.

What do you do in Corsica?

I had a job in Paris, then several free days were formed, and I decided to relax. Chose Corsica, because it is still France, just an hour in the plane - and you are already on the Mediterranean island. True, except for the rains and winds, I have not found anything here and nothing but a cold has not acquired. True, there is a beautiful nature and French cinema, so everything is not so bad.

And in Russia, at what days are you?

(Laughs.) By odd. Yes, it happened that in the past few months I lived mostly not at home.

You probably have it too early to call an international artist?

Early, yes, and in Russian, it sounds somehow not very. I participated in several foreign projects, the work ended, but the films have not yet come out. Here will come out next year - then it will appear, perhaps a reason for a conversation about my internationality.

Have you already had to hear some reproaches: here, they say, succeed in Russia and immediately left?

If someone has such conversations and leads, then not with me. In any case, I have not been able to hear anything like this. It is no less interesting to work there than here, and I never hid it. I did not leave anywhere: there was an opportunity to try forces in international projects - I tried.

By participating in such projects, I expand the boundaries of my capabilities and imagine not only myself personally, but also my country. Now I have interesting Russian plans - movies, performances. This is normal. We will combine.

Recently, the actress Ekaterina Klimova told in an interview that on the set of the film "We from the Future" you read the textbook of English, while the whole group rested. Did you really prepare for work abroad already then and what inspired you confidence, what will happen?

On the set "From the Future", I did not prepare for work abroad - I didn't think about it, but I wanted to know. I do not remember this in order not to part with the textbook, but if Katya says, it means everything was. (Laughs.)

In today's world, the English is simple to know, and for the work abroad, including. In the States they speak English, they play on it, and no translators are provided.

Time is standing there insane money, and no one will allow it to spend it on the translation.

Previously, I naively believed that you can learn the role in an unfamiliar language using teachers. This is a delusion: in this case, you turn into a robot that is not able to accurately respond to a partner in the frame. Therefore, English needs to know, hear and feel.

In Paris, communicated in English?

The French speak English with an accent difficult for my ear, you will not always understand. And here, on Corsica, no one in English says, in principle, and, if you are still trying, you are immediately looking at you not by the most friendly eyes. The French in relation to their language are those still nationalists.

It's one thing - to get to the western project, another thing to be held in their filmmaker. How difficult to you see?

To be honest, I don't know what to answer you, I do not put such a task in front of him - to catch up, grab, to stay. I stepped on this road, made the first steps and understand one thing: it is necessary to work, and there is a lot of work, rolling. In Hollywood, everyone passes - from the producer to the illuminator. This is the key to their success. On the set "Legends number 17" Many Akhali: "My God, you train five hours every day, what a well done!"

In London, before filming, I trained even more, and during the shooting it worked for fourteen hours a day. And there it is not heroism, but the norm: everyone is trying with all his might, value a reputation and work.

Can you compare the organization of the film process, the rules that exist there and in Russia?

In terms of the organization, in relation to the case, on labor ethics, this is unfortunately incomparably. Heaven and Earth. Here you have one story for example. In the morning the driver took me at the hotel and, as usual, brought to the site. On the way, I asked him to stop at the store to buy candies, because one actress had a birthday.

He ignored my request, I thought that he did not understand me, and repeated it again. Then he took out a mobile phone from his pocket with the words: "Talk to the production of production, let them give" good "so that I stop and let you go to the store. Because we left at 9, by 9:30 I have to deliver you to deliver to the site, 9:45 You have makeup, at 10:30 you are in the frame. If we are delayed for 15 minutes, then in the frame you will find yourself at 10:45, and I will be late for another artist who should take after you. "

I first even got angry: they say, what is it, I can't ask my driver to stop at the store? And then he cooled and realized that it was actually very correct - to rush to the workplace, the time of the entire film crew and clearly follow the instructions.

Or you still have a story. Night shift. Mark Waters, director of the "Academy of Vampires", tells me: "You have to be from this tree, now we put the label." "Yes, no label," I answer, having some experience in our cinema. "I remembered the place, orient." Waters did not even understand what I am.

And the guy who was responsible for the layout of the labels and who performed this work with some incredible diligence and artistry, looked at me with such a kind, as if I would take his bread. We have so far before them, our industry has recently been born. Someday and we will be so.

Don't you think that in their culture there is no certain soulful?

What do you have in mind?

