The most popular poet of the 70s of the 19th century, according to many researchers and critics, was N.A. Nekrasov. In his work, he put the problems that worried about one generation of poets: the appointment of the poet and poetry, civil motives, the problem of universal ideals.

His creativity is sometimes referred to as the "poetic confession", in which lines performed consistently crowded by civilian pathos. It is not surprising that it is to the citizen's reader, reader-friend, to the Muse, a poet on the threshold of death, hoping to support. He hopes to understand like-minded people in serving the people.

Poem "About Muse! I have a coffin door ... "In the first publication in the" domestic notes ", 1878 was accompanied by a note:" This is a poem, according to the testimony of the sister of the deceased, A.A. Butkevich was the last thing he wrote. " Therefore, many researchers of Creativity Nekrasov tend to regard its "last word" as a kind of testament. What does the poet worries "at the door of the coffin"?

Raising the appointment of the poet and poetry, Nekrasov uses the traditional reception of appeal to the Muse in the meaning of "Poetry". But in this case, MUSA is also directly the creation of the famous poet. It is significant that Nekrasov himself does not think of themselves separately from his creativity. He and his works are one. This emphasizes the pronoun "our":

... Lots are envied,

Do not break over us.

Poetry for Nekrasov is the thread that connects it with the people, and this connection is eternal:

For me and honest hearts

You won't go away for a long time

Living, blood union!

In this case, epithets are not accidentally: "Living, blood union." This poet is alive until the memory of him lives in the hearts of the people. And since the "poet" and "his works" is, in understanding Nekrasov, synonyms, an indivisible whole, the "Union" will always be "alive." After all, the creation of the poet is immortal.
Under the "Blood Union", the poet mean the child union. This union is possible only with "honest hearts", that is, with people who understand their true vocation - "Being a citizen."

Let me really guilty

Let it increase in a hundred times

My wives of human malice ...

Do not Cry! relaxed our lot

Do not break over us ...

Why does he say: "Are our lots?"? Apparently, because if the poet was able to carry out his works of mind and the hearts of people, to move them to disputes, is already a great merit. This is already recognized as "honest hearts" and those who exude an evil. It is noteworthy and the word is "distorted". The form of this verb expresses the duration of action. Consequently, such disputes, positive and negative statements will last long, not one or two generations.

The last poem of Nekrasov is a monologue, more precisely, a hidden dialogue with the muse. It is from appeal to her, he begins his work and references to it ends him. Nekrasov so describes her muse:

... on this pale, in the blood,

Which is an excised muse ...

Poetry in Russia experienced different periods: ups and downs. Many poets were persecuted, links for their works. Often, their creations did not reach the broad masses, as censorship imposed a ban on the publication. After all, it is known that poetry is much deepenly affects the strings of the human soul, rather than prose. That is why Nekrasov draws such a bright image of the muse: "pale, in the blood, the whip is excised." And only Russian people can understand this image. Not by chance the author says:

Not Russian - take a look without love ...

Without love, without trembling it is impossible to look at Russian poetry, knowing the history of its development. That is what I wanted to say Nekrasov to my readers "At the door of the coffin". On the one hand, he argues the immortality of poetry. On the other hand, this is a hidden appeal, a call for poets-associates to continue their thorny path, despite all obstacles.

With this poem of Nekrasov summarizes its creative path. If such an opportunity fell out, he would repeat it from beginning to end. The poet is not a profession, this is the state of the soul, life path.

Impressive sincerity of the poem, as if the author really found old letters, stirred by those memories that their power causes pain. Although at the time of writing the work (1859), Athanasia Feta was barely forty years, the lines are permeated with such powerful regret and nostalgia, which is forced to shrink the heart of the reader. The composition of the poem is built as a dialogue: the lyrical hero appeals to the letters found and to the image that hides with them. "The features of the cherished", "Witnesses are dumb" - so calls the author whether the lines of the letter call, or his memories of that which

Plani. Crime committed by Rodion Raskolnikov.II. Crime motives Skolnikova.1. Characteristics of the main character. The idea of \u200b\u200bprotecting "humiliated and offended" .3. The theory of "strong personality" .III. Solvnikov's punishment. In the center of Roman F. M. Dostoevsky "Crime and Punishment" Character of the Hero of the sixties x! X century, the discontinuity, a poor student Raskolnikova. He commits a crime: kills the old woman to the interest officer and her sister, harmless, simple-minded Lizaveu. What made the Raskolnikov commit killings, what are the motives of the crime? Reading the novel, we watches step by step

The best psychological drama A. N. Ostrovsky is considered to be "idleness". It is often compared with "thunderstorms", and to a certain extent it is fair. "Thunderstorm" is the main work of the pre-reform playwright of Ostrovsky, "Dustpannica", the same motives are absorbed by many motifs of the tremendous creativity of the playwright. For comparison of these pieces, the drama of an outstanding female nature is deployed in both of the following before us, leading to a tragic junction. Finally, it is important that in both plays, a collective image of the Volga city is plays a significant role in which the action takes place. But R.

