The son of Oleg Dahl. People: Oleg Dal: biography, personal life, cause of death. - death of Oleg Dahl from a heart attack

Not much is known about the life of the outstanding theater and film actor Oleg Dal. Most of the facts are very contradictory.

During his lifetime, the actor did not flaunt his life, did not let journalists and idle curious people go there. And after his death, the widow did not give lengthy interviews either. Let's try to figure out what really happened to him.

Brief biography of the artist

Dal was born in the most tragic year for our country - in 1941, at the end of May, almost on the eve of the war, in the suburbs. It should be noted right away that the actor - descendant of a famous Russian explorer, compiler of the explanatory dictionary of the living Great Russian language Vladimir Dahl.

There were no artists in Oleg's family, he became the first. Parents took his decision with hostility and hoped that their son would not enter the theater school. But he entered and became a student at the Shchepkinsky School.

Creative life

Oleg Dal was an outstanding theater actor. But most remember him from wonderful films. Such as "Shadow", "The Star of Captivating Happiness", "The Adventures of Prince Florizel" or "Sannikov Land", a film that the actor himself considered his failure. But the audience felt differently.

The actor was very picky in his choice of roles and refused to many eminent directors. He also changed theaters several times, not agreeing with the leaders.

Personal life of the actor

Oleg Dal was married several times, as usually happens with artists. But he never had children.

The first time Oleg got married quite early, in 1963. The actress became the chosen one Nina Doroshina... But this early union fell apart almost immediately. The wife was in love with Oleg Efremov and, according to rumors, ran away with him from her own wedding.

Oleg Dal felt offended, to which he had every right and immediately filed for divorce. Subsequently, he tried not to remember this extremely unpleasant and humiliating episode of his life.

Tatiana Lavrova, too, the actress became his second wife. But this marriage did not last long, only six months. The actors could not get along with each other. Oleg Dal casually described his wife as an angry and aggressive woman. And she, in turn, considered him too eccentric and quarrelsome.

It is difficult to say which of them is right, but Oleg Dal really always, in addition to talent, was distinguished by a difficult character. And Oleg Dal also preferred not to remember about his second marriage.

It was only the third time that happiness smiled at him. He met the woman of his life, who brought him success both in his personal and creative life. Her name was Elizabeth Eichenbaum, the maiden name of Apraksin. Oleg Dal starred in the film, and Elizaveta worked as an editor on the site. They also met there.

And soon they got married. They lived together for 11 years.

Oleg Dal was a man with a very complex character. First of all, he was an honest, sensitive and noble person.

He did not tolerate sycophancy, rudeness, intrigue and all kinds of squabbles and gossip. And it is precisely such intrigues that the backstage spaces of theater and cinema are full of. As a result, Oleg Dal several times changed his place of work with a scandal.

He drowned out the troubles in his personal and creative life with alcohol. Unfortunately, this is a common vice among creative people. Naturally, it was difficult to put up with such shortcomings, although the artist tried to fight his vice. However, it did not last long.

Only the third wife was able to breathe hope for a better life into him, it was she who waited for him from work, accepted his shortcomings and always supported him. During the period when they were together, Oleg Dal played, perhaps, his best roles.

In life, Oleg Dal remained a romantic person, with exquisite manners and high demands. He could show up with a huge bouquet and gifts to act like a prince. But at the same time, he often got drunk, which created difficulties not only in his personal, but also in his creative life.

So his wife Elizabeth had a hard time. As a result they never had children of their own. And adopting in those years was not very accepted.

last years of life

Oleg Dal was a man very emotional and often unrestrained. This led to conflicts at work. Alcohol abuse only made the problem worse. Despite his immense popularity and popular love, the artist was considered "disgraced" and until 1977 was restricted to travel abroad.

According to friends, shortly before his death, the artist did not look good, he had nervous exhaustion. At the same time, he had heavy conflict at Mosfilm. The artist never put up with hack and refused to participate in such projects. Of course, such a conflict did not add to his health, especially considering that Dahl suffered from a heart defect.

Oleg Dal died in a hotel in Kiev, in 1981 from cardiac arrest. Many believed that alcohol was the cause of death - the artist was "sewn up", and it was contraindicated for him to drink.

Oleg Ivanovich Dal is a genius Soviet actor, with a delicate and vulnerable poet's soul and the tragic fate of a great actor who burned out before the deadline. He did not manage to fully realize himself as an actor in those few years of life and work in the acting profession, which fate gave him, but many of his roles have forever remained in the memory of people, as being far beyond the bounds of ordinary acting. As a person and actor, Oleg Dal was absolutely unique, did not tolerate any restrictions and did not fit into any of the systems. And for good reason, Oleg Dal at one of the meetings with the audience, when the presenter mistakenly introduced him as a people's artist, said: "I am not a people's artist, I am a foreigner ...". I think that it is this phrase that describes Oleg Dal as accurately as possible, as a person and as an actor. He was absolutely unique, completely internally free and just physically did not fit into the surrounding reality due to the special delicate organization of his soul and nature. He was a tragic person, with very great inner mental stress and spiritual anguish (as can be seen from his horoscope), which could find a way out only through selfless creativity (acting), alcohol or constant conflict with the surrounding reality. And the tragedy of Oleg Dal's fate lay precisely in the fact that he could not, due to very many subjective and objective reasons, fully realize himself in the theater and cinema as an actor. That, in fact, was the reason that Oleg Dal lived such a short life and died young. His life flashed like a comet in the night sky, and lasted for one brilliant moment, the very moment between the past and the future, about which he sang so heartfelt in “There is only a moment between the past and the future ...”.

I defined the time of birth of Oleg Ivanovich Dahl as 6:00 am (GMT +3 hours). The degree of the Ascendant position - 4 gr. Cancer. Date of birth May 25, 1941 (Moscow). The rectification was carried out by the following methods: directing the solar arc, transit, solarium. House system - Placidus. The Ascendant sign was determined by me on the basis of appearance, psychological portrait and personality traits of Oleg Dal.

The actor's ascendant and the position of the planets in the houses I determined based on the following:

1. The main character traits of the actor.

I am giving a description of the main character traits of Oleg Dal from the recollections of friends and relatives.

Actor Valentin Gaft tells:

“Oleg believed: an artist is a secret. He must do his job and disappear - They must not point fingers at him on the streets. He should show his face in work, like Vertinsky his white mask - and then take off this mask so that he will not be recognized. "

From the memoirs of director A. Efros:

“There are actors - pawns. Oleg was not one of those actors. He combined a very serious personality, independent, proud, rebellious, and - acting flexibility, elasticity ...