Only with us the director can directly call the actor and say: "An old man, well, let's drink around the cup, discuss the role." And there is something spiritual about it. And they - one agent calls another agent, puts the papers and conditions ...

Agents are engaged in the business side, and we also have. No need to think that only we are so spiritual, and they are all soulless. They also have mentality there, and believe me, wonderful in its own way. And we often confuse soulfulness with the sludge and justify the elementary lack of professionalism with their mentalism.

Our artist can easily come to the platform. Or in the evening, after the shift, go to the bar, although the next morning he has a shift, an important episode and he cannot enter the frame swollen. It is difficult for me to imagine that the artist will come to the site with the unbearable text, and we are completely and near. Therefore, I would not have bragled with such a mentality, but eradicated it. It hurts greatly.

What in terms of roles can offer you the West, and what is Russian cinema?

The question is interesting, thank you. I think that no one in Hollywood will offer me significant roles, because I still have been unknown there, only a narrow group of people - producers, directors, agents know me.

But the most important thing - the public does not know me yet. Therefore, the roles of this level that I am now offered in Russia, I will never soon wait. But I hope that the release of the "Vampire Academy" will open me new doors in the west. "Academy" is a very good experience, this is the main men's role, a positive romantic hero from the book, which has become a cult.

I am not mistaken: did you have a similar experience in Yuri Kara in the movie "Hamlet. XXI Century"?

"Dubrovsky" is a completely new experience, and I would not compare it with the former, which became sad for me. In my opinion, "Hamlet" did not work, including my fault. Laert is my artistic mistake, and I am responsible for it.

In 2005, Alexey Hermann Jr. Garpastum was released - truly author's cinema. However, then, your filmography has become increasingly reopened by visual commercial pictures.

Yes, "We are from the future", indeed, quite the audience cinema. And the "target" Alexander Zeldovich you do not consider a truly copyright movie? Or "Felix Mikhailova" Felix? I do not work according to the principle: one author's film is two spectators - then another author. Offer a script, I like the story, I want to do it. Only such a principle, there is no other.

Theoretically for you is possible a cardinal change of image?For example, an external: Can we instead of a handsome hero, to detect you on the screen on the Lysim, flashed, noticeably the devilish frekter?

Give me an excellent script about a bald frrq, and I will gladly turn into it.

This shake for any artist is joy.

When you pronounce the phrase that you are the most popular and promising young actor of Russia, what sensations arise with you?

You have to be in shape all the time, you have to constantly improve it, and the titles that you just announced, should give birth to only one feeling - this is a sense of responsibility in front of you and the profession. But it would be better to do without these titles - to live so calmer. (Laughs.)

You yourself are what you think about the successful success: "Yes, I am worth it" or "no, it's not about me"?

I prefer not to think about it at all. There are much more interesting topics in the world. (Laughs.)

Usually, the success of a person is paying something. What do you think, what do you pay?

What a question is interesting ... I do not have a quick answer on him. This is a professional, and human happiness - to do a loved one, I am doubly happy if I really have something happen, and I would like to have a longer question about the rupture that I did not hang me and "cons" my profession.

Let me name you some of the possible minuses. For example: do you envy you?

Probably someone envies. I think you too. In loved ones, I do not notice anything like this, and this is the main thing.

Another question: do you use? Feel that people communicate in order to have access to your opportunities?

To my opportunities? And what is my opportunity?

Well, what about: I want to become an artist. Can I move your photos to you, and you, Danil, show them to Waters and other familiar Western directors? We're friends…

They ask, show, but increasingly convinced that it does not work. Never a director, choosing an artist, will not focus on the opinion of another artist. Unless in very rare cases. Such a messenger service can easily be bearish.

Did you have a feeling of fatigue from female attention?

How can you get tired? This does not happen much. Female attention is not enough for me. So write down. (Laughs.)

Well, stop: Wherever you come - you are surrounded by fans, something wants, autographs, joint pictures, want to tear off a piece of you ...

Nothing terrible, there are still a lot of pieces, not a pity. (Laughs.) In fact, I quietly go through the streets, shopping, in the movies.

Do you in St. Petersburg and Moscow do it?

Sure. Someone knows, shows a finger, and then says: "No, not he." And those who still decide to approach, as a rule, try to do it delicately. It does not bother me at all.

How do you think about what the most women are most drawn - to external beauty, to success, to money? ..