This poem N. Nekrasov wrote in 1877, in the last years of his life. This work is one of the last poet. In it, the lyrical hero N. Nekrasov addresses its so-called Muse. Through a monologue with her, he would like a testament. Testament of the latest ideas and thoughts.

The poem is written in the genre of Elegy, because It is imbued with mood mourning. It transmits deep personal experiences of the author. The poem carries the same role as the poem A. Pushkin "Monument".

The main theme of the poem - Theme of the poet and poetry. Muse is a metaphor of a poet's creativity. N. Nekrasov wants his muse (his work) to be recognized by the Russian people. He considers his Lirai People and says that His Muse "will not give rise to a living blood cell," the Union with the People.

The lyrical hero leads a dialogue with his muse and tells her that they are waiting for them in the future. The whole dialogue occurs continuously, as if the lyrical hero is trying to finish his thought as soon as possible and not stretch it. He hurries before his death.

The sound of the poem can be considered minor. All poem permeate the mournful notes. Despite the fact that the poem is read sufficiently and loudly, which is a large number of exclamation proposals, it conveys a sad motive of the outgoing life.

The lyrical hero is a subject that has a distracted and generalized view of the world. We can only compare the lyrical hero and N. A. Nekrasov himself with each other. As a lyrical hero, his will write its own testament in front of the "door of the coffin", talking to the muse and N. Nekrasov after writing their poem dies. Most likely N. Nekrasov identified himself with his lyrical hero.

Muse, silent interlocutor of the lyrical hero. The lyrical hero is to her: "Do not cry! Enudes our lot. " The reader understands that the muse feels experiences about the fate of the hero.

The poet uses a four-stranded jamb, rhyme encumbling with alternating male and female rhymes. Such a rhythm gives musicality to the work.

Basic idea poem - Summing up the life of the poet. N. Nekrasov wrote a worthy epitaph to his work.

For us, the descendants of N. Nekrasova, this poem is not just overgrown with a bristle inscription on the grave plate, not just a suicide note. For us "O MUSA! I am a coffin door! " - This is an immortal monument to the works and the great poet, who will never tarnish weeds, since his muse still "does not give rise to living, the blood alliance among us, honest hearts" ...

Nikolai Alekseevich Nekrasov is a Russian poet, writer and publicist.
The most popular poet of the 70s of the 19th century, according to many researchers and critics, was N.A. Nekrasov. In his work, he put the problems that worried about one generation of poets: the appointment of the poet and poetry, civil motives, the problem of universal ideals. His creativity is sometimes referred to as the "poetic confession", in which lines performed consistently crowded by civilian pathos. It is not surprising that it is to the citizen's reader, reader-friend, to the Muse, a poet on the threshold of death, hoping to support. He hopes to understand like-minded people in serving the people.
Poem "About Muse! I have a coffin door ... "In the first publication in the" domestic notes ", 1878 was accompanied by a note:" This is a poem, according to the testimony of the sister of the deceased, A.A. Butkevich was the last thing he wrote. " Therefore, many researchers of Creativity Nekrasov tend to regard its "last word" as a kind of testament.
Without love, without trembling it is impossible to look at Russian poetry, knowing the history of its development. That is what I wanted to say Nekrasov to my readers "At the door of the coffin". On the one hand, he argues the immortality of poetry. On the other hand, this is a hidden appeal, a call for poets-associates to continue their thorny path, despite all obstacles. With this poem of Nekrasov summarizes its creative path. If such an opportunity fell out, he would repeat it from beginning to end. The poet is not a profession, this is the state of the soul, life path.
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About muse! I'm a coffin door!
Let me really guilty
Let it increase in a hundred times
My wines are human malice -
Do not Cry! relaxed our lot
Do not break over us:
For me and honest hearts
You won't go away for a long time
Living, blood union!
Not Russian - take a look without love
On this pale, blood,
Which is an excised muse ...

Alexander Alexandrovich Kalyagin (May 25, 1942, Malmyz) - Soviet and Russian actor, director. People's Artist of the RSFSR (1983). Winner of two state bonuses of the USSR. A.A.Kalyagin is one of the largest artists of the modern Russian theater and cinema.

Muse Nekrasov Analysis of the poem according to plan

1. History of creation. Creativity N. A. Nekrasova caused an ambiguous assessment of contemporaries.

Revolutionary Democrats admired his poems, representatives of the T. N. "Pure Art" belonged to him with disregard, the reactionaries were subjected to furious criticism.