He was a restless man. Continuously moved from place to place, if he did not agree with something. He was a man of extremes. He was bubbling with some feelings of protest towards his partners, towards the room in which he worked. Because somewhere within himself, he understood art very highly. Although it mixed with a certain amount of carelessness, which was in him too. Still, the roots of this disobedience went to the maximalism of his views on art. He hated himself in those minutes when he betrayed this maximalism. He had high artistic demands. He also made very high demands on himself. He understood that he himself often did not meet these requirements. And he suffered from it.

Mockery, exactingness and at the same time some kind of irresponsibility, the ability to torment others and torture himself even more - everything was in him.

He was a mysterious person. I confess that I could never understand it until the end. I think that almost no one understood him until the end. Sometimes it seemed to me that this mysteriousness was a consequence of a hidden spiritual emptiness, and sometimes, on the contrary, that he felt so strongly that he was protecting himself from unnecessary worries, somehow defending himself.

He, like a boy, could fearlessly rush into any creative task. He was by nature an improviser. The so-called "academicism" did not threaten him at all. "Academicism" is calmness, stability, attachment to something frozen. There was nothing of the kind in the character of Oleg Dal. There was always some kind of rebellion in him. And if you try to figure out what he was constantly raising this rebellion in his own soul, I would say - against all the absurdities of our life, against all its deformities.

He hated a lot, could not stand, could hardly bear it. He was a scoffer, but there was pain behind many of his unkind taunts.

He had such amazing, rare external data - a slender figure, a hard, sharp face, incredible expressive eyes. He understood very well, when a close-up was shot in the cinema, that nothing had to be done - just slightly change the expression in his eyes. Having given him a task, I went to the movie camera and from there I did not always see Dahl's face in close-up. But then, looking at the material, I was always amazed. In the same way, I was amazed looking at the duplicates of Smoktunovsky. But if Smoktunovsky is fascinated by the smallest play of the face, many shades that turn into one another, then Dahl has such a tough economy, such scalpel, sharp accuracy! Well, he opened his eyes a little wider - so what? But Dal did not do anything formally, he filled everything with content, and how! I was in a hurry to shoot, did not ask if Oleg understood any of my brief explanations, and the film then reflected not an illustration for the explanations, but something independent and significant.

He was a born film actor. He could be motionless, but incredibly active internally. [...]

When he left the Theater on Malaya Bronnaya, he entered the Maly Theater, and I completely did not understand this step. I thought it was all a whim of an undisciplined actor. But now I think it was all throwing. He did not find his place, did not find himself in the modern theater, moreover, in our modern life.

He has always been a separate person. In the dressing room he always sat alone, curtained the windows, sat in the dark, and his cheekbones went. He was so annoyed when he heard the actors behind the wall chatting on extraneous topics, telling where and with whom they were filming. He himself never spoke about his filming and generally spoke very little. And then he burst out with some cynical phrase.

But for all that, he was a spiritually very tall person. Very tough, and behind this toughness - extraordinary subtlety, fragility.

It was great when he was kind. Or when he was happy. These were very rare moments, but they were very warm and special. When the viewing of "Pechorin's Notes" was over, Irakli Andronikov praised Oleg very much, and Oleg was happy. He was literally sparkling - he began to say something affectionate to me and others, and his eyes shone ...

There are few actors who can be said to be unique. Each is a little like someone else. And Oleg Dal was unique. "

(EFROS A. Book Four. M., 1993.)

From an interview with Oleg Dahl's wife, Elizaveta Dal:

“- And how did you get married?

He wrote me letters, very lyrical, kind, I fell in love with him thanks to these letters. When he arrived, we went to the registry office. I remember that I froze for a moment, filling out the field about changing my last name, and looked at him. And I realized that he wants me to become Dahl. After the registry office we went to an ice cream parlor, drank champagne. On marriage certificate | Oleg boldly wrote: "Oleg + Liza = Love." We were given three days for our honeymoon. Those were happy days, then very difficult everyday life began, which lasted for two years ...

Oleg drank terribly. At the same time, he became similar to Zilov from "Duck Hunt", even more terrible. He was not capable of killing himself, but somehow he almost stabbed me. In Gorky, on tour, he began a heavy binge, you know, such an unfinished state, when a person was completely brutal. It was very hot, I was in my room in one bathing suit. He drove a knife across my stomach and said: “So what! I don't give a damn, I'm not going to live anyway. " How subtle, intelligent, generous he was, just as terrible, dirty and cruel in a drunken swagger. I didn’t sleep, I was tormented, I was hiding when he came home drunk in the trash, Olya was busy with him. At the same time, he was unusually clean. At whatever stage I was, the first thing I did was go to the bathroom. Olya was afraid that he would rip off the column and always said: “Olezhechka, don't throw the hook. Lie in the bath, get some water and call me. I will help you". One day Olya goes into the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps in blissful sleep, without even turning on the igniter. She closed the water, yelled at him: "I am a woman, and you are lying in front of me in your natural form!" She helped him up, put on a robe and put him to bed. I slept on a cot that night. There was no money, we forgot what coffee is, we sold things with Olya that were sent to us from France. And somehow, when he almost strangled me and I, breaking free, sat in the attic until evening, Olya, unable to bear it, said to him: “Oleg, go to Moscow” and gave 25 rubles for the road. I must say that he left very nicely: he washed, dressed elegantly and came to our kitchen: “That's it. I went. Can I leave the key to the apartment with me? " - "Yes". I already loved him again, my heart was bleeding, I felt so sorry for him. But all the same she resisted and did not run after him. It was in March, and on April 1 there was a sudden call: "Lizka, I have sewn up for two years!" "This is not a joke!" I cut him off abruptly. But it was true, he, in company with Volodya Vysotsky, really stitched up. The next day I enter the apartment, Oleg stands at the window, makes a hand gesture, I stop. He turns his back, unbuttons his pants and shows a patch on his ass: "Here's my torpedo!" After the torpedo, the former Oleg disappeared for a long time, as if he had not been there. A real happy life began ...

For the last ten years that we have lived, he periodically drank when his term expired, then he sewed up again and did not drink for years. It was impossible to offer him to sew up, he had to decide on this himself. He spoke like this: “Don't let me out of the apartment for three days, I will cry, ask - don’t listen. We are going to the doctor in three days. " He never got drunk at home - if he wanted to drink, he left home for the WTO, IDL, the House of Cinema. I hated drunken acting companies.

- They say that he started drinking at the Sovremennik Theater?