Women are an absolute miracle, completely irrational and inexplicable magic creatures. Do not classify them like that. I hope that most women draw attention primarily on human qualities of a man. And if he has in addition, there is also a nice bill in the bank, it is generally wonderful. (Laughs.)

Are there people from your past who suddenly appeared in your life thanks to the popularity?

Yes. Well, that is, how appeared again? The person calls: the old man, hello, looked at the film - Thank you! You will be in our area - call. I have a friend who serves in Kamchatka. He says: "Come - I'll show you Kamchatka, I will pull on the ship, I will feed the black caviar."

Well, what about when you are in Kamchatka?

Oh, it would be nice to get out there.

Let's go back to "Dubrovsky": you in my youth Pushkin willingly read?

The first poem, which I learned in my life - Pushkin "Recognition":

I love you - even though I mad,

Although it is a work and shame in vain,

And in this nonsense unhappy

Your feet I confess!

I am not to face and not in the years ...

It's time, it's time for me to be smart!

... etc. I was six years old - my mother gave me a book with this poem, and I said, "I'll teach now." We lived on the "falcon", and I remember my mother at this moment with puppies - our dog Koki gave birth to ten puppies, and mother fed them with a spoonful of cottage cheese. I sat down and began to memorize the poem on the line. By the end of feeding learned. It was my easiest, in the sense of memorization, poem.

Everything else that I taught in my life was harder. "Recognition" became my main goat when entering a children's theater studio of Moscow: I was seven years old, I went out before the commission and announced: "Pushkin." Recognition "." I love you - even though I mumble ... "- Everything, the Commission was fighting Outowed. Mom specifically came up with this trick - after that I could simply could not accept me. Later, my teacher at the Theater Academy, a unique teacher on stage speech Valery Nikolaevich Galendev, re-opened Pushkin for me when we started working on Evgeny Onegin ".

True, what your parents really wanted you to become an artist?

On the contrary, Mom did everything to be at the Academy. She was engaged in me and eventually I "arrived." She passed the entire examination marathon with me: a whole month went with me to the entrance tours, duty at the door. And I now understand what nerves she was worth it. All the freight of the excitement, which was supposed to fall at me, took the mom. If it would not, I would never have become an artist in my life.

The Cadet Corps in which you studied for six years is the influence of the dad?

I wanted to resolutely change my life, and then Mom first spoke about the profession of artist, as the experience, let the children's, in the amateur studio, was already.

What are your relationships with brothers?

I adore both. They are already both fathers: the elder, Egor, is growing daughter, the younger, Vanya, - already two.

Did you have a favorite actors and singers in youth?

We had a tape recorder Sony and several cassettes - with Louis Armstrong, Lisa Minnelli and Luciano Pavarotti. I didn't listen to them without end, because there were no other houses. I liked the hoarse voice of Armstrong, but I did not understand why he stretches the notes so much. Listening to Minnelli and also could not disassemble a word.

Yes, there was still a Cassette Philip Kirkorov - I even recently spoke about this Philip, - and there was the song "the only one," which I also liked it scary. But mostly listened in childhood jazz and classics, but now I am musically omnivorous, I love and listen to completely different music: from the one that is counted for world masterpieces, to the one that intelligent people call stupid.

Whose posters did you hang on the walls in the nursery?

Doves did not hang.

In principle did not hang?

There were no such heroes, which I would certainly wanted to hang on the wall, but, even if they suddenly discovered, I would not know where these posters take. All this culture passed a little past me. I went early from Moscow, I entered the Kronstadt Cadet Corps, I was ten years old, and there posters do not hang over the bed: this is the military system, everything is strictly.

Do you have typically male hobbies now? Cars, sports, beer, at the end
ends?

I had a hobby - mountain skiing and snowboard. But last winter I fell very badly - I almost broke myself a ridge. If I had damaged something to myself, then it would be great for theater and film crew in which I was shot.

Then I realized that the professional artist had no right to personal madness, which could be expensive to people depending on him.

Therefore, I had to tie skis, although sometimes I'm thinking at first: maybe still ride, neatly, on blue tracks?

But I know myself: today - the blue route, tomorrow will be red, and I will get the day after tomorrow. So it is better to stay from the ski slopes at a distance.

Well, and so - it happens, of course, the mood drink beer with friends. I was recently in Ireland, the Irelandian buddy invited, showed me the country, and I saw the legendary guinness for four days. Sometimes I want to just sit in the car and go somewhere, no matter where - especially after the performance, in the evening, when St. Petersburg streets and embankments are empty. Half an hour on the road, and you dispelled.