Nekrasova owns a large number of "exclusive" works in which he explains his understanding of the essence and appointment of poetry. These include the poem "Muse" (1852).

2. Genre of the work - Civilian philosophical lyrics.

3. Basic theme Poem - Reflections of the poet over the sources of their inspiration. Nekrasov appeals to the traditional poetry image of the muse. But from the very beginning, it reversed from the classic sample. Not easy childhood under the Tyrania of the Father, youthful poverty led to the fact that the poet was not the "singing and beautiful" maid, but the "grieving and sick" muse, resembling the exhausted peasant woman.

Nekrasov at a fairly early age first drew attention to the unfair suffering of the simple people. The wretched and sad fate of the peasantry made a big impression on a sensitive soul of the poet. The struggle for improving the position of the peasants was his vocation for life. Therefore, the tides of inspiration of Nekrasov compares with a plaintive song and moans. The "rampant song" is also woven, which resembles a broad soul of the Russian people.

Visiting Nekrasov Muse "Harmony did not teach the magic". In her songs combined "curses, complaints, powerless threats." Own hard fate of the poet confirmed all the accusations of the muse, called "Striveling Fight." At the same time, the poet's muse is initially "loving and gentle." The spirit of mens and cruelty flies impulses when it is already impossible to cope with the perturbation of injustice from reigning everywhere. Each such fierce impulse is replaced by the "divine-wonderful minute" Christian humility and all-sucking.

The image of the "incomprehensible Virgin" in Nekrasov is identical to the mysterious Russian soul. On this occasion, there is a saying: "Of us, like from the tree, - and a dumina, and icon." Nekrasov argues that he has been connected with this sorrowful muse from childhood "durable and blood union." She taught him to clearly distinguish well and evil, sympathize with human troubles and suffering, and most importantly, blessed the poet on his difficult path of indigence of injustice.

4. Composition of poem consistent.

5. Size of the work - Sixtust Jamb with the prevailing pair rhythm.

6. Expressive means. Nekrasov uses a large number of positive ("beautiful", "loving", "divine-wonderful") and negative ("mad", "crying", "fierce") epithets. The muse description was built on a variety of metaphors ("girlfriend loving", "sad companion ... poor people") and personification ("played mad ... The cradle", "whispered I need"). The poem is based on the opposition between classical (Pushkin) and realistic (Nekrasovskaya) muses.

7. Home Thoughtless The works lies in the fact that the poet's heavy for the Motherland is obliged to forget about ephemeral happiness and idylls and devote their work to all innocently suffering and humiliated.

Written in December 1877 by the poem of N.A. Nekrasov literally shortly before the death of the Great Russian poet is a confession, a conversation with a high poetic feeling-muse.

Complete overflows and high syllables, this work is like confession, farewell sounds inaccessible and enthusiastic.

Feeling deep experiences of the lyrical hero, filled with a note of suffering.

The poet thanks Muse:

"Sister of the people - and mine."

Bearing in mind that it is the muse, his poems, written for the people of Yves to protect the people, became the link in the poet and the peasantry. A kind of thread firmly coupled poets and people.

Through each line, he was thorny, she paused the road to the heart of people, and it was Muza reunited them, and gave a chance to the country to gain a new man who had completely given himself to ministry in the name of the ideals and grandeur and its inhabitants.

And on the eve of the death, he thanks her, brings the sorrowful results ...

It is worried about the further fate of poetry, so he is trying to apply to everyone, openly talking about the purpose of the poet, that he should leave every poem an indelible mark, a spark ...

"... between me and honest hearts

You won't go away for a long time

Living, blood union! "

From the same lines it can be concluded that Nekrasov has in mind the long memory, the memory that will be able to keep memories of him and his work. This is what perpetuate him will make an immortal, alive.

But the author also emphasizes the imperfection of his works, blaming himself in an incomplete sacrifice and self-dedication, but even causing the indignant Human Gomon with his poems, he will be happy about this reaction. After all, by this very childhood, strokes from the heart and soul, he will wake up the other souls, will make it possible to think about, moving at reasoning ...

Disputes and praise, contempt and recognition of the poet - all these emotions, whom the author craves. Any response of the people!

Nekrasov draws a portrait of the music of "excised" blood, thereby giving it to understand that it had to pass the poems to pass to bring to bring even a string, even though the word to the people. Persecution, links, arrests, all this is often among the creators of the word.

And only the Russian man will understand these lines, it will feel this struggle.

By concluding your farewell song, he last admires all the wealth of Russian poetry, asking for both her heart, keep it as a treasure.

He turns both to the folk masses and to poets, going the same way to the people, as he.

He suggests that the poet is the state of the soul and heart, and not just a profession.