Elizabeth Dahl: a brief biography, personal life, the cause of death. Oleg Dal: Biography, Personal Life, Family, Wife, Children

About the life of the outstanding artist of the theater and cinema Oleg Dalya is known not so much. Most facts are very contradictory.

During his lifetime, the actor did not exhibit his life at the bottom, did not let the journalists and idle curious. And after his death, the widow also did not give a lengthy interview. Let's try to figure out what happened to him really.

Brief biography artista

Dal was born in the most tragic year for our country - in 1941, In late May, almost on the eve of war, in the suburbs. Immediately it should be noted that the actor - The descendant of the famous Russian researcher, compiler of an intelligent dictionary of the living Great Russian language Vladimir Dalya.

In the family, Oleg Artists were not, he became the first. Parents accepted his decision in the bayonets and hoped that the Son in the Theater School would not go. But he did and became a student of Shchepkinsky school.

Creative life

Oleg Dal was an outstanding theater actor. But the majority remembers it for wonderful films. As "shadow", "star of captivating happiness", "Adventures of Prince Florizel" or "Land Sannikov", a film that the actor himself considered his failure. But the audience was counted differently.

The actor was very picky in the choice of roles and refused to many famous directors. And he also changed theaters several times without coming in an opinion with leaders.

Personal life actor

He was married to Oleg Dahl several times, as usual and happens with artists. But he did not have children.

For the first time, Oleg married pretty early, in 1963. The choices became the actress Nina Doroshin. But this early alliance collapsed almost immediately. The wife was in love with Oleg Efremova and had rumored with him with his own wedding.

Oleg Dal felt offended, for which he had full right and immediately filed a divorce. Subsequently, he tried not to remember this extremely unpleasant and humiliated episode of his life.

Tatyana Lavrov, I also became an actress, his second wife. But this marriage existed for long, just six months. The actors could not get along with each other. Oleg Dal Casually described his wife as a woman evil and aggressive. And she, in turn, considered him the very vile and unimaginable.

It is difficult to say which of them is right, but Oleg Dahl is truly always, in addition to talent, was distinguished and difficult. And about the second marriage, Oleg Dal also preferred not to remember.

Only for the third time he smiled happiness. He met a woman of his life, which brought him success in his personal, and in creative life. Her called Elizabeth Eikenbaum, Maiden's name apraksin. Oleg Dal was filmed in the film, and Elizabeth worked on the site by the editor. They also met.

And soon and got married. They lived together for 11 years.

Oleg Dal was a man with a very complex character. First of all, he was an honest, sensitive and noble man.

He did not tolerate podhalimage, rudeness, intrigue and all sorts of well and gossip. Namely, such intrigues are full of backstage theater and movies. As a result, Oleg Dahl several times with the scandal changed the place of work.

Intelligence in personal and creative life, he drowned alcohol. Unfortunately, this widespread vice in the environment of creative people, naturally, was difficult to put up with such shortcomings, although the artist and tried to fight his vice. However, it was enough for a while.

Only the third wife managed to breathe hope for the best life, it was she waiting for him from work, took his shortcomings and always supported. At that time, when they were together, Oleg Dal played, perhaps, his best roles.

Oleg Dal remained a man romantic, with exquisite manners and high requests. He could appear with a huge bouquet and gifts to behave like a prince. But at the same time, it was often drunk, which created difficulties not only in personal, but also in creative life.

So the wife Elizabeth had to be not easy. As a result they did not start their own children. And to adopt in those years it was not very accepted.

last years of life

Oleg Dal was a man very emotional And often unrestrained. This led to conflicts at work. Alcohol abuse only aggravated the problems. Despite the tremendous popularity and popular love, the artist was considered "Opt" and until 1977 was non-rigid.

According to friends, shortly before death, the artist looked no matter, he had nervous exhaustion. At the same time, he had heavy conflict on Mosfilm. The artist never matured with Halhuroy and refused to participate in such projects. Of course, such a conflict of health did not add, especially considering that the distance suffered from heart disease.

Oleg Dal died in a hotel in Kiev, in 1981 From the head of the heart. Many believed that alcohol was the cause of death - the artist was "stuck", and he was contraindicated to drink.

Name: Oleg Dal (Oleg Dal)
Zodiac sign: Twins
Date of Birth: May 25, 1941 -
Age: 39 years
Place of Birth: Lublin
Date of death: March 3, 1981
Activity: theater and Cinema Actor, Director
Family status: he was married to Elizabeth Apraksina
Wikipedia

Oleg Dal - biography

Oleg Dal is an actor who never fited in the framework of everyday life. The surroundings suffered from his flange and straightness, and he was from the injustice and vulgarity of this world.

Childhood, family Oleg Dalya

Oleg Ivanovich Family Dalya is interesting because they are the descendants of the most famous intelligent dictionary of Vladimir Daly. Oleg was born in a family, which was not only far from theatrical art, but did not welcome him. They say that the father of Oleg Dal in the young years was screamed by writing the stories that he published in the literary journal under the pseudonym of the distance (his last name was fame).

And when universal certification began in the country, he took a new name - Daly. In addition to Oleg Ivanovich, I was also brought up Iraida, the sister of the future film actor.

Oleg lived in orphanage on Moskovsky Street and from all other courtyard guys did not differ anything, spending most of their time on the street. But when he went to school, he was unexpectedly at the first medical school for the boy himself, and for his parents, the doctors discovered a heart disease. It has so much affected Oleg Dal, which he began to engage in painting, and then literary activities. It was also added to this that he perfectly understood that he had speech defects - he was kilvil.

Study Oleg Dalya

After graduating from ten grades, passing the exams, Oleg Dahl goes to submit documents to the theater school. So, in 1959, he becomes a student of Shchepkinsky School, although his parents were against this choice of profession. Dahl was enrolled on the course of Nikolai Annekova, a famous and well-deserved actor.

Oleg Lyuly was lucky, and his fellow students became famous film actors Mikhail Kononov and Vitaly Solomin.

Career Oleg Dalya

The cinematic biography of Oleg Ivanovich Dalka begins in 1962, when he played an episodic role in the film "My younger brother." In this film, he was noticed and invited him to play in his film-efficiency "War and Peace", where he was offered the role of Nikolai Rostov. " But, unfortunately, the samples were unsuccessful. But already in another film, Oleg Dal played a major role, and this detective enters the screens in 1963. But he does not immediately receive fame and popularity. Therefore, continues to play theaters.

In 1967, the famous actor Oleg Dal was approved on the main role in the famous and popular film "Zhenya, Zhenya and Katyusha". But only all this came to him with great difficulty. So, after this moment, he had already managed to change the three theater, where his relationship did not make up due to improperness.

Yes, and on this role that Oleg has brought success, it turned out only to remove the samples from the third time, since the first two he threw, being drunk. In 1967, the premiere of the film was held, but the officials remained unhappy with her and did not give permission to show it to the mass audience. The film was released only after numerous disputes and conflicts. So, Oleg Dal became a famous actor.

But the biggest popularity comes in the biography of a talented actor after he starred in the film "Chronicle of the Pibing Bomber", where Dal played a major role. After that, in 1968, playing major roles in several fairy tales. But after all, one of the best and legendary works was the role of a cross in the film "Land Sannikov", although she didn't like the actor himself.

Oleg Dahl: Theater

Removing the cinema, Oleg Ivanovich did not throw his work in the theater, constantly developing. Already in 1963, he was invited to work at the "Contemporary" theater, but when the distance agreed and switched to work here, during almost five years he was absolutely not allowed to play the main roles, and had to always be only in the second plan. Therefore, he decides to try himself as a director. In 1969, his first performance comes out, where he himself plays and the main role.

After that, he changes his place of work many times. So, he worked in Lenkom, but at the same time he continued his work in Mkat, working in collaboration with Oleg Efremov.

Trying to find yourself in this acting profession, he decides to enter the rates of directors, successfully comes, but did not finish. Then, breaking his relationship with the "Contemporary" theater, he goes to the theater on a small armor. But his cinematic works are becoming more and better, so it easily conquers the love of the viewer. In 1980, a famous actor switched to a small theater.

Personal life

Personal life, like the creative biography of Oleg Dalya, was not easy. Married the famous actor was three times. The actor's children did not have any of his wives.

Wives

The first wife Dalya became the actress Nina Doroshin, who ran away from their wedding.

The second wife - Tatyana Lavrov, with which the marriage existed only six months.

The happiest band in the biography of the actor came after Oleg Dal married the third time. His chosen - Lisa Apraksina has always been waiting for him home, and endured all his drunken trunks. Therefore, this marriage existed for a long time.

Oleg Dahl Cause of Death

The latter role turned out to be the most difficult in his acting biography, as he did not want to argue for his role for a long time. Because of these problems, the health of the popular actor was undermined. But besides, it affected that he began to drink a lot. On March 3, 1981, because of the heart attack, a talented actor died in Kiev, where at that time he was on a business trip. The cause of death was a heart attack, due to frequent use of alcohol. Oleg Dal was buried in Moscow.

Biography: Tati

Oleg Ivanovich Dal (05/25/1941, Lublino, Moscow region - 03.03.1981, Kiev) - Soviet film actor and actor theater.