When Oleg appeared in the theater, he almost immediately married Nina Doroshina. They starred together in the film "The First Trolleybus". Doroshina was the lover of Oleg Efremov for a long time. When he and Nina became lovers, Dahl even got scared: “What am I doing ?! I take the woman away from my idol! " In the midst of their wedding, Efremov, already well received, said: "Well, Ninok, sit on my lap." She sat down. Actually, this was the end of the wedding. And it began to be applied to the bottle. In addition, in the theater at that time, everyone drank very heavily. She and Nina lived for some time, she tried several times to commit suicide, he dragged her to Sklifosovsky, then married Tanya Lavrova, but also unsuccessfully. Once my mother asked him about the reason for the divorce, he answered briefly: "She was angry." And that's all, not a word more about Tanya. He was not a womanizer, although they fell madly in love with him.

- Did you work with him on all his paintings?

Oleg, after having "sewn up", "removed" me from work. I often started a conversation about the service, but he always replied: “The hundred rubles that you earn, I myself will bring to the house. I want you to always go with me to the shooting. " It was so difficult for me in the beginning! Once at dinner he noticed that I wasn’t eating, asked: "What's the matter?" - "I can not eat someone else's bread." He replied: "Patient - get treatment." After that, I realized that a good wife is also a profession. I went with him on all expeditions, and he knew that hot tea and strong coffee were always waiting for him at the hotel. As one of our common friend joked: "You are really after your husband." It was clean and tasty at home, he wanted it so much. A completely outdated person in everything - in his attitude to life, to women. He was the head of the family: his three women and he (his mother began to live with us). Oleg worked alone for everyone. When he brought money from trips, he took it out of his inner pocket with a sweeping gesture and threw it in a fan on the floor. He knew how to leave behind the door everything that was not worth bringing into the house - he would get dirty. He wiped his feet and entered, throwing all outside troubles, grievances, unplayed roles, envy of colleagues behind the threshold. If he felt that we had problems at home - the money ran out, illnesses began, everyone around him was gloomy, - he would cheerfully say: "Don't breathe, old women, everything will be fine." And in order to raise the spirit of his women, he invented a role for himself - he portrayed an old man. The whole evening was old, old, even when I was alone in the room (I was spying on purpose). He put on a shabby long robe, slippers, shuffled his feet and coughs all the time. He was a hooligan like an old man, for example, we sit in front of the TV, he comes up, turns his back to him and “farts”. And for some reason I remember a piercing thought in my head: "He will never be old!"

Many were surprised: "It's so hard to live with him!" Nothing like this! He was light, he knew how to appreciate and love, he knew how to sacrifice, he never asked for anything in return. He rarely gave flowers, because he could not imagine himself walking down the street with a bouquet. I remember when we lived on Novatorov in "Khrushchev", he made the taxi driver drive up to the house right across the field in terrible bumps - Oleg was with a bouquet and did not want to go through the yard with him.

- And how did he feel about fame?

He closed his house from everyone. When asked about fame, he replied that he dreamed of an armored door and an armored train to ride around Moscow. If he was stopped on the street by an old woman or a child asking for an autograph, he could forget everything - that he was having a play, shooting, stopped and talked for a long time ... And if there are all kinds of girls ... He hated being recognized, never used his fame , always wore a cap pulled down over his forehead and raised his collar. Once we went to look for a warm coat for him. We came to the consignment shop, we were digging, looking, and then the girls-saleswomen recognized him: “Oleg Ivanovich, well, why don’t you ask us? Let us help you - we will call when we have a coat. " After a while they did call, we arrived and bought a nice fur jacket. Oleg made me shove them money, they resisted, a whole story came out. And then I just ran to wear the girls' counter-marks to the Sovremennik.

- He was somehow called Mozart in his profession, how would he react to this?

He would have agreed, although he was demanding and ruthless to himself to the point of anger, all his life he was engaged in self-criticism. He was running ahead of time, and time did not catch up with him. I never told him that he was a genius, but I think he knew it himself. He is characterized by unplayed roles, but rejected ones. We had a huge stack of scripts in our closet, which he refused. He had a lot of offers to play something party, Soviet, for which he would receive a lot of money, titles ... Everything was rejected in the bud. I’m not ashamed of any of his roles now. No, he was not Matveyev. Once, at one performance, Dahl was mistakenly called a People's Artist. Oleg went on stage after that and said: “You know, there was one mistake. They called me a people's artist, but I am rather a foreigner. " He has only one award for a television film, and then a posthumous one: a crystal goblet, very heavy and ridiculous. We put flowers in it. Oleg was a very shy person, modest and did not work for benefits and rewards. Misha Kozakov once told me a story about him. They ended up in the same hotel room with Dean Reed. Dean sang and played guitar all evening, bragging about how many gold discs he had. Then they drank, and Oleg told him: "Come on, give me a guitar." And he began to sing, plucking the strings with his uniquely long fingers: "Oh, roads, dust and fog ..." Reed rolled his eyes in admiration: "Excuse me, but how many gold discs do you have?" Oleg chuckled good-naturedly: "Fuck you ..."

- Did he have a presentiment of his death?

From the article by I. Karasev "Chronicle of a diving artist":

“In the graduation performance, Dahl was seen by the artist of Sovremennik Alla Pokrovskaya and invited Oleg to the famous“ introductory rounds ”to the Efremov theater. Lyudmila Gurchenko, who was also among the applicants, recalled how, hearing thunderous applause outside the doors, she looked in and saw Oleg completing a passionate monologue on a high window sill, then flying along an inconceivable arc into the middle of the hall and a second later modestly stopped with a torn window handle among universal delight.

Despite the absence of the main roles, Dal called the next five years in Sovremennik the best years of his life, spent in the indescribable aura of theatrical creativity.

However, the transition from an enthusiastic to a skeptical outlook on life was rather abrupt. The studio spirit of theatrical experiment, which nurtured Dahl's artistic talent, gradually gave way to "harsh everyday life."

To some extent, Kozakov explains the situation in his memoirs about Dahl: “I still live with the memory of harmony in the theater - it was only in the early Sovremennik and never again. Everything coincided there - youth, time, the state of the theater. all the time he was unlucky. He seemed to get "on the descent" And in "Sovremennik", and in other theaters he came at the moment when the theater was already essentially dying. " Dahl was ready to fanatically serve the Theater, but he did not agree to the banal "to serve in the theater".

In the courtyard, the "thaw" was replaced by "stagnation". The famous charter of "Sovremennik" and the studio fraternity became history. Dahl, who tried to play and exist "according to the charter," found himself alone.