Having received a lot of popularity, and at the same time, and whether you have been able to acquire something lately with the last time, but they could not afford it before, but could not afford?

(Laughs.) Well, a man disgustingly arranged: always displeased what he has. Roughly speaking, five years ago I could not imagine that, using weekend and location, I can wait for Corsic for several days. And I sit on this Corsica, here there is bad weather, it rains, besides, I have bothered, for several days I turned with a temperature. I complain, yes? But with a satisfied face. (Laughs.)

It's stunningly - to be at Corsica, even in such weather and with a cold. Unfortunately, very rarely you allow yourself to be happy exactly when you can really afford it. All the time new dreams appear, desires that are not so easy to implement, and when it turns out - new ones will appear. Well, you yourself know.

I have the last question for you: here your Dubrovsky is recognized by Masha in love in the midst of a banquet, "recognition" of Pushkin - a special poem for you. I want to ask: how do you imagine the perfect situation at which you can confess the girl in love? Would you do it unexpectedly and originally or would prefer to remain old-fashioned?

I would not simulate here. Nowadays, when it is easy to communicate with SMS, even recognition for a table in the restaurant may not seem like that banal. And then, it's rather strange to sort out the options in my head: how would I find a lot of feelings in your feelings? This does not happen.

You are sitting together, yes, even in the car, and you suddenly understand what you want to pronounce important words - and say them, and at that moment it will be your best recognition.

And in high roles. In this connection, the news and publications about Olga will soon be focal information space. To date, Olga has already written an essay for the GQ magazine, appeared in an embrace with Kozlovsky on the cover of the October Tatler magazine number, and also gave an interview to Peopletalk.


In essay for gq Olga told where she came from the idea to write a script and make a film about two Gopniks, connected to the criminal world. Olga Rod from Vladivostok, when she was 23 years old, she went to New York to work the model and often corresponded with his brother:

"I remember this day in detail, because the next morning wrote a big letter to my brother Ivan, who lives in Vladivostok. Then he had a difficult period in life, and I often thought about him. He wrote him about his new life, and he was about our house. Vladivostok was rapidly preparing for the APEC summit, there was a golden bridge, a new opera house, the construction was thundered at every corner. My brother worked on one of them. Vanya often told me about the guys who saw every day, and his stories were very different from my. At the construction site often stolen, but Brother did not condemn anyone - on the contrary, some justified: "He has a family, he feeds one seven mouths." In 2011, Vladivostok developed and flourished, but I infirmly heard that people flourished there. In any case, those who I knew. "


And also told about the character who was performed by Danil Kozlovsky: "Kisa performed by Dani was the embodiment of my Girld Fantasy. I always liked bad boys in leather jackets, which fought and smoked beautifully. In Vladivostok, these are full. But besides this kisa grew up from films about hooligans and my New York impressions from models boys who passed daily by me on castings. Many people reacted in doubt: "Which of him Gangster? In the eyes it is clear that he is an intelligent guy. " Such an approach seemed to me primitive. Why do people think that criminals are a stupid people? And does the presence of good education or high IQ eliminates the likelihood of rough behavior and arrogance?
I did not argue because I knew: to survive on the street, you need to be wise, otherwise the street will damn you. And to prove a fashionable partner that those who are considered by Hopniki and the provincials are often smarter than themselves, I did not become ".

In an interview with Peopletalk portal Olga spoke about his travels, the first meeting with Danila, jealousy, as well as about the new project.


"I was not excited about our first meeting. I did not have this trait of the personality of Danil Kozlovsky. The first thing I thought was that he was a very beautiful boy. But within ten minutes everything has changed. I quickly understood that this is a very special person, a real man. Danya deeply touched me with his kindness, sincerity and some internal purity, which is usually not peculiar to beautiful, successful, and even more so known. Sometimes I want to pinch him and ask: "Are you real?"
One of the first dates was in a very strange institution for us (we do not like pathetic places) - something on Red Square. Since in his eyes I was a foreign one from New York, who speaks with an accent, he decided to take me there. I really liked it, but we usually do not go to such places. "

"Sometimes jealous, yes, when he comes home and for 10 minutes with a pear (dog. - Approx. Ed.) Hugging. But globally - no. Once I saw that he puts the husky in Instagram to one beautiful girl. I joked about him on this, but he quickly put me in place. Dani has a lot of friends, among them there are many beautiful women, if I'm jealous, I'm just not enough, such emotions are very extinguished. You need to be wise and take yourself from jealousy and other nonsense. "