Childhood

Oleg Dal was born on May 25, 1941 in the Moscow Region (city of Lublin). His father Ivan Zinovievich was a major railway engineer, mother Pavel Petrovna - a teacher. In addition to Oleg, there was another child in the family of Dale, Iraid's daughter.

Dala's childhood passed in Lublin, which was then a suburb of Moscow. Like every boy of post-war, our hero dreamed of choosing something heroic as a future profession, for example, a pilot or a seaman profession. However, while studying at school, playing a basketball, Oleg told himself a heart and with a dream about the heroic profession had to part. Since then, his work has become taken: painting, poetry. After reading the Lermontov "Hero of Our Time" school, Dal decided to become an actor to someday play Pecherin. Then he, of course, did not suspect that after some 15 years this dream will come true.

Shchepkinskaya school

After graduating from high school in 1959, the distance thus decided to file documents to the theater school named after Shchepkin. Parents were categorically against this Son's decision and they had their weighty sharms. First, the profession of actor in the working environment has never been considered serious. Whether the case is a chauffeur, a doctor or, at worst, librarian. These professions allowed the owner to confidently feel in society, have a solid salary. Secondly, our hero had one essential flaw: since childhood he was killed, and this meant that at the first exam in the theater institute he would fail. "You mean, do you want such a shame?", - Surovo written father Ivan Zinovievich.

However, the distance in the eyes of the admissions commission, of course, did not want, therefore, it was decided to correct the diction and the theater school was still to do. And this is stubbornness, as well as the fact that he still managed to cope with his mobby, made her parents accept his desire to become an artist.

Continued below

On the exam in the School, the distance chose for himself two rearmen: a monologue of Nozdreva from the "Dead Souls" and a piece of the "MTSY" of his beloved poet. And during the fulfillment of the first passage, he literally struck the admission committee once. True, somewhat in a different sense than it was required. Long and skinny applicant, with Paphos, recording a monologue of Nozdrev, led examiners into a condition close to fainting. The laughter in the audience stood such that it was talked to her doors almost all the school. Gallely then, apparently, it seemed that the case was falling, but he did not know how to retreat and therefore decided to go to the end. When the laughter was hammered, he began to read the excerpt from "MTSY". And here the examiners were surprised in surprise: instead of a boy, a minute ago, called a wild laughter, suddenly a young man grew up with a burning gaze and a wonderful speech. In short, Oleg Dalya was enrolled at the first year of the school, who led (young people were hit by the same course, who soon had to become famous actors -,).

The first roles

In those thawing years, cinema woken up from the long Stalin hibernation, looking for new heroes, consonant time. Among the heroes were three graduates of the school from the story V. Aksenov "Star ticket", which was published in the journal "Youth". Film director Alexander Zarkha conceived in 1961 to make a film on this novel and sent his assistants to all metropolitan creative universities with the task to find actors for these roles. Soon, several dozen students were selected, the samples began, who revealed the lucky ones: and from Schukin's school and Oleg Dalya from Schepkinsky (he got the role of Alik Kramer). In the summer of the 61st, the film crew went to full shooting in Tallinn.

The film "My younger brother" went on a wide screen in 1962. The names of the three young actors first became known to the public.

In 1962, two famous director of the Soviet cinema were noticed at Dahl: and Leonid Agranovich. The first invited him to try to the role of younger Rostov in "War and Peace" (the samples did not pass), the second entrusted him the main role in the film "The man who doubts".

This film was a psychological detective and narrated how after the murder of tenth-grader, the investigative authorities were arrested by an innocent - a friend of the deceased Boris Dulelenko, whom the court sentenced to shooting. It was him that the distance was played.

In the film there is such an episode: the investigator during the interrogation dulenko asks him why he agreed. In response, he declares: "And if you beat your legs in the stomach?". This phrase consultants of the film from the Ministry of Internal Affairs seemed to be provocative (it turned out that the militia was beaten about!) And it was ordered to withdraw. I had to renovate this episode and insert another, more loyal phrase in the mouth of my hero.

"Contemporary"

At the time of the release of the film on the screen (1963), Dal safely completed his studies in the theater school and for some time standing at a crossroads, hesitation, where to go. And then there was an unexpected: visiting the actress of the theater "Contemporary" A. Pokrovskaya called on his diploma performance A. Pokrovskaya called him to the theater. True, before you get to this famous theater, the candidate was required to pass the exam of two rounds. But Oleg played his roles with such brilliance in both shows that he was immediately enrolled in the troupe.

Once in the "contemporary", the distance for five years did not play big roles, pleased only in secondary. However, he almost did not worry about this, since one stay in the famous youth theater was already sufficiently treated his pride. In addition, it was sometimes invited to act in the movies.

The next picture of the young actor was the film director of Isidore Annensky "First Trolleybus". Removed him in 1963 at Odessa film studio. His plot was intense: the factory youth goes to work on a trolleybus every morning, the driver of which is a young and pretty girl named Svetlana. Naturally, she likes the young men, around these relationships and the entire plot is spinning. In the picture, in addition to the already established actors, a whole group of young was filmed: O. Dahl ,. With, by the way, Dala at the time began a stormy romance, which in 1963 ended with a wedding. It was ended - the family life of the actors was not asked and soon they decided to part.

The film was released on the screens of the country in 1964 and was well adopted by the public.

Over the next two years, Dal starred in two pictures, but it is difficult to call them significant work. We are talking about films by E. National Stolitsky and Yu. Friedman "from seven to twelve" and "built bridge". The last picture was entirely supplied and played by contempants and told about the youth team, built a road bridge over the Volga. Oleg Dal played a small episode in it, which was quite explained: his position in the theater's troupe continued to remain the same - on pickup. From the roles that he then played on stage, you can call the following: Heinrich in the "naked king", a bear in the "eternally alive", Cyril in the "senior sister", ate thursday in "Snow White and Seven Dwarfs" (all performances are delivered in 1963 year), Marquis Brisail in "Sirano de Bergerac" (1964), Igor in "Always on sale" (1965), Pospelov in "Ordinary History" (1966), Episode in the "Decembrists" (1967). As can be seen, from year to year, the position of Dahl in the theater has not improved: the roles were becoming less and less. And if earlier, at the youth, the actor perceived it as proper, then his attitude towards such things has changed. He began to "download law", broke. It was in those years that he became more and more likely to drink. His family life did not go. His marriage with the actress "Contemporary", which became famous thanks to the role of Leli in the film "Nine days of one year" (1962), lasted for a long time - only six months (they got married in 1965). It was during this period that at the beginning of 1966, Oleg found the director with Lenfilma Vladimir Motyl.

"Zhenya, Zhenya and" Katyusha "

V. Motale then was going to put a film on the scenario "Zhenya, Zhenya and Katyusha". The story of how he was breaking through this, in general, at the time, the impenetrate scenario, deserves a short story. To run it in production for a long time was not given until V. Motale did not resort to the tricky trick. He came to the reception to the then Zavedde of the Central Committee on the Cinema and threatened him a certain compromising that could strongly spoil the relationship with the secretary of the Central Committee on ideology. The threat was so serious that the official was surrendered to the wall and here I agreed to take care of the breakdown of a prohibited scenario.

The artist on the main role of V. Motyl was then not, but two more two years ago, when he was going to shoot "Kuhl" on Y. Tynyanov (the film did not appear), his colleagues strongly recommended him to look at the actor Dalya from the "Contemporary" . He did not see him the moth, but I remembered the last name. And now I decided to get acquainted closer. The director recalled: "The first meeting with Oleg discovered that in front of me an outstanding personality that the entity of the artist's personality coincides with the fact that he needs a planned image. It was a rare event when the artist appeared from the imagination that had already been a ceased character in a plastic sketch.

In short, then it seemed to me that the shooting could be prescribed at least tomorrow. In addition, it turned out that the distance was no longer working at the theater (later I learned that his affairs were nicudual: he left the theater after the next scandal and in his personal life everything went awry) and therefore could devote himself to the cinema. It was defiantly catchy cherry velveter jacket, at the time extravagant, fashionable rarity. He was not twenty-five, but unlike his peers-colleagues, with whom I met and who really tried to please the director, Oleg kept with great dignity, as if he was not at all interested in work, as if she was covered with proposals without us. He listened carefully, answered questions briefly, pondering his words, followed by an indulgent subtext: "The role seems to be good. If we go in positions, maybe I agree."

In the positions, the director and the actor eventually agreed and soon was appointed the day of the first film process. And then surprises began. Oleg arrived at the sample not in shape and, naturally, all threw. A new test was appointed, but she failed due to the fault of the actor. Probably, any other director would have caused a legitimate sense of anger and the desire to immediately part with a negligible actor, but the moth found the strength to restrain. His assistants are metal thunder and zipper at Dala, and the director retained enviable composure. The third test was appointed (in the movie the case is unprecedented) and this time the actor promised not to sum up the director. Fortunately, this word he then kept and worked everything as it should be. However, it was still far from a prosperous end.