The stigma of the "loner", the label of the "strange", the position of the "alien". This is not a whim of fate, not a game of chance. There is a tough predetermination in Dahl's life. Possessing by nature a subtle and supersensitive apparatus of perception, Dahl could not coexist with the surrounding reality at the same aesthetic level. In his statements about "the achievements of socialist realism in theater and cinema", about the dominance of the ignorant and bastards, there is a genuine physiological disgust.

This is not an easy frontendism, which many representatives of the creative intelligentsia indulged in then. In the case of Dahl, there was a pathological discrepancy between man and the environment, people, system (meaning the system of moral, ethical, creative stereotypes and standards).

Living at odds with space and time requires an incredible expenditure of energy. Is this not the origin of the "boy with tired eyes" motif, which is repeated in different memories of Oleg Dal? Dahl's only source of strength was Dahl himself. All questions that could not find an answer outside, he turned inward. The result, or rather a chronicle of searching and reflection, became his diary, which began in 1971.

This diary does not look like an ordinary life story, tied to days, months and years. It resembles an emotional, in places chaotic dialogue with oneself, written (or drawn) in letters, words, phrases of different sizes and fonts. Sometimes the entries are daily, sometimes one sentence covers six months or more.

From the diary: "January 72 FRIENDS" The most painful of all wounds is an invisible wound, my friend is my enemy, oh vile age of deception! "V. Shakespeare. My grief and my misfortune are from my friends. Only now I understood These bastards will have a terrible One, maybe ONE? Maybe. But yourself! To keep yourself. This is the MAIN thing. Not to adapt, not to be indifferent. To turn inward - there is my strength, my promised land. "

Reading the "diary", you catch yourself thinking that it resembles the logbook of a ship or plane crashing. And by analogy with the film "The Chronicle of a Dive Bomber", in which Dahl played one of the best roles, his diary may well be called "the chronicle of a dive artist."

From my point of view, these descriptions are absolutely exactly suitable for a person with the following configuration of the horoscope: Ascendant in Cancer, most of the planets, including the Sun, Moon (ruler of the horoscope), Venus, Mercury, Jupiter, Saturn (ruler of the 7th and 8th houses) and Uranus (ruler of the 10th house) is closed to outsiders and gives a strong tendency to loneliness, pride, strong individualism and the desire to know the inner essence of things, and not their front side, in the 12th house. Strong closeness and a tendency to loneliness, due to the powerful influence of the 12th house of the horoscope, in the character of the actor is softened by the fact that Mercury, Venus and the Sun of Oleg Dal are in the sociable sign of Gemini. It was the fusion of the influence of the energies of the 12th house and the sign of Gemini that made Oleg Dal such a unique and bright actor and personality. Neptune, which has major planets from almost all planets in the 12th house, is in the 5th house and through it the powerful energy of the conjunction of the lord of the horoscope of the Moon with Saturn and Uranus and the conjunction of the Sun with Jupiter finds its way out. It was Neptune that was the planet through which the uneasy and stormy energies of the luminaries and planets from the 12th house of Oleg Dal's horoscope found an outlet in acting. And it was the powerful Neptune (“king of aspects”) that was the reason that Oleg Dal periodically tried to get away with the help of alcohol, from the reality that surrounded him, and from his internal crises, which were inevitable and regular due to the exact conjunction of the Moon ( the ruler of the horoscope) with Saturn and Uranus in the 12th house.

2) According to the recollections of people who knew the actor personally well, Oleg Dal was a very emotional person and a vulnerable person who could hardly cope with his intense emotions. But, both luminaries and personal planets (except for Mars in Pisces) are in an air and earth sign (Gemini and Taurus), which speaks of a person who is not particularly prone to strong and deep emotional experiences. Only the conjunction of the Moon with Uranus and Saturn and the strong aspect of Neptune could hardly form such a subtle and emotionally supersensitive nature, which, of course, was Oleg Dal. The location of the Ascendant in the water sign of Cancer and the powerful 12th house, together with the damage to the lord of the horoscope of the Moon by conjunction with Saturn and Uranus, could well have formed such a personality with a strong emotionality of the water plane.

3) Oleg Dal had a rebellious spirit, toughness and a strong tendency to emotional depression. In the horoscope, this is indicated by the conjunction of the Moon with Uranus and Saturn. But, simply the conjunction of the Moon with Uranus and Saturn is clearly not enough for this. The moon must surely be the ruler of the horoscope and have a strong influence on the entire personality of the actor, and not only on his emotional sphere.

4) At the time of the registration of the marriage in November 1971 between Oleg Dal and Elizabeth Dal, the transit Saturn entered into conjunction with the natal Saturn in the horoscope of Oleg Dal (the return of Saturn) and the natal Moon. This is a very powerful indication that Saturn or Moon is the ruler of the 7th house of the horoscope or is in the 7th house. Another confirmation of the horoscope version of Oleg Dahl with the Ascendant in Cancer.

5) According to the recollections of people who knew Oleg Dal well, he had a presentiment of someone else's and his own death. In this version of Oleg Dal's horoscope, the ruler of the 8th house, Saturn, is in exact conjunction with the ruler of the horoscope, the Moon in the 12th house, in exact trine with the ruler of the 11th house, Neptune.

6) Close and acquaintances claim that Oleg Dal had heightened intuitiveness on the verge of clairvoyance. The powerful 12th house and multiple aspects from the luminaries and planets from the 12th house to Neptune can give such abilities.

7) The tension of the conjunction of the Moon with Saturn and Uranus and the square of Mars with the Sun and Jupiter found a way out through Neptune in the 5th house. Hence Oleg Dal's choice of the profession of an actor. When Oleg Dal was not involved as an actor and was in creative idleness, then he either relieved excessive internal stress from the conjunction of the Moon with Uranus and Saturn through scandals with others or went into deep and prolonged binges (if at that moment he was not “hemmed” from alcohol intake).

8) In May 1978, when Oleg Dal's family was able, with the help of the management of the theater, in which Oleg Dal was then working, to make an exchange and move into a 4-room apartment on Smolensky Boulevard in Moscow, transit Jupiter entered the exact conjunction with the natal Ascendant of the horoscope Oleg Dal (in my version of rectification), and transit Saturn was in conjunction with the cusp of the 4th house of Oleg Dal's horoscope. And since Oleg Dal all his life dreamed of a separate office, which he received after improving his living conditions, moving into a new apartment and major repairs in it, and after the realization of his dream, according to the stories of his wife, was on a very high emotional upsurge, then this is a very serious additional indication that this version of the horoscope configuration is correct.

9) In one of the letters to the director Efros, Oleg Dal wrote with bitterness: “I am losing my I!”. And this is a very serious indication of the possible strong influence of the 1st or 12th house of the horoscope on a person's personality.