Olga has already begun work on a new project - the series "officially beautiful", the main role in which Danil Kozlovsky will play again:
"My second director's project is the series" officially beautiful "about models. I want to tell you to be beautiful - it is often lonely and difficult. Everyone around thinks that the doors are open to you if you are beautiful. Yes, they are open, but when you enter one or another room, you will look at you and think in a certain way, precisely because you are beautiful. For myself in this series, I wrote the role of an aging model that lives in New York. Now I will fly to New York to work - in my opinion, I thought everything perfectly! "

I love clothes as a means of self-expression and respect the fashion as a form of art. My own style depends on the mood. There are days when I like the "parade" men's clothing, and I wear good trouser suits. Just Max Mara creates very beautiful silhouettes. I try to follow the trend, but at the same time I wear what I feel comfortable. And in this, I also have a brand too: in my opinion, they perfectly manage to cool and at the same time classic wear. In the February show by Max Mara, I liked the black suit and a red ensemble, in which Jiji Hadid went out. Then the red fluffy coat is very spectacular! And the material! Quality is awesome. In general, I do a lot of purchase in different ways, it spontaneously, I'll take a pause to "think," sometimes I plan shopping. It depends on whether I am loaded, a lot of work. And sometimes I wake up and I understand that the entire range of online store was bought at night!

On Women in Film 2017 Crystal + Lucy Awards, 2017

About influencing

I somehow thought if the style of the heroine affects my own. Good question. Probably it happens. During the shooting period, I do not really dress up - it is elementary there is no time, I work for 14 hours a day. I come to the site simply in pajamas (here without options - for many years I do not get out of the same one), I shoot and go home in pajamas. But there is a weekend - that's when the style of the character I play! For example, in "Why is he?" My heroine is constantly wearing flannel shirts. And I caught myself that on Saturday, just once I put such shirts.

About the premieres and vintage

There are two fresh projects that I value. First, I just finished starring in the "Matrix of Time". The film comes out on March 3, he is about a girl who again and again experiences his last day and death, until finally, does not understand that it is necessary to appreciate people and life that is not something for granted. This story takes per soul, and I am proud of what could become part of it. Working on such a topic is not easy, but shooting and should be such. Every day, I seemed to be taken for a new role, because the heroine changed dramatically ... if I am in the "matrix of time" in every scene, then in the painting "For the abyss in rye" about Jerome D. Sallinger, where I played 'Neil, mostly appear at the beginning. The shooting was delivered by immersion in the 1940s atmosphere, to the world of the highest society of New York those years. In addition, the ability to wear vintage. Silhouettes of that era are captivated. The role was definitely difficult in the sense that I was sick for the accuracy, to pay tribute to the heroine - a real interesting person.

Frame from the film "Vampire Academy" (2014)

About Danil Kozlovsky and Dreams

Some time ago I met Danil Kozlovsky. Isn't it wonderful? I was filmed with him in the movie "Vampire Academy". The shooting was held in London, and the number of people who stopped him and exclaimed "oh God, Danila!", Admiring his work, shook. Watching the Treak of Danil, I once again convinced that you need to work hard, to understand that all your time is working time. In the profession it is necessary to be because you love her, and not from the desire to be higher. I do not care, the star I or not. I like being actress, a storytellor, call out emotions. I like any genre. I also play in comedies, and in dramas, and I want to continue in the same vein. I dream to try myself in the musical. And in the western. I hope to work with Jill Soluey. She is a stunning screenwriter and director, she has a film "Halfish Nega", here I dream about such challenges. There is still a huge desire to work with David O. Russell. And if you have to end frank, then I can manit the play "Venus in Furs". I would like to go to the theater scene.

At the event Max Mara Celebrates Zoey Deutch As The 2017 Women

About award

I was very flattered by learning that I get the Max Mara reward. For many years I came to the ceremony in Los Angeles as guest and this year it became the 12th owner of the Max Mara Women in Film Face of the Future! Being a marked brand, which gives tribute to strong and successful women and is so devoted to the struggle for their rights, just a dream. Among the winners of the previous years there are my friends: Chloy Moretz, for example. Emily Blunt, winner of the award, also my hero. I love Rose Byrne very much. Many stunning women. And so I entered this narrow circle. The sensations are unreal.