As soon as the film crew with Dalem, as the studios immediately found opponents of this choice. And yet, to defend Dahl, the director and the screenwriter managed and shooting the film began. They passed in Kaliningrad, where Natura was shot. According to the participants of those filming, the center of the whole team was two actors: O. Dal and. Their continuous Hochms brought the whole group to colic. V. Motyl recalled: "They go in the filmmaker in the center of Kaliningrad Dal and. They, while worked, all the time they played each other, and on this day they got some kind of entry under the tail. Dahl suddenly jumps on the bridge and runs across the street in the direction of some kind The fence, swinging with a bout automatic machine and shooting it from time to time. Also jumps, and with the same automaton runs behind him, yelling: "Stop, bastard, stand!" Passers-by in horror is watching this scene until a real military patrol appears. The head of his officer sweats from the tension of thought: it seems to be with the Soviet military uniform, but some kind of not like that. "Who are there?", He asks the artists. "Sea cavalry, Comrade Major," reports. "Railway fleet, comrade Major, "Dal reports. And this uncle was in fact the captain of the 3rd rank and" Major "they finished him. No artists knew and under the convoy sent our guys on Gaupvakta. With great work, we pulled them out of the paw army Justice ".

It was not the only incident involving Daly on those filming. In another case, he arranged a scandal in the hotel and handed over to the hands of the valiant militia. And the control of the artist for 15 days. However, stopping the shooting was impossible and the moth personally thus stunned the police officer to let Dalle journey in the morning.

In early 1967, the film was completed and began longly nuclearity with its release on the screen. High officials from the Cinematography Committee risked against him. "What did you withdraw on state money?"- They in surprise in the director. - "What is the Khokhma in the film about the war?".

Almost the same, the first secretary of the Leningrad Region of the KPSS of Tolstikov, who was given a picture of the painting in the commander. The session was barely ended and the light was lit in the hall, he got up from his place and angry: "I'm not perceived such a picture!" (This is how he said).

To these reviews joined the high army ranks from the main political management of the Soviet Army who promised "Erase the creators of this breeding into powder". True, a little later, it is from the Glavpier and the picture has come. As soon as their boss went to a long service business trip, his place was taken by a progressive counter-admiral who requested a film to himself. During the session, he sincerely laughed above the plot and in the end I asked: "Excellent film! We must show".

So the picture was still on the screen, but her rolling destiny was sad. The premiere showing of the film in the house of the movie was banned and hardly managed to attach a picture into the house of writers. It was printed only two (!) Posters. On August 21, 1967, the premiere took place and caused a storm of delight in the audience. But even after such a reception, the attitude of officials to the film has not changed. It was ordered to print the minimum number of copies and put them with a small screen mainly in the province.

End of the 60s

Meanwhile, at the time of the release of the film on the screen, the distance was already filmed in the next picture, which strengthened its popularity among the audience. We are talking about the film of the director N. Birmann "Chronicle of the Piking Bomber", in which Oleg played the role of the pilot Evgenia Sobolevsky. Created by the actor image of a smart and charming guy who invented a corporate liquor called "Chassis" (after the release of the film on the screen, the then youth just called strong drinks), and the audience had fallen. O. Dal has become one of the most popular actors of the Soviet cinema.

The end of the 1960s has become a good time for Oleg Daly. After several years of creative and personal troubles, everything has become more or less successful. In the theater "Contemporanik," where he returned after a long break, he received the first significant role - the role of Vaska ash in "at the bottom" (the premiere of the play took place in 1968).

In the cinema, the well-known directors began to offer him more often. So, in 1968-1969, he fell immediately to the two Corrolors of the Soviet cinema: the hope of Kosintsev's hope and Gregory.

N. Kosheverova recalled: "My first meeting with Oleg Dalem occurred while working on the film" Cain XVIII "in 1962. The second director, A. Tubenshlyak, somehow told me:" There is an amazing young man, not the second year of the institute, not that Third, but which, in any case, still learns. "And indeed, I saw a very funny young man who made a sample prettyly. But then it turned out that he was not released from the institute, unfortunately, in this picture he did not starred.

When I started working on a movie "Old, old fairy tale," Tubenshlyak reminded me: "Look Dahl again. Remember, I already showed it to you. You've even said that he is very young." Based on the fact that I have already seen on samples, and on my idea that Oleg can do, although I have not yet been familiar with him, I invited him to the role.

Despite all my assumptions, I was surprised. In front of me was an actor bright personality. He thought of interest, fantasized, sometimes completely from an unexpected side opened the laid in the scenario. A peculiar one, no one like the manner move, talk, look. Unusually alive, movable. "

It is worth noting that it was N. Koshimerova "Suspended" Dalla his colleague at the directorial workshop of Kozintsev in his film "King Lire". It happened in 1969. Kozintsev then was at the crossroads, since the shutter planned to them on the role was on the eighth month of pregnancy and could not play in the picture. Here and turned up to Kosheverov with his proposal to try this role O. Dalya. A small test was made, which I really liked Kozintsev. So the actor came to the role, which will later be recognized as one of the best in his all-service list.

Meeting with Elizabeth Eikenbaum

Foreign shooting "King Lira" took place in August 1969 in the city of Narva. And shortly before them was a meeting of O. Daly with his future wife - 32-year-old Elizabeth Eikenbaum (Apraksin on his father), the granddaughter of the famous philologist Boris Eikenbaum (she worked in the set of editor).

She recalled: "Oleg cared for me all the shooting. Then he invited to visit Moscow to the" contemporary ". I risked, went away. From the station I called right to the theater, I asked to call Oleg Daly. Hearing a familiar voice in the phone, introduced himself." What Lisa heard In response. I was terribly offended. So I left back to Leningrad, without looking at the performance.

A few months later, when they met again on Lenfilm, it turned out that I took it off then from the rehearsal. Troat Dahl at such a moment - the tragedy. But then I did not know about it. In this arrival, he first stayed with me. But I was not still in love. Distance has affected ...

Oleg immediately made friends with my mother Olga Borisovna and called her Olya, Olechka. Her father, my grandfather Boris Mikhailovich Eikenbaum was famous literary critic, professor, teacher Tynyanov, Shklovsky, Andronikov. When the grandfather did not, I thought there were no more such people. And suddenly in Oleg, I opened similar features. He pretty old-fashioned asked my hand from mom. It happened on May 18, 1970. The next day, he flew away with the theater "Contemporary" in Tashkent and Alma-Ata on tour ...

The fact that I got on the film "King Lire" played a huge role in my life. For me, still there is something mystical in it: if this film did not shoot Mikhai Mikhailovich, but someone else, but Oleg would be filmed, we would not have become my husband and wife. Something was here ... I remember the arrival of Gregory Mikhailovich on the next viewing of the material and his words addressed to me: "Lisa, what a day was Oleg yesterday at the shooting !!!". I thought then - why does the Kozintsev talk about this to me, maybe he knows something more than me? Then I had no serious thoughts about us with Oleg ...

Why did I go for Oleg, although I saw that he dries hard? I was interested with him. I was already 32 and I thought I could handle his weakness. Something inner feeling felt: this person can not be upset with refusal ... ".

But as recalling his first meeting with Dalem Mom Lisa Olga Borisovna: "He came to our home after the swoing. I knew that he had already close relationship with Lisa. That evening he found Lisa Sergei Dovlatov and did everything to" reset the guest. The next day he had to be together with the theater To fly to Almaty on tour. They and Lisa came to me at five in the morning and he very seriously asked my daughter's hands. And I needed to get a job at six. I just noticed him in response: "I could wait yet, I would not have happened. "I liked it from the first time. Amazing eyes ... When I looked at him for the first time, I told myself:" Well, my Lisa disappeared! ". I knew that he had long been a bachelor And five years lived alone. They were married for only six months. I somehow asked: why did you soon dissolve? He replied: "She is angry." I have, by the way, there was no such impression that he madly fell in love with my daughter. True, absolutely charming letters from Alma-Ata were convinced of a lysine choice. Lisa before leaving he ordered urgently to his arrival Place a divorce with my first husband. As soon as Oleg arrived, they immediately went to the registry office. He was special, so I was very easy with him. I'm far from all the lysine fans loved, so I would not everyone would be a light mother-in-law ... ".

Note that the film "King Lire" entered a wide screen in 1971. Abroad, his success was weighing: at festivals in Chicago, Tehran and Milan, he won several prizes.

Care from the "Contemporary"

Meanwhile, in the year of the release of the film on the Dal screen left the Toruppa Theater "Contemporary". How did this happen? Theater was then preparing for the production of the "Cherry Garden" in and Oleg got in it the role of Petit Trofimov. However, apparently, he had other thoughts about his place in this production and he stated that he would not play this role. But no one was going to give another role. Then he decided to leave the theater.

In that year, his debut on the scene of Mkhat could take place, where he was invited to play a role in the play "Copper Grandma" on the play L. Zorina. The distance very actively rehearsed this role, many who saw these rehearsals believed that the actor was waiting for an undoubted luck, but at some point he trembled. The production suddenly broke out and he came out of it, had to play this role for himself.

Soon, Dal went to Leningrad, where his spouse lived, and entered the troupe of the Leningrad Drama Theater named after Leninsky Komsomol. For two seasons, the twin was played in the play "Choice" by play by A. Arbuzova. He played with a complete absence of any interest in the role. He himself then called this play "Impossible shaky", and its participation in it described not otherwise as "From g ... you can't make a candy!".

What kind of O. Dal was the Leningrad period? His wife E. Dal recalled: "Next to him, I gradually became another. He did not say anything to me, did not teach me, but I suddenly understood - I didn't need it. I was messy, I could scat out clothes, I did not lay anything in my places. But here I have nothing I saw how he folds his things. What an order was on his table, on the bookshelves! When I asked him something, he, without turning, stretched out his hand and took, not looking, the right thing. He never searched . And gradually following him, I started doing the same thing. And it turned out that it was very simple ... ".

"Land Sannikova"

As for cinema, in the early 70s, Dahl happened a few roles, which he then recalled with satisfaction. This is the same N. Kosheverova in the "Shadow" (1972), where he played two roles at once - the scientist and his shadow, and Joseph Heifitsa in the "bad good man" (1973) - there he played Laevsky. In addition, on television in 1973, he played three prominent roles at once: Marlowe in the "Night of Errors", Carter in the "Dombey and Son" and (his childhood dream came true!) Pechorin in "Page of Pechorin magazine".

But then he had a role that he was not remembered in the future without a dental grincling. We are talking about the role of singer Evgeny Krestovsky in the film "Land Sannikov".

In 1972, this picture was launched on the "Mosfilm" two director: Albert Mkrtchane and Leonid Popov. It was originally chosen for the role of the Cross, but his high kinophone banned him. And then, in the field of view, the director appeared Dal. He was sent to Leningrad a scenario, he got acquainted with him and gave his consent to filming.

However, in the course of the filming, dissatisfaction with what is obtained from a serious scenario (and in the opinion of Dala, a cheap spectacle with songs was obtained), more and more covered both Dala and the performer of the other lead role. Several times the case came out that both actors wanted to leave the shooting platform. But by some miracle managed to stop. In the end, they finished the film to the end, but they were completely spoiled relations with directors. As a result, for example, Daly did not even invite the songs that sounded in the film (these wonderful songs wrote). That is why in the film sings them. On the then mental state of our hero, the lines of his diary are very convincing:

And my thoughts about the current state of Sovkimnatograf ("Land Sannikov"). X and in clinical salons with scarce reserves of a gray substance distressed by muddy green flies. Here treatment is useless. Help full insulation! "

The most amazing thing that, despite such derogatory characteristics, the film of the person who created him, "Land Sannikov" was met by the public with a huge delight.

Bad habit

It is worth noting that many sharp actions of our hero were dictated by its long-time addiction to alcohol. About Dalla's thugs in the cinema party went literally legends. He could not stop even when he found a real family - he married E. Eikenbaum. She herself remembered this: "I think he began to drink in the" contemporary ". There they drank Many: who is more serious, who is in a joke. Gradually, it was tightened ... He is not a weak man, on the contrary, very strong. But this, unfortunately, has become a disease. ...

Three years after the wedding, they walked like in a nightmare: in a drunken form he was aggressive, rude, sometimes put fists in the course. Saw with random people at beerushki, in squares. Then he had become all the cut or just hand out. Oleg was a very kind man. But because of this kindness, we were with my mother, it happened, nothing to have breakfast. In the end we broke up. As I thought forever.

But soon (it was on April 1, 1973) there was a telephone call: "Lizonka, I wasted. Everything is in order ..." "This topic is not for the draw," I replied and put the phone. The next day, Oleg put in Leningrad. I barely closed the door behind you, showed a sticker from the plaster, under which the ampoule was sewn.

And the following two years have passed under the sign of serene happiness and olelopean work ... ".

"Option" Omega "

In mid-1973, Dal finally left the troupe of Leningrad Lenkom and consent to return to the "contemporary". There he was watched "Golden Mountains", which he immediately received: he was introduced into four roles. Among them were: Balalaykin in the play "Balalaykin and K °" (this role before that, burdened now by the post of director of the theater), Guseva to Valentin and Valentina, Kameaeva in "Princial anecdotes" and Magiash in the Princess and Woodrovoska.

No less fruitful for Dahl was issued in 1973-1974 and in the cinema. He starred in five paintings: "Star of captivating happiness", "Citizens", "can not be!", Telephils "Military fortieth" and "Omega version".

The last film became in the biography of the actor the most famous from this list, so they will tell you more about it.

It began to launch him in the spring of 1973. The director was chosen by the former Greek sentence of Antonis Viardro. At one time he was interquered in the USSR, where he graduated from VGIK and became a director of documentary and musical films. Now he had to remove a five-particle picture about the work of the Soviet intelligence officer in the fascist rear.

A wonderful actor was chosen to the role of German scout Baron, a beautiful actor was chosen. However, someone from the high bosses did not like his nationality and disappeared. Instead, Igor Vasilyeva took him, with the nationality of which was all right.

For the role of the Soviet intelligence officer, Sergei Skorgin chose. However, the director began to object. "A person must play such a role that the least is similar to our traditional scout", - expressed his objections. "Who do you mean?"- asked in response. - Isn't it? ". "Oleg Dalya", - answered the director.

The heads of the creative association "Screen", where the film was to be filmed, they knew this actor perfectly. True, mostly for some reason with a bad side. They knew that he was drinking and often breaking the shooting because of this. But the director parries these doubts with fresh information: Dal a month ago, "sewed" and leads a completely honoraric lifestyle. In short, Oleg was approved for this role. On June 2, he signed an agreement on participation in the filming of the film "not for the sake of glory" (so originally called the picture) and soon, together with the group, he left for attentive shooting to Tallinn.

Already on the second day of shooting, the distance recorded in his diary: "He had a conversation with the director and director about Haltury. If this is the second" land of Sannikov ", I will not be filmed". Fortunately, the fears of the actor were not justified and he did not go away from the filming.

During the work on the picture, the distance gave one of the few in his life interviewed by Journalist B. Tukh. Here is just an excerpt from it: "I set my task to play myself, Daly Oleg, in 1942, in such circumstances, in which scary. Here, all actions - mine, words - mine, thoughts - mine ... Skorin is interested in his paradoxicity. He is not superman. Just a man defending his beliefs ... In my Skorne - the most adorable stranger who attracts me in people ".

The film "Omega version" was completed in mid-1974. However, his premiere for some unknown reasons took place only a year later in September 75. The audience he was met very well, but his criticism practically did not notice. But Oleg G. Film Still, an undoubted practical benefit was brought: after the ten years of the near future, he went to the festival "Zlata Prague" in June 1977.

Unseked roles

It is curious to note that, being an actor in demand, Dal in those years was little shot. An explanation can be a lot here, but one of them is worth it: shook at the "land of Sannikov", he from now on very carefully approached the choice of working material. And this meticulousness of many struck. For example, in 1974-1976, the distance refused to cooperate with three well-known Soviet film director who invited him to the main roles in their paintings. We are talking about, and D. Asanova.

But during the same years there were cases when the distance from the first sentence gave its fundamental consent to the shooting. So it was, for example, in the case of N. Kosheverova, which he very much respected as a director and a person (film "like Ivanushka-fool for a miracle went", 1977). The director remembered: "In this film, we had a tragic story. For filming, a very interesting horse was found, beautiful, kind, unusually intelligent. The whole group fell in love, including Oleg. And once, when we changed nature, car carrying this horse , I stopped on the crossing before passing by the composition. Sudden Beep Electrovoza was afraid of the animal. The horse jumped out of the car and broke his legs. I had to shoot her. Everything was terribly worried and I first saw Oleg cried.

By the way, Oleg proudly told that his house lives at home, which, when he comes home, jumps on his shoulder. Animals loved him ... ".

In another case, he did not refuse to the director Evgenia Tatar, who suggested that he played by the Mother Criminal Kosovo in the film "Golden Mina" (1977).

To the situation that established at the time in the domestic cinema, the distance was in his manner peculiar to him - with contempt and pity. Here are just a few passages on this subject from his diary:

"The year 75th came. The operator called" Mosfilm "- the order to do on my slide for the magazine" Art of Cinema ". They do not have art in a movie, why should my face belong to their magazine? My face is my face and more Draw! 3.i.75 g ...

Socialalism - and that of this ...
The most hated definition for me.
Socialism is the death of art.
Socialism is a liquefaction of the art of Hamami, mediocre, brass, bastards, dolts, stupid in high positions.
Socialalism is a definition that does not have any definition.
Social realism is nothing, zero, emptiness.
The nature does not like emptiness.
Therefore, such a talentless emptiness, as social realism, instantly filled with all sorts of shit and creeping without honor and conscience. Do not be talented to suck such an uterus as "C-R". We just need to know what you need, and a series of savings records will grow on the bookshelf!
Socialism involves various awards and titles! ..

18.IV - 25.IV.1976.

Film Festival in Frunze. I have never seen such a number of idiots collected in one pile!

The current artists remind me of a huge flock of rams, beating a goat-provocateur to the abyss.

I stand on the top of the hill and watch this picture. Someone want to stop ... but late ... patience! Patience!

Let everyone fly to the damn mother in the abyss, at the bottom of which their "benefits", title, orders, medals, other glands, betrayal, meanness, filthy principles, swamp lies and moral decomposition ... ".

Re-care from the contemporary

After in April 1973, Oleg Dal threw a drink, his personal life gradually entered the normal course. He became more resistant and attentive to his wife, mother-in-law. If he sometimes broke, he immediately tried to chat his guilt. In May 1975, Oleg's family finally managed to reunite: exchanged Leningrad apartment, they threatened the apartment at the end of Leninsky Avenue. And although the new living space was tiny and uncomfortable, but the very fact of the long-awaited reunification forced newly seals to rejoice at this event.

In the same year, Dal in a ridiculous accident please in the hospital. She told E. Dahl: "The trouble happened during the performance" on the bottom. "We lived then in Pereklovsky, I waited for Oleg at the wicket. He barely left a taxi and, chrome, went next to me. I asked what happened. He replied:" First football "(on TV was a match, Oleg Football loved and treated him seriously.) With difficulty climbing the stairs to the second floor, it settled on the sofa. In the break of the match, he said that during the performance in some way the rant shoe hit In the stage of the stage floor. Oleg made a sharp turn. The entire housing and foot to the knee turned, and the leg below the knee remained in immobility. It was a feeling that I had something hot on my leg. He finished the scene, chasing to convey for the scenes about the happened. caused "Smeal". The knee swollen is incredible. But to make an anesthetic injection was afraid - there was a danger to seriously damage the leg. Oleg said that he would make a performance, although the doctors did not believe in it. He preydden so that no one would remember that he had to carry In the hospital S. Cliffosovsky, and he drew to the cottage. When Oleg showed her leg, we were horrified. The case was late in the evening, outside the city, without a phone. I scored anxious, but Oleg persuaded me and everyone that could be waited until the morning. He knew how to convince anything. From the first floor, where the writer Alim Keshokov lived with a telephone, a lithofand clinic was reached. It turned out that Oleg had a knee articular bag. Then there was an operation in the cyto, on which I was present. From the knee, liquid was poured with a syringe. During the whole operation, Oleg smiled having fun. He was brought home flashed from the hip to the foot. The next day, at his request, I went to the theater: "Find out what is there with the" twelfth night ". For the evening, the play was appointed".

The premiere of this performance, in which Dahl played Andrew Egusichka, took place in 1975. But to shine in this role O. Galleh had not long ago: at the beginning of next year he was fired from the "contemporary". Moreover, the chronology of those events looked as follows. January 24, 1976, being at the bottom of birth at V. Shklovsky, O. Dal violated the "dry law". And in early March he was fired from the theater for systematic disorders of labor discipline.

Dala's tense relationship with the leadership and part of the Sovremennik troupe periodically arose throughout the three years of his re-stay in this theater. Moreover, in many cases the actor himself was to blame for himself, and did not have learned to restrain his emotions. Here is just one case. In 1975, during the performance of Valentin and Valentine, Dal suddenly sat down on the edge of the scene and, referring to the man who was sitting in the first row, asked: "Dai to see!". He, naturally, gave, reasonably considering that in this performance such a scene in the order of things. On this occasion, the general collection of troupes was convened, the actor for his "hooligan act" was put out a reprimand. There were other cases of this kind on his part.

Was the right leadership of the theater for such actions to dismiss the actor from the theater? Without a doubt. However, the basis for his dismissal was completely different. West excerpts from the actor diary:

"February 19. Got a terrible power of hate to the theater" Contemporary "...
With this gadyushnik, the relationship ended - scores began! Stupid!
Began indifference!
My hatred began!
Hate effective.
Fighting destruction.
And the greatest contempt and indifference! ..

March. 1976. Beginning ...
Care from the theater is decided finally and irrevocably! The brain is tired by the hopelessness of his own ideas and thoughts. It is impossible to exist in a small time among the inflatingness, erected into uncoid arrogance. "

From the letter A. Efros from March 7, 1978: "I passed the various stages of my development in the" contemporary ", until it happened quite natural, in my opinion, rejection of one (organism) from the other.

One decomposed on honors and titles - and died, another, organically not digesting all this, continues to live. "

Cooperation with A. Epros

Having leaving the "contemporary", the distance suddenly decided to devote himself to the director and entered the highest directorial courses in VGIK in the workshop I. Hefitz. Why he decided to become a director, explain, apparently, it is not necessary: \u200b\u200bto tolerate dictates of various launches Oleg became harder. But he had no challenge again and on this field. He regularly visited classes, but mentally he had selected another habitat for himself. And then the fate reiterated him with the director A. Efros (in 1973 they met in telepostank "on the pages of Pechorin magazine"). This time the director conceived to shoot on the "Mosfilm" artistic tape "on Thursday and never more and suggested the Main role of Sergey's major role. What O. Dal remember A. Efros during filming? The director recalled: "We lived in a reserve on the Oka, when they were filmed" Thursday ... ", and scientists-biologists gave a banquet to our honor. And we sat together at the table. There were also Dal. Dahl wonderful playing guitar and sang, and then saw In front of him and began to laugh at him. - Despite the fact that it is also not a trick, the person is famous and quick-tempered - it was stunned scary. Dal ruthlessly laughed at his roles, so ruthlessly, that I could not stand and left. The next day I just could not look into the eyes. It seemed to me that he was experiencing. And Dal did not even remember ... ".

The film "On Thursday, never" was finished in 1978, but a small circulation made his way to the screens. The hero, which was played by Dal (and it was not a hero of labor, and the man who felt more than in society), did not like the officials from the cinema, and they did everything so that the picture could see as few spectators as possible. For example, in Moscow, the film showed only two (!) Day.

"Duck hunting"

In July of the same 1978, the distance began to work for another role, which can be bolded to name one of the best in his all-service list. We are talking about the role of Zilov in the film V. Melnikova "Vacation in September" on the play "Duck hunting". It was the very role of which our hero had dreamed since he first read the play. When he learned that her film was prepared on Lenfilm, he was firmly sure that it was his without any samples to be invited to a major role. But the director then did not invite him. And the distance was offended. So strongly that even when he was still called from the studio and offered this role, he categorically refused her. He was persuaded for several days, he broke, stretching pause; When the situation was glowed to the limit right to him, he gave his consent.

Looking today at Dahl in this role, we can safely say that this is the very case when the actor does not play a role, but lives in it. So it is organic it looks on the screen. Unfortunately, Galn himself see himself on the screen was never led. The picture was called "fallen" and put on the shelf. Her premiere took place only in 1987, when the actor was no longer alive.

Theater on a small armor

Meanwhile, the meeting with A. Efros in 1976 again returned Daly in the Lohn theater. He came to the theater led by Epros on a small armor.

The most amazing thing that in this team Oleg lasted for a short time: only two years. And his behavior did not give in any logic. He played two roles there - Belyaeva in the "month in the village" and the investigator in the "Veranda in the Forest", but frankly recognized that these roles do not like. But the two roles that I wanted to play, he helped himself. She told E. Radzinsky: "At the small armor at the same time they went the rehearsal of the two of my plays: Epros rehearsed" the continuation of Don Juan ", and Dunaev -" Lunin, or the death of Jacques. " In both performances, the main roles played Oleg Dal. The distance was a unique, fantastic actor. He rehearsed the "Lunina" on the verge of life and death, seemed to be MIG - and he would die. The illuminators, confined to his game, forgot to shine ... Oleg demanded the same limiting return from partners, partners were not kept and left, it was difficult to play with him, it was impossible. Oleg nervous, broke ...

The premieres of "Lunina" and "continuation" Don Juan "approached. And I must say that by this time, Oleg Dal did not play in the theater not a major role, but there was a legend about the genius theater actor Oleg Dalo. And he understood how much from him They are waiting for these performances for him - or everything, or nothing. I understood and nervous. And shortly before the premiere, Dal "broke" and, like Gogol Podskold, jumped out the window and ran away. On the eve of the release of the performance (in autumn 1978) he left From the theater on a small armor. Forever.

I came home to him. I humiliated, I asked him ... We were not friends, but at the time of rehearsals, probably the closest people are the author, director and actor who plays a major role. We were then everything for each other ... He tonasized explained to me something. He spoke of some disagreement with one director, but he had complete agreement with the other ... No, everything was meaningless. But I understood - I did not want to understand, but I understood. He was sick of one of the most beautiful and tragic diseases - mania of perfection ... ".

Why Dal left and from this theater? Someone is inclined to see intrigues here inside the theater, for example, in the confrontation of Oleg Dalya and Actress O. Yakovleva. They told such a case. Efros was going to put "Hamlet", promised O. Gas, the main role, but he stated that he did not want to participate in this, since the performance would still be about Ophelia (in this role it was clear who was clear who).

You can try to find the answer to this question and in Dala diaries. This is what he recorded in it in August-October 1977: "Efros is clear as a director and as a man. Just a lark opened. As a person - unpleasant ... As a director - tolerant, but I'm afraid, you get bored ...

On the one hand, he needs personality, on the other - a puppet.

Rather, so: he dreams of gathering around himself a person who, having entered his personal freedom, would act in favor of his directorial "genius" like puppets. He dreams of not about "commodity", but about dictatorship ... ".

In May 1978, thanks to the efforts of the director of the theater on Malaya Bronnaya I. Dupaka Delia's family managed to get a new apartment in the city center (on the 17th floor). The dream of our hero came true: he had his own office!

Small theater.

After leaving the theater on a small armor, he fell into the troupe of the Small Theater, where he was soon introduced to the role of Alex in the play "Shore" by. But it did not deliver much joy.

In the diary he recorded: "I'm in small. It seems to be returned to the unloved house. What does it mean unloved? It's worth a house in the forest on the shore of a quiet river, and I was born there, and grew up, and good people inhabit it, and the soul is uncomfortable. Frying feelings. And you think - and not you live in a cemetery? .. ".

Roles in the movies in 1978-79

Cinematic career actor in 1978-1979 developed, as in previous years, Vitievto: from takeoff to fall. For example, it was approved on the main role in the film Alexander Mitty "Crew", but at the very last moment it was suddenly refused to shoot. Moreover, this refusal was quite peacefully resolved between the actor and the director who found another performer on this role. However, the leadership of Mosfilm considered the deed of Oleg violation of labor discipline and issued a chemless order: during three years it does not remove the actor in the paintings of the film studio. Then the distance did not know about this order, but very soon he had to face his consequences.

At the beginning of the same year, the distance rejected another major role: in the television film "The Unnamed Star" he had to play Marina Miro. I really wanted that he played this role precisely, but did not like the gathering script. This role in the picture was played.

Meanwhile, the offer of its long-time familiar director from Lenfilm Evgenia Tatar (they made the "Golden Ma" together) the actor did not rejected. In his new television film, the prince of Bakkardy Florizel was played. Pictures shot in Sochi. Told Elizaveta Dal: "Sochi. Sea. Sun. Everything is in pleasant relaxation - to buy, sunbathe. Shooting in the botanical garden - peacocks, flowers - everything is beautifully beautiful. I came to shoot on the second day - there is a strange setting. All Dergany, everyone is nervous. I will take me in Side director E. Tatar: "Lisa, Oleg there is something climbing - see what you can do." I enter the bus. Oleg sits gray. Do nothing can not. Ask for too. It is also possible to do anything. It is returned to the platform and everything is done clear: The suit at the front on the pin, the back hurts. And this is the prince of Florizel, about whom he is said to be the most elegant person in Europe. Oleg is trying to explain: the costume should be so that, looking at TV, tomorrow they took this fashion. Such a prince was not , the epoch is unknown, fantasize how much you want. Instead, everything from the selection, old, dusty, "playful" things, not always in size. B. Manevich came to the rescue, Lenfilm Artist, who worked a lot with Oleg. She showed Oleg's texture, Freeing it from squeezing into clumsy, uninteresting and bulky things. Having calmed down, Oleg began to joke: "What do you want the prince to play or George from Odessa?".

Another member of the shooting - Actor - recalled: "Somehow we did one scene" eight "when the dialogue is removed from the shoulder at first one, and then another actor. Already filmed Oleg and started me - because of his shoulder. I appeal to Florizel-Gal and I say:" Prince, I have to take revenge for my brother's death. "And he is responsible for me in the frame when the camera is turned on:", did you buy something for us for dinner? Shooting will end, we will also eat nothing! "," Stop! "," Said the director. - "Wonderful!". "What is wonderful? You did not hear what Oleg said? "I was indignant.", You have fallen my eyes from the surprise, you never played it, "Dal replied Lukovo".

Initially, the film was called "Suicide Club, or the adventures of one titled person." However, someone from the leadership did not like such a name, and the plot itself caused complaints. As a result, the picture was marinated during the year and only in 1980 she went to the screen called the "Adventures of Prince Florizel".

By the time the filming is released on the screen, the artist was in the depressed mood. His injury on the "Mosfilm" continued, here still began to pass health: the heart, lungs ... V. Trofimov recalled: "With bitterness, our last meeting is remembered. In the spring of 1980, I came to him with a scenario about. The door opened exhausted, with his eyes closed, in which it was difficult to find out the radiant, always elegant-tightened Dahl. The conversation was heavy." I really want to talk But, probably, I can't take the wrong job ... I can't do anything ... They finished me ... ". The word for the word I squeezed out of him an outrageous story of the acting department" Mosfilm ". How was the injury to this Proud man ... ".

Last role in movies

In 1980, the director with Mosfilm Leonid Maryagin began working on the "uninvited friend" picture. The film talked about two young scientists: Victor Sviridov and Aleksa Grekov. The first one was uncompromising, the second - flexible, quirky. About the conflict between them and narrated the picture.

The role of Sviridov was originally approved. However, after reading the script, he refused from role, considering that the film with such a plot is obviously non-proven. The director began to sort out in his memory the name of other actors, "neurasthenikov" and, in the end, chose the choice for Dale. L. Maryagin recalled: "I sent him a script to Leningrad, where he was then shot, with the note:" I ask you to read the role for words and between words. "Oleg gave consent to try, arrived and at the time of the first meeting said hostility:" I always read the role between words. But I would like to know what you will do the picture. "

I started telling, and Oleg listened to an impenetrable face. It was hard to say. My explication probably resembled a subordinate report to the boss. I finished and expecting a "sentence" Dahl. But he did not talk for a long time, opened the script and played the scene with the move, accurately catching the way of the existence of his future hero - Sviridov.

"If we talk about a person who does not believe that a good deed in his environment can accomplish, and the last time is trying to make sure about it - let's try! Only you are unlikely to be approved for you!" .

He knew what he was talking about. Also, only the head of the acting department "Mosfilm" A. Gurevich learned that Dalle was going to shoot in the next film, he immediately stated that he would not allow it. I had to go to the audience to him (it was at the beginning of May). She told E. Dahl: "Gurevich began insulting the artist:" Who are you? Do you think you are an artist? Yes, no one knows you. So comes to another city, so the movement stops. And you rhum. You only need money. "Oleg was silent, squeezing his fists, because I understood - another minute and he would hit. He came home with the whimshed out of his hands and sat down to write a letter to Gurevich, but all the time he died written. Long could not come to himself after such Monstrous humiliation and rudeness ".

It is in those days in the Dala diary such a record appeared: "What a bastard rules art. No, incorrectly, the art remains less and less, and it is easier for them, because in it, inside, the same false and greedy bastard ...".

And a little later, such a record appeared: "Well, a scum of the bureaucratic, I will see what will remain from you, and what about me!".

And again memories L. Maryagin: "Using tactical tricks, I approved Dalia for the role of Sviridov. Here the" well-wishers ", regretting me, began to come to my studio:" What did you do?! Do you want to shorten your life by working with this actor? ". And they talked to confirm the thesis of various stories about his unbearable character: from the theater left, quarreling, from one picture I went to the midst of filming, on the other - I did not talk to the end of the filming with the director, Making a role at its discretion.

I waited for the first shooting day, as waiting, probably, the fulfillment of the most serious sentence. Oleg appeared to shoot a minute per minute, independent, emphasized the holding distance, forming an intensity field around him. I approached the actor, as included to the tigra into the cage. But the tiger did not attack, gradually the feeling of the neuchta passed and there was a few, as it seemed to me, an understanding ...

It is not necessary to think that with all partners in the picture of Dahl there were cloudless relationships. The performer of the other major role in the film - was the director of the theater "Contemporary" at the time when Dal went from there. Neimily leaving. I alarmed waiting for their first joint scene. The actors agreed on the site outwardly correctly, but would like to wait for the trick from each other. It satisfied me, it fell on the relationship of heroes according to the script. It originated, however, inconvenience - no distance nor wanted to perceive my comments in the presence of a partner. They had their paired scenes to rehearse individually ... ".

In the midst of filming in Moscow, misfortune happened - died with which the distance recently got close to. According to eyewitnesses who saw Oleg on those funeral, he looked terribly and told: "Well, now my turn". remembered: "At the funeral came to me and asked in the ear:" Maybe at least Oleg stops? "Not stopped ...".

It is worth noting that after these funerals, the distance increasingly began to think about death. In his diary in October 80, he recorded: "He often thought about death. Unscut worthlessness. But I want to fight. Brutally. If you leave, then go to a frantic brawl. From all the remaining forces try to say everything, what I thought and think. The main thing is to do!".

On the birthday - January 25, 1981 - the distance woke up in the morning at the cottage and said to his wife: "I dreamed. He calls me".

Literally a few days after that, in a conversation with V. Sedov, Oleg notorly noticed: "I don't need to heal me, I now everything can be - I will not help anything now, because I don't want to take anything anymore or playing the theater".

The imminent approach of death, Dal spoke not only to his loved ones, but also to friends, colleagues for work. We give only two examples of these "prophecies". The first refers to the summer of 1978.

Remembered: "We starred in the" Adventures of Prince Florizel ". The topic of the approaching death in the conversations of Oleg sounded constantly. Somehow in Vilnius past our bus drove a mourning cat in the cylinder with swinging beautiful lanterns." See how beautifully buried in Lithuania, and me Will be lucky in Moscow in a closed bus. As not interesting.

But the case that happened literally a few days before the sudden death of the actor. L. Maryagin recalled: "When at the beginning of 1981, the film" Uninvited friend "was completely ready, we were lucky in the Polytechnic Museum. Before his beginning, the distance went to the stage and said:" I will soon be forty, I am twenty years old in the movies. I don't have any titles. "He said it's not without intent, knowing that the Zamkino Goskino is standing in the scenes, from which his honorary title was largely depended.

Viewing was successful. The organizers highlighted us the car to raise home, but the distance suggested to call the WTO restaurant on the former street and celebrate the view. We agreed. He ordered insanely a lot of drinking, food.

"Why?!", - I knew that Oleg was "sewn." In my picture, he did not drink than pretty sinned, as they told, before. Yes, and I was not going to change my regime - a year earlier suffered a heart attack. For one ordered, there was a lot.

"I drink today!", "Dal answered somehow meaningfully and explained -" The sewing end! ".

"But after all the holidays - classes in Vgika," I got worried (I taught acting skills there).

"I am overwhelming myself morally," he was famously overflowing beer in Fuuder. "And now I want everyone to remember how I walked here." "," He turned to the actor sitting at the next table. - Remember how I went outside through this is the window? ".

I remembered (the restaurant was placed on the first floor.) Dal drank the fuaster of beer and no longer touched anything. We talked with about the difficulties with which the picture was shot. Dal was silent, looking past us. And only after half an hour asked: "Tolya, do you live there?". I lived then at the Vagankovsky cemetery. "Yes," - replied. "I will soon be there," said Dal ... ".

Care

In early 1981, the distance actively rehearsed the role of Jesov in the formulation of the Small Theater "Thomas Gordeyev". He liked the role, however, he had already clearly decided: the premiere will play and from this theater will also leave.

At the same time, he suddenly came out a proposal from the Kiev film studio to play in a lyrical comedy. Apparently, it was interested in the actor and he gave his consent to the samples. On March 1, he departed from Moscow to the capital of Ukraine. But he lived there for a short time - on March 3 in the room of his sheltered death. According to the words shot in the same film, everything looked as follows. That day, they met with Dalem in the hotel and said the mysterious phrase: "I'll go to yourself to die". The actor accepted this for the next gloomy joke of his colleague, grinned and immediately forgot about her. And Oleg climbed to her room, opened a bottle of vodka and poured deadly (as it was "sewn" another "torpedo") dose of alcohol. As you know, after that, the "sewn" rises strong pressure and the vessels are not withstanding - bursting. There is an internal hemorrhage and a person dies. If this version is really true, it turns out that the distance deliberately brought his death. Knowing how in recent months of life the actor undertakes from hopelessness, can be believed to believe that it is true.

The funeral of the actor took place in a few days in Moscow, as he assumed, at the Vagankovsky cemetery (his grave is in one fence with Sadovsky ballerina).

Elizaveta Dal told: "When he died, we had big problems. There were long court proceedings with his sister because of the apartment. We helped us, we paid a lot of money to lawyers. This story lasted for two years. On his savings book left 1300 rubles. I could live this money for a year. I did not want to go to work on Mosfilm, where there are so many acquaintances around, and went to the studio "Universityportilm". There I worked for 11 years. Now we live with our two pensions. We are alive Only thanks to the charity foundation ... "

Photos Daly Oleg Ivanovich

Decision to enter theatrical, or speech defect

The future artist was born in 1941 on May 25 in the Russian family. In childhood, Oleg Ivanovich dreamed of being a pilot, but could not enter the aviation institute. And then decided: since they do not take the pilots, it will become an artist. When parents learned about this, the scandal began. All relatives on the mother's line are hereditary teachers and philologists. Pope Oleg - Railway Engineer, party man.

Could they then assume that Oleg Dahl becomes the famous artist. Biography, nationality and other facts from the lives of famous people are very often studied by specialists. And there is information that, according to some data, Oleg Ivanovich is accounted for by the great-known compiler of the dictionary. It is quite natural that parents considered the scene with a frivolous occupation for her son.

In addition, Dahl was kilvil from childhood. But he constantly tried to overcome it. Engaged in the central house of children of railway workers in the studio of the artistic word. As a result, his unusual structure of phrases, pauses were born. What a little thinking, says it, and taught him a specialist. So the artist Oleg Dal is born, whose biography will now be connected only with the theater and cinematic art.

End of training and the beginning of the creative way

After graduating from Schepkin's school, Oleg Ivanovich falls into the "contemporary". At that time it was one of the most famous theaters of the country. Then it seemed that the distance was pulled out, but work in the theater, unfortunately, does not develop. Oleg feels that he is capable of much, constantly waiting for its o'clock, but has passed five long years, and he has never had a single serious role in his "contemporary".

It was necessary to memorize only some hurded introductory roles when the text was given in the morning, and in the evening the performance was put on stage. And not a single serious character. Thus, at the actor for a long period, not only a huge number of uneasy energy, but also resentment. A very hot-tempered man was Oleg Dal. His biography has many stories of his loved ones and friends who characterize him as a rather emotional person. This happened this time, Oleg Ivanovich left the theater, slamming the door.

Salvation in cinema

When serious roles in the theater did not turn out, saved the cinema. Filming "Zhenya, Zhenya and Katyusha" began in 1966 in Peterhof. The center of the team was two actors - Oleg Dal and Mikhail Mikhailovich Kokshenov. Both young, ambitious and completely different. When they turned out to be together on the set and began to joke, none of those surrounding could resist laughter.

It happened, after the end of the working day, the artists forgot to take their ammunition to the costume. They are so accustomed to fight that they continued to play war even after the camera has already turned off. Mikhail Mikhailovich himself often recalls how they wandered around the city in the form and stopped the patrol, asking where they were from.

Character problems, or shooting under the conservation of the police

But what really was Oleg Dal? Biography, personal life that tormented the actor - all this is interested in people only after his death. And then on the set Oleg Ivanovich - started, and what is happening in his soul, no one knows. Numerous problems that overwhelmed the soul of the actor began to be expressed in the filings. The director often deliberately puts him back to the camera. Oleg Ivanovich swells from the day before, becoming muddy eyes. And nevertheless, he was forgotten everything.

In the midst of the filming, Oleg Dahl again went into the filing. Moreover, he got into the police and received fifteen days for the director Vladimir Motyl understood that the shooting was under threat. In order not to tear the schedule, he agrees with the head of the police department and Oleg Ivanovich bring to the site under the convoy, and in the evening they take again.

The dialogue when the hero Dali Kolyshkin talked with Zhenya, sitting on Gauptvakte, starred during this period. It is possible, so he has been touched so touching and reliably. Such was the actor Oleg Dal. Biography, personal life, the filmography of this person, of course, had a very bright character. And there is hardly a reader, whom this person will leave indifferent.

The end of the filming of a popular film, or how life turns into hell

Oleg Daly did not suit a lot in the surrounding world, and who will express their discontent, he did not know and it was constantly nervous, started. With rudeness, media and limitations, Oleg Ivanovich found out attitudes on fists. It was necessary to fight not only in life, but also on the screen. The most famous hand-to-hand scene in the film "Zhenya, Zhenya and Katyusha" turned into a dugout.

Dahl, this film brought unprecedented popularity. True, I did not have time to enjoy her artist. Thirty years this picture was under the ban. And the wording is quite simple. The film is amoral, and the main characters are drunkards and hooligans. After filming this movie, Daly's life has turned into a real hell.

All the country's film studios were forbidden to shoot this artist and in general to forget who Oleg Dal. His biography really contains information that at that time he hit the black list of dismissal artists. But times are changing, and today this film is shown to each Victory Day.

New Rotation of Fate, or Inslace Manual

Dahl was universal. He could play a shadow in a children's fairy tale, create an image of the scout, a recidivist criminal and even a prince. Infinitely talented was Oleg Dal. The biography of this artist, since 1978, finally, tells about some positive moments in his fate. This year begins work on the film "Travel Prince Floorizel". The director is confident that Oleg must play a major role in this picture.

But the candidacy of Dahl on the film studio was almost impossible. For all officials Mosfilm Oleg Ivanovich Person Non Grata. Too folding, capricious, arrogant. Other actors are rejoiced by any offer, and Dal refused to work with Cossack, Ryazanov, Guideham. At the end of the 1970s, the ineffectual order of the leadership was acting at the film studio, which said: Oleg Ivanovich Dalya did not take off anywhere.

Persistent director and start shooting

Work without Dahl Tatar refused. As a result, the director was given good, but warned that Oleg Ivanovich Artist unmanaged, inadequate and very drinking. The scandal broke out at the very first shooting day during the suites. To sit down in the propiole of the jacket on the figure of Dahl, the costume behind the pin whip.

For Oleg Ivanovich, who is used to look like perfectly, it was shock. And playing in an old, not suitable for size, he refused. Dahl believed that the prince should look like the audience, seeing him on TV, tomorrow they began to dress as well as he. So the prince of florizel on the screen becomes riding elegance, and Oleg Dahl on the set - the top of professionalism. Everyone who was filmed next to him knew: the actor constantly improvises. He is unpredictable artist.

Filming filming ended in 1979. The audience saw the picture in two years later. Finally, Dal was happy. At the Mosfilm at that time lay five paintings with his participation and everything was banned. He understood: the fact that the florizel came out is a miracle. Television, radio and newspapers attacked Oleg Ivanovich, he liked it. He gave an interview with great pleasure. And journalists were interested in absolutely everything. What he is Oleg Dal, biography, personal life, children and further plans in cinema.

Pleasant appearance and unsuccessful character

Eyes, smile, volitional gait, unique manner talk. Girls, all this attracted as a magnet. On the set in him was half a group, ranging from costumes to the actress themselves. Fans on the street were not given by Oleg Passage. So who became that happy, which Oleg Dal chose? Biography, family, children are all that always interests many fans of the talent of the beloved actor.

Oleg Ivanovich Dalla loved, but he could not find their second half for a long time. The personal life of the artist did not develop. Roman with actress Nina Doroshina ended right at the wedding. With his second wife, Dal lived a little more than six months. To endure the character of Oleg was almost impossible.

Oleg Dal: biography, wife, or in search of personal happiness

It seemed that Dala had no chance of personal happiness. But on the set of the picture there was a meeting that changed his whole life. On August 19, 1969, Oleg Ivanovich met Liza Eikenbaum. She worked as an editor in the picture. And soon they got married. Presenting it to your colleagues, Dal always said proudly and significantly.

Elizabeth also treated her husband very much. She always watched him not tired, not hungry or not frozen. Oleg Ivanovich always took his wife with him on the shooting. Very gentle were these relationships. This woman was the only one who was able to find an approach to a talented actor with an unsuccessful character.

Regular unfulfilled hopes

Good artists are often compared with children. In the case of Oleg Ivanovich, this is a better definition. After all, to replay Dahl, as to replay the child, it was almost impossible. To shoot the film "Vacation in September" began in 1977. When the distance learned that on Lenfilm there is a preparation of this film on the play Vampilov "Duck hunt," immediately understood: the main role will be offered to him. Naturally, waiting for the call.

With the statement of the roles of Melnikov pulled to the last. When the shot permission was received, called Oleg. Worked the actor in this film selflessly, and this has become one of his best roles. However, the finished picture of the rental was not allowed, it was called falniac and put on the shelf for eight years. Another shock, which survived Oleg Dal.

Biography, the cause of the death of any beloved actor is always interested in many admirers of the talents of Soviet cinema. And very often you can meet in the fate of the artists of that generation such a dismissive attitude of officials to their talent. Of course, it always had a negative impact not only on the psychological state of the actors, but also often undermined health. The premiere of the film took place only in 1987, when Oleg Ivanovich was no longer alive.

Latest Days of Artist's Creativity

What else interests those who know and love such an artist as Oleg Dahl? Biography, the cause of death and events preceding his death. "Uninvited friend" - the last work of Oleg Ivanovich. During filming, Vladimir Vysotsky leaves. For Dahl, it became a sign. He understood that with Vladimir Semenovich, they go one expensive. Together they worked on the set of the paintings "bad and good man", even then Vysotsky more than once was warned by Oleg Ivanovich from frequent alcohol consumption.

In 1981, Oleg Galov is offered to play in a lyrical comedy. He rides in Kiev. On the eve of the departure, their last conversation took place with Evgeny Tatar, in which Oleg Ivanovich mentioned how often Vladimir Vysotsky and calls to himself. On March 1, the distance departed in the capital of Ukraine, and already 3 numbers of the same month did not become.

They say the candle can not be lit with two ends. She then ends too quickly. Oleg Ivanovich pailed his candle ruthlessly and did it consciously. He died his heart on the part, and it could not stand. Oleg Dal left his life. Biography, children who could still appear with this wonderful person, further creativity and much more, for which Oleg Ivanovich was able, as if he was frozen in this moment. He left his life thirty-nine, but for those who were close to him, who revises films with his participation, he is alive today.

Behind the marriage unions of celebrities will not keep track: Some married, others diverge. Not wonder, because their life is constant tour, shooting and new acquaintances. Today we will tell you about those marriages that you may not know, and if you knew, they forgotten.

Vladimir Basov and his women

Women Vladimir was involved in instantly, no obstacles were afraid of him, so he sought everything he wanted. In the wife of bass chose women younger than themselves. The first marriage, with the actress Rosa Macagonova, lasted for a short time. She starred in his paintings "The Wheel of the Emirate", "Unusual Summer" and "School of Courage". After the divorce, Rosa stopped being filmed in Basov's films, although he kept friendly relationships with him.

The second wife of the actor became Natalia Fateeva, the marriage with which was last 5 years. Natalia gave birth to Vladimir Son, who later became a famous director.

The third marriage of the actor was the longest and lasted as much as 17 years. His wife became Valentina Titov, who was 19 years old by Vladimir. In marriage, Valentina and Vladimir were born two children: Alexander and Elizabeth. Interestingly, Valentina left Basova to Operator Georgia Ivanovich Rerberg. Children at divorce remained with her father.

Evgeny Urban and his women

Evgenia's first wife was Olga Urban. The marriage was early and short, but still fruitful. From Yevgeny Olga gave birth to a daughter called Alena. During work in the Stanislavsky Theater, the actor met the actress of Tatiana Lavrov, their marriage after several years ended with a break. They simply did not get along together, because both were too confident and strong personalities.

With the third wife, Judo, Rigenberg Evgeny met at the Moscow Film Festival in 1960. Three weeks after the first meeting, Dridge was laid in the hospital, and after the statement of Urban he led the beloved to the registry office. Their marriage was happy and might last eternity if not the tragic death of Eugene on the set of the film "Director". In marriage, Evgenia and Dizidra born one child.

Oleg Dal and his women

The actor's personal life was as interesting as he himself. In the "contemporary" theater, Oleg met his first wife - Actress Nina Doroshina. It is interesting that, having married Oleg, Nina loved another person, so their marriage lasted for a short time. With the second wife, actress Tatiana Lavrov, Dal lived only 6 months, after which it was divorced.

At the set of the film "King Lear", the actor met Elizabeth Eikenbaum - a woman who made him happy. It was with Elizabeth Oleg who lived to his very death. The actress herself considered her husband a real treasure and after his death did not marry, because he did not see him a worthy replacement.

Alexander Zbruev and his women

The famous Russian actor was married twice. The first novel twisted at Alexander with Valentina Malyavina, they got married when they were only 17 years old. Valentine had even had to be transferred to the evening school and get a special permission to the district council. First, in family life, Alexandra and Valentine had everything well, but the relationship gradually went to "no". The reason was the unsuccessful pregnancy of Valentines, ending miscarriage. After 4 years of living together, young people divorced.

Zbruev has an extramarital daughter Tatiana from the actress Elena Shanina.

In 1967, the actor married Actress Lyudmila Savelyeva, who lived a long and happy life. But in the 90s there were rumors about the divorce of Alexander and Lyudmila, who did not comment in any way. It is known that Lyudmila gave birth to Alexander the child. In addition, Zbruev has an extramarital daughter Tatiana from Elena Shanina actress. Currently, Alexander is not married.

Lyudmila Celikovskaya and her husbands

The first marriage of Lyudmila occurred at the second year of the Theater School. Then she married his classmate Yuri Alekseeva-Meshieva, but their marriage lasted for a short time. The second husband of the actress was the writer Boris Vothechov, with whom she lived for several years, but ultimately divorced.

In 1943, at the set of the film "Air Cordrich", the Celicovskaya met with the famous comic of Soviet cinema Mikhail Zharov, for whom married. By the way, Mikhail was older Lyudmila for the whole 20 years, but it did not prevent them from being together.

In 1948, the fate of the actress with the architect Karo Alalala, as a result of which Lyudmila left Mikhail's husband. The comedian was delicious. From Karo Actress gave birth to the son of Alexander, in which he just did not have the souls. It was the marriage with Alabyan, despite all the difficulties in family life, Lyudmila considered the happiest. But in 1959, Karo died. In the 1960s, Lyudmila was married for the fifth time - for the main director of the theater on the Taganka Yury Petrovich Lyubimov. Marriage with the director lasted 20 years and was the most dramatic actress in life.

Tatyana Samoilova and her men

Soviet actress Tatyana Samoilova was married four times (3 officially, 1 - civil marriage). The first husband of the star was Vasily Lanova, with whom she met while studying in the theater school. Shchukina. This marriage lasted two years.

Tatiana's second marriage took place in 1958, she married Valery Osipov's writer. Marriage lasted 10 years, but it is known that the actress has changed Valery with director Solomon Schulman.

The third husband of the actress was the administrator of the theater studio of film actor Eduard Mashkovich, the marriage with whom was last 5 years. In marriage Tatyana gave birth to the son of Dmitry. After the divorce, Edward did not see the Son for 40 years, and their meeting took place in 2013 on the program "Let them say."

Leia Ahacedzhakova and her men

The famous actress was married three times.

The first husband of Lii was the actor of the Small Theater Valery Nostec, together with which she worked in the Tayy. Valeria and Leah did not have children, it became one of the causes of the divorce. The second husband was the artist Boris Kocheshvili, from which the actress also did not have children. What caused for this divorce is not known for it.

In 2001, Leah was married to the Moscow photographer Vladimir Persiaininova. Vladimir became a real support and support of the actress, next to him she literally grown up. Photographer for several years younger than LII, and they almost do not appear together in public. In one of the interviews, Liya reported that Vladimir is the man whom she was looking for all his life. The only thing that the actress regrets is that it has no children.

Anastasia Vertinskaya and her men

In student years, Anastasia met Nikita Mikhalkov (famous director and actor), in which he immediately fell in love. Young people got married in 1966, when they were 21. The first time the newlyweds had to live at Brother Nikita, Andrei Konchalovsky. Nikita and Tatiana has a son Stepan - a famous restaurant.

The marriage lasted 3 years, after which young people divorced by mutual agreement without reaching complete mutual understanding.

In 1976, Anastasia married the famous singer Alexander Gradsky. Marriage did not bring actress or disappointments, no joy. Anastasia itself did not consider the Graduated husband.

As for civil marriages, Oleg Efremov was the most long-term satellite in the life of Anastasia, for which she never married.