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Here is a list of the main events in the life of the actor for which I carried out the rectification with the indication of the years:

1) 1963 - marriage and divorce with actress Nina Doroshina.

2) 1965 - marriage and divorce with actress Tatyana Lavrova.

3) 1968 - the release of the film "The Chronicle of a Dive Bomber", after which Oleg Dal became a famous and popular Soviet film actor.

4) 1970 - marriage with Elizabeth Eichenbaum (Dahl).

5) 1973 - Oleg Dal "got sick" from alcohol (the beginning of a 2-year favorable period in professional and family life).

6) 1978 - receiving a 4-room apartment on Smolensky Boulevard in Moscow.

7) 1979 - the beginning of the persecution of officials from the cinema and the beginning of serious health problems.

8) 07/25/1980 - the death of Vladimir Vysotsky and the strongest emotional depression of Oleg Dahl, which after a while led to his death.

9) 03.03.1981 - death of Oleg Dahl from a heart attack

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1963 - marriage and divorce with actress Nina Doroshina.

Directional Venus (ruler of the 5th house) in conjunction with the natal Ascendant;

Directional Moon (ruler of the horoscope) in conjunction with natal Venus (ruler of the 5th house);

Directional MC in square with natal Venus (ruler of the 5th house);

Directional Sun in square with natal Neptune in the 5th house;

Transiting Mars in opposition to natal Uranus on the wedding day;

Transiting Pluto in square with natal Venus (ruler of the 5th house);

In December 1963, the transit Saturn in square with the natal Moon (ruler of the Ascendant) and natal Saturn (ruler of the Descendant) - most likely at this time Oleg Dal finally parted ways with Nina Doroshina.

“Dahl's first marriage was unsuccessful and fleeting. In 1963, after graduating from the Shchepkin Theater School, he entered the Sovremennik Theater and fell in love with one of the local actresses, Nina Doroshina. Their romance began not within the walls of the theater, but in Odessa - during the filming of the film "The First Trolleybus". Dal fell very much in love with Doroshin, and her heart was then given to another - the founder of Sovremennik Oleg Efremov. But the circumstances were such that Efremov, promising to come, never showed up in Odessa, and Doroshina was offended by him. That evening she drank vodka, put on a robe and went swimming. However, in the water she suddenly felt sick - she began to drown. Nina would not have been saved if her fellow actors had not been around. Dahl was among them. Hearing women's screams, the young people rushed into the water, having time to shout to each other on the run: "Whoever swims first will get it." Dahl was the first to swim. From that moment their romance began.

After some time, Dahl was summoned to Moscow to voice acting for another film. He promised to return in two days, but due to unforeseen circumstances he was delayed. The filming of "The First Trolleybus" could not continue without him, and Doroshina was asked to call Oleg from Moscow. When asked on the other end of the line who was calling, she replied: “Wife. Tell him to return to Odessa immediately. " On the same day, Dahl broke away from Moscow. When the next morning Doroshina looked out the window of the Krasnaya Hotel, the first person she saw was Oleg standing with flowers. When they returned to Moscow, Dal made a marriage proposal to Doroshina, and she accepted him. Since they did not have a lot of money at that time, they managed to buy only one wedding ring - Dal (for 15 rubles). The wedding took place on October 21, 1963, but it was at the wedding that it all ended. As a guest, Efremov came there, who, being tipsy, could not find anything better than to sit the bride on his lap and say: "Still, you love me more." Dahl flew out of the apartment like a bullet, and soon after that he and Nina parted. " (Fedor Razzakov)

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1965 - marriage and divorce with actress Tatyana Lavrova.

Directional Venus (ruler of the 5th house) trine natal Mars;

Directional Descendant in trine with natal Uranus (ruler of the 10th house);

Directional Saturn (ruler of the 7th house) conjunct natal Venus (ruler of the 5th house).

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1968 - the release of the film "The Chronicle of a Dive Bomber", after which Oleg Dal became a famous and popular Soviet film actor.

Directional Uranus (ruler of the 10th house) in trine with the natal MC;

Directional Ascendant in sextile with natal Jupiter.

At the time of the release of the film "Zhenya, Zhenya and Katyusha", Dal was filmed in another film directed by N. Birman "The Chronicle of a Dive Bomber", in which Oleg played the role of pilot Yevgeny Sobolevsky. The image of an intelligent and charming guy created by the actor, who invented a branded liqueur called "chassis", was liked by the audience. After the release of the film on the screen, young people began to call spirits that way, and Dal became one of the most popular actors in Soviet cinema.

The end of the 1960s was a good time for Oleg Dal. After several years of creative and personal troubles, everything was going well for him. At the Sovremennik Theater, where he returned after a long break, Oleg got his first significant role - Vaska Pepla in Maxim Gorky's At the Bottom. The premiere of the play took place in 1968. In 1969, Oleg Dal brilliantly played the role of the Jester in the film by G.M. Kozintsev "King Lear".

“Modern man is a thinking man,” Grigory Kozintsev liked to repeat. And he connected the image of the Jester with modernity: “A boy with a haircut. Art under tyranny. Auschwitz boy forced to play violin in a death row band; they beat him to choose more fun motives. He has childish tortured eyes. " Dahl suited Kozintsev perfectly. They admired each other. Kozintsev and Dahl were connected by something more than the "director - actor" or "teacher - student" relationship. Kozintsev guarded Dahl's talent as a fragile and priceless musical instrument. Merciless to any troublemakers on the set, Kozintsev made exceptions only for Oleg, forgiving his frequent breakdowns. The explanation sounded simple and prophetic: “I feel sorry for him. He is not a tenant. "

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11/27/1970 - marriage with Elizabeth Eichenbaum (Dahl).

Directional MC in sextile with natal Saturn (ruler of the 7th house) and natal Moon (ruler of the 1st house);

Directional Mercury (ruler of the 4th house) sextile with natal Saturn (ruler of the 7th house) and natal Moon (ruler of the 1st house);

Directional Mars in square with the natal Descendant;

Transiting Jupiter in opposition to the natal Moon (ruler of the Ascendant) and Saturn (ruler of the Descendant);

Transiting Saturn in conjunction with the natal Moon (ruler of the Ascendant) and Saturn (ruler of the Descendant).

The shooting of "King Lear" took place in August 1969 in Narva. 08/19/1969 Oleg met with his future wife, 32-year-old Elizaveta Eikhenbaum, who worked as an editor in the film crew. She was the granddaughter of the famous philologist Boris Eichenbaum. During the filming, Dahl courted her, then invited her to Moscow. And when she arrived and called, I did not recognize. Torn away from the rehearsal, he said irritably: "What other Liza ?!" She was offended and returned home. A few months later they met again at Lenfilm.

Elizaveta Dahl said: “A few months later, when we met again at Lenfilm, it turned out that I then pulled him away from the rehearsal. Touching Dahl at such a moment is a tragedy. But I didn't know about it then. On this visit, he first stayed overnight with me. But I was not yet in love. The distance affected ... Oleg immediately made friends with my mother - Olga Borisovna and called her Olya, Olechka. Her father, my grandfather, Boris Mikhailovich Eikhenbaum, was a famous literary critic, professor, teacher of Andronikov and associate of Tynyanov and Shklovsky. When my grandfather was gone, I thought that there were no such people anymore. And suddenly in Oleg I discovered similar features. He asked my mother for my hand in a rather old-fashioned way. It happened on May 18, 1970. The next day, he flew with the Sovremennik theater to Tashkent and Alma-Ata on tour ... The fact that I got to see the film King Lear played a huge role in my life. For me, there is still something mystical in this: if this film was not shot by Grigory Mikhailovich, but someone else, but Oleg was filmed, we would not have become husband and wife. There was something here ... I remember the arrival of Grigory Mikhailovich for the next viewing of the material and his words addressed to me: "Liza, what Oleg was like with us yesterday on the set !!!" I thought then - why does Kozintsev tell me about this, maybe he knows something more than me? Then I myself did not have any serious thoughts about Oleg and me ... Why did I marry Oleg, although I saw that he was drinking heavily? It was interesting to me with him. I was already 32 years old, and I thought I could handle his weakness. With some inner feeling I felt: this person cannot be upset by refusal ... ”The marriage between Oleg Dal and Elizaveta Eikhenbaum was concluded on November 27, 1970.

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04/01/1973 - Oleg Dal "got sick" from alcohol, the beginning of a 2-year favorable period in his professional and family life.

Directional Sun in conjunction with the natal Ascendant;

Directional MC in square with natal Mercury (ruler of the 4th house);

Directional Ascendant sextile with the natal Sun;

Directional Moon (ruler of the Ascendant) in trine with the natal MC;

Transiting Pluto in trine by the natal Sun;

Transiting Pluto sextile natal Pluto;

Transiting Jupiter in trine by the natal Sun.

From an interview with Lisa Dahl:

“Oleg drank terribly. At the same time, he became similar to Zilov from "Duck Hunt", even more terrible. He was not capable of killing himself, but somehow he almost stabbed me. In Gorky, on tour, he began a heavy binge, you know, such an unfinished state, when a person was completely brutal. It was very hot, I was in my room in one bathing suit. He drove a knife across my stomach and said: “So what! I don't give a damn, I'm not going to live anyway. " How subtle, intelligent, generous he was, just as terrible, dirty and cruel in a drunken swagger. I didn’t sleep, I was tormented, I was hiding when he came home drunk in the trash, Olya was busy with him. At the same time, he was unusually clean. At whatever stage I was, the first thing I did was go to the bathroom. Olya was afraid that he would rip off the column and always said: “Olezhechka, don't throw the hook. Lie in the bath, get some water and call me. I will help you". One day Olya goes into the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps in blissful sleep, without even turning on the igniter. She closed the water, yelled at him: "I am a woman, and you are lying in front of me in your natural form!" She helped him up, put on a robe and put him to bed. I slept on a cot that night. There was no money, we forgot what coffee is, we sold things with Olya that were sent to us from France. And somehow, when he almost strangled me and I, breaking free, sat in the attic until evening, Olya, unable to bear it, said to him: “Oleg, go to Moscow” and gave 25 rubles for the road. I must say that he left very nicely: he washed, dressed elegantly and came to our kitchen: “That's it. I went. Can I leave the key to the apartment with me? " - "Yes". I already loved him again, my heart was bleeding, I felt so sorry for him. But all the same she resisted and did not run after him. It was in March, and on April 1 there was a sudden call: "Lizka, I have sewn up for two years!" "This is not a joke!" I cut him off abruptly. But it was true, he, in company with Volodya Vysotsky, really stitched up. The next day I enter the apartment, Oleg stands at the window, makes a hand gesture, I stop. He turns his back, unbuttons his pants and shows a patch on his ass: "Here's my torpedo!" After the torpedo, the former Oleg disappeared for a long time, as if he had not been there. A real happy life began ...

For the last ten years that we have lived, he periodically drank when his term expired, then he sewed up again and did not drink for years. It was impossible to offer him to sew up, he had to decide on this himself. He spoke like this: “Don't let me out of the apartment for three days, I will cry, ask - don’t listen. We are going to the doctor in three days. " He never got drunk at home - if he wanted to drink, he left home for the WTO, IDL, the House of Cinema. I hated drunken acting companies. "

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1978 - receiving a 4-room apartment on Smolensky Boulevard in Moscow.

Transiting Saturn entered the 4th natal house;

Jupiter in transit entered the 1st natal house;

Directional Jupiter in conjunction with the natal Ascendant.

Two years after Oleg and Liza got married, they moved to Moscow, exchanging a luxurious Leningrad apartment in a writer's house for a two-room "Khrushchev" apartment at the end of Leninsky Prospekt. The apartment was tiny, the audibility was terrible, the old woman living on the floor below was quite seriously indignant: your kittens stomp and prevent me from sleeping ... However, the new settlers did not lose heart. “The four of us lived there,” recalls Lisa. - Oleg, me, mom and a sense of humor. When someone unexpectedly came to us, I could not say that Oleg was not at home, because in the apartment from somewhere his leg, hand, or his nose were always sticking out ... Oleg's mother lived in a two-room apartment in Lyublino. At this time, Oleg moved from Sovremennik to the Theater on Malaya Bronnaya, the director of which was then Dupak - a very enterprising person. Oleg asked him to help exchange our two apartments for one in the center, otherwise he threatened to leave the theater, as he had to travel very far. Dupac helped us. In 1978 we moved to a four-room apartment on Smolensky Boulevard. Oleg fell in love with his apartment, he made every effort to improve it ”. A strange story is connected with this apartment in the very center of Moscow, which the artist adored. Once Oleg Dal with actor Igor Vasilyev drove past this house - it was still under construction - and said: "I will live here, this will be my house." He said and forgot. I remembered only ten years later, when I came here with an inspection warrant. Dahl was happy in this apartment. Previously, he often called himself a vagabond and said that he did not like home, now everything has changed. “This is not an apartment,” he said. - This is a dream".

During the renovation in the new apartment, they made an office out of the hall for Oleg Dal, and his happiness became simply prohibitive. He could, when he wanted, be alone with himself. I read, wrote, painted, listened to music. Now he spoke to Elizaveta Alekseevna seriously and ceremoniously: “Madam! You are free for today. I'll write at night. And then I'll fall asleep on the sofa in the study. " Olga Borisovna exclaimed: “Olezhechka! But the sofa is narrow. " “I'm too narrow,” Dahl reassured his mother-in-law.

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1979 - the beginning of the persecution of officials from the cinema and the beginning of serious health problems.

Transiting Uranus in opposition to natal Saturn and Moon;

Transiting Uranus in square with the natal MC.

The actor's cinematic career in 1978-1979 developed in an ornate manner. Dahl was approved for the lead role in the film by Alexander Mitta "Crew", but at the last moment refused to shoot. The refusal was peacefully discussed between the actor and the director, who found another performer for this role - Leonid Filatov. But the management of "Mosfilm" considered Oleg's act a violation of labor discipline and issued an unspoken order not to film the actor in the films of the film studio for three years. Dahl was unaware of this order, but he had to face the consequences.

By the time The Adventures of Prince Florizel was released in 1980

Oleg Dal was in a depressed mood. His persecution at Mosfilm continued, and his health began to fail - his heart let down. V. Trofimov recalled: “Our last meeting is remembered with bitterness. In the spring of 1980, I came to him with a script about A. Blok. The door was opened by an exhausted, sunken-eyed man in whom it was difficult to recognize the radiant, always elegantly fit Dahl. The conversation was difficult. "I really want to, but I probably won't be able to take up that job ... I can't do anything yet ... They finished me off ..." Word by word, I squeezed out of him an outrageous story of harassment by the Mosfilm acting department. How vulnerable this proud man was ... "

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07/25/1980 - the death of Vladimir Vysotsky and the strongest emotional depression of Oleg Dahl, which after a while led to his death.

Transiting Uranus in opposition to natal Saturn and the Moon (exact aspect 07/25/1980);

Directional Uranus in conjunction with the natal Ascendant.

During the filming of the film "Uninvited Friend" Oleg Dal learns about the death of Vladimir Vysotsky. According to eyewitnesses who saw Dahl at the funeral, he looked creepy and repeated: "Well, it's my turn soon." After the funeral of Vysotsky, Dahl is increasingly visited by thoughts of death. Diary entry: “October, 1980. I began to think often about death. Depressing worthlessness. But I want to fight. Cruel. If we are to leave, then leave in a frantic fight. With all my remaining strength, try to say everything that I thought and think about. The main thing is to do it! " Oleg Dal also touched upon the topic of death in conversation with colleagues and relatives. L. Maryagin recalls: “Dahl drank a glass of beer and never touched anything else. We talked with Anatoly Romashin about the difficulties with which the picture was filmed. Dahl was silent, looking past us. And only half an hour later A. Romashin asked: - Tolya, do you live there? (A. Romashin then lived at the Vagankovsky cemetery). - Yes, - Romashin answered. "I'll be there soon," Dahl said ... "

On Vysotsky's birthday, January 25, 1981, Dal woke up in the morning and said to his wife: “I was dreaming of Volodya. He is calling me. "

Dal and Vysotsky were not friends, Rather, they were brothers in spirit and like-minded people. Their last meeting took place in May 1980. Then Oleg Dal came to Vysotsky's home, very drunk, he could not appear home like that. V. Vysotsky sang his songs to him, and Oleg listened in silence.

Poems by Oleg Dahl after the death of V. Vysotsky:

V. Vysotsky. Brother

Now I remember ...

We said goodbye ... Forever.

Now I understand ... I understand ...

Rupture of the track

Early May ...

I stumble ...

Words words words.

The magpie beats with its tail.

Snow falls, exposing

The naked coldness of the branches.

And here is the final chapter

Smelled like a rose bush

Longing and deceit, promising

And she died in my chest.

Peace - peace ...

And, loneliness, and anger,

And I cry in my sleep, and wake up ...

Resentment is a silvery month.

Branding is a test of grief.

And I repent again. I confess. I confess

Holding a torn heart ...

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03.03.1981 - death of Oleg Dahl from a heart attack

Directional Uranus (ruler of the MC) in conjunction with the natal Ascendant;

The axis of the directional lunar nodes entered the exact connection with the natal axis of the MS-IS;

Transiting Black Moon in opposition to the natal Black Moon;

Transiting Uranus in opposition to natal Jupiter (ruler of the 6th house) in the 12th house;

Transiting Neptune in square with natal Neptune and opposition with natal Mercury;

Transit Mercury in square with the natal Moon (ruler of the horoscope) and natal

Saturn (ruler of the 7th and 8th houses) in the 12th house;

Transiting Pluto trine natal Mercury in the 12th house;

Transiting Sun in square with natal Venus in the 12th house;

Solar Sun in the 8th house of the solarium;

Solar Pluto conjunct the Solar Ascendant.

In early March 1981, Oleg Dal went to Kiev to audition for the film "Apple in the Palm".

On March 3, 1981, Dahl is having dinner with his film partner Leonid Markov at the hotel, then goes to his room with a dark joke - "I'm going to die at my place." In the morning, Oleg Dal was found dead in bed in his hotel room. Doctors diagnosed death from heart failure.

There are two versions of the cause of Oleg Dahl's death. According to one version, Oleg Dal deliberately or out of despair poured into himself a critical dose of vodka, realizing that another sewn-in "torpedo" would react to it with a sharp jump in pressure. According to this version, Oleg Dal's departure from this world was quite deliberate. Solas, according to another version, the actor's heart stopped by itself, unable to withstand the enormous psycho-emotional stress of the last two years of his life (the opposition of transit Uranus with the natal conjunction Moon-Uranus-Saturn in 1979-1980).

From my point of view, it could be either one or the other, tk. on the one hand, in the directorates, transits and solarium there are strong indications of the death of Oleg Dal during this period, and on the other hand, the death of the actor occurred at the moment of the exact square of the transit Neptune to natal Neptune and opposition to natal Mercury, namely, on previous intense transits Neptune to the natal Sun and Venus, the actor went into long and deep drinking bouts. I think that Oleg Dal by March 1981 was so mentally and physically exhausted that at that moment he could have forgotten about the mortal danger of the "torpedo" and drink very seriously (consciously or unconsciously striving for death) simply trying to escape from reality and his inner torments and experiences in alcoholic oblivion.

From the memoirs of Elizabeth Dahl:

“- Did he have a presentiment of his death?

Oleg was not going to die, but, as a person with a very subtle perception, for the last six months he subconsciously felt that he would soon die. He understood that it would be, that he was ready, that he knew. Sometimes he told me such things ...

We were lucky at the end of his life - we rented a dacha in Monino for a cheap price. Half of January and the whole of February we lived in a wonderful house. Once I entered from the kitchen into a huge hall - he was sitting on the floor and watching some kind of cartoon on TV. Small and with such a sad, sad head. I came up from behind: "What's wrong with you, Olezhechka?" He didn't even turn around: "I feel so sorry for all three of you." I realized that he meant our mothers and me. This was literally two weeks before his death. Oleg, by the way, was very stingy with words. When we left the dacha, my liver ached. He never liked to say tenderness, although he was terribly tormented by pity. I tried to curl up imperceptibly. He suddenly asked: "Does it hurt?" - “Oh, nonsense! We’ll come now, I’ll collect you for the trip. I'll find a boiler, cook raisins, crackers. " He suddenly interrupted me: "No, first you get into a hot bath, take a pill, stick a plaster ... You need to be very healthy now." And I didn’t even suspect that he knew how I was treated during seizures. It was two days before his death - on March 1, he left for Kiev to shoot. Usually, to hide his pity, he grumbled: “Well! She ate something again or lifted something heavy. Will know!" For the last month, being so stingy in words, he spoiled me with attention, words and praise, which has not happened in all ten years. "

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Lyrics of the song "There is only a moment (from the film" Sannikov Land ")" (A. Zatsepin)

(In the film "Sannikov Land" Oleg Dal was not allowed to perform this song and in his performance it was released only together with songs from films performed by Oleg Dal).

Everything in this raging world is ghostly.

It is he who is called life.

Eternal peace is unlikely to please the heart.

Eternal rest for the gray pyramids,

And for the star that gathered and falls

There is only a moment - a blinding moment.

Let this world fly into the distance through the centuries.

But not always on the way to me with him.

What I value, what I risk in the world -

In one moment - only in one moment.

Happiness is given to meet and trouble still

There is only a moment - and hold on to it.

There is only a moment between the past and the future.

It is he who is called life.

Rectification (determining the time of birth) ==

Clarification of the time of birth (rectification) according to the most important events in life that have already occurred and their dates (marriage or divorce, childbirth, periods of abrupt changes or difficulties in partnerships, relocation, emigration, significant career success, cardinal changes in family life, death loved ones, etc.)

The cost of rectifying a horoscope with an uncertainty in the time of birth up to 6 hours is $ 80

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Elizabeth Eichenbaum

There was an unwritten law among the employees of the editing workshop at Lenfilm during the Soviet era: do not fall in love with actors! But Elizaveta Eikhenbaum violated this law and fell in love with the artist - Oleg Dahl. She fell in love, feeling and accepting in him what others - his colleagues, relatives, close ones - maybe could not or did not want to see in this person in full: tenderness, sensitivity, vulnerability, defenselessness ... “A man without skin ", - said Elizaveta Dahl about her beloved. Together they lived ten difficult, tragic and happy years, in which there was everything: joy and peace, quarrels and resentments, meetings and partings ... Being the wife of a talented artist is always not easy, especially an artist of such kind as Oleg Dal.

He was an "uncomfortable" actor and a person - too honest, too principled, too direct. Dahl did not get along with anyone, left theaters and directors, interrupted filming, drank. He has not received any of the cinema awards. With bitter irony, Oleg Dal called himself not a folk, but a "foreign" artist. But the woman destined for him by fate did not love "in spite of something" and not "for something" - she simply loved and was happy that her love was mutual. The years spent with Dahl, Elizabeth considered "the greatest gift of Fate."

They met on August 19, 1969, when Eliza-veta Eichenbaum celebrated her thirty-second birthday in a restaurant. It was in Narva, on the set of the film "King Lear" directed by GM Kozintsev. Oleg Dal played the role of Jester in this film, and Liza worked as an editor. “The fact that I got to the film“ King Lear ”played a huge role in my life,” Dahl later recalled from El-Covenant. - For me, there is still something mystical in this: if this film was not shot by Grigory Mikhailovich, but someone else, but Oleg was filming, we would not have become husband and wife. There was something here ... I remember the arrival of Grigory Mikhailovich for the next viewing of the material and his words, addressed to me: "Liza, what Oleg was like with us yesterday on the set !!!". I thought then - why does Kozintsev tell me about this, maybe he knows something more than me? Then I myself did not have any serious thoughts about me and Oleg ... ". They did not have any romance on King Lear. But strangely - as soon as they met, Liza there, in Narva, suddenly said to Oleg: "Come to me in Leningrad, I will show you what happiness is." And then she wondered at herself. Why did she suddenly say these words? Where did she get the confidence that she can create family, domestic happiness for this person? However, this is how it all happened. Dahl came to her, and they were together until his death.

Elizaveta Dal recalls how they met in Leningrad for the first time after the filming of King Lear: “It was at this time that I had an affair with Seryozha Dovlatov, who was then the secretary of the writer Vera Panova. One evening he was sitting at my house, we grilled meat and drank vodka. Oleg called and asked for a decision to come. I invited him. And so my two supporters tried to sit out each other all evening. At some point, I called Oleg into the corridor and invited him to leave with Serezha, and then return himself. He looked at me so angrily, but obeyed ... I saw in his eyes that he did not like it terribly. Then, when I got to know Dal well, I realized that he did not love and did not know how to cheat. Never in anything. Even in the little things. So: Oleg Dal and Seryozha Dovlatov left together, and then Dal called me from a pay phone. He asked very strictly: "So what do you say?" I said simply: "Come." He came ... Early in the morning he had to go to the airport - he flew with the Sovremennik theater to Tashkent and Alma-Ata on tour ... Before leaving, Oleg offered to wake up his mother, saying that he wanted to ask her for my hand ... “We have to register, as we will travel a lot and live in hotels. I don’t want to be accommodated in different rooms,” Oleg said. It was in May 1970, and on November 27 of the same year, Oleg Dal and Elizaveta Eikhen-baum (after Apraksin's father) became husband and wife. Liza was not going to change her maiden name, but in the registry office Oleg looked at her so sternly and shone like a child when she agreed to become Dal ...

“Why did I marry Oleg, although I saw that he was drinking heavily? It was interesting to me with him. I was already 32 years old, and I thought I could handle his weakness. With some kind of inner feeling I felt: this person cannot be upset with a refusal ... ”- said E. Dal. The first years of their family life were especially difficult: Dal drank very hard, then he began to "sew up" and could not drink for a long time, so he broke down again ... "Then Oleg drank in earnest, and I could not get used to it, not could cope, - recalled Elizaveta Alekseevna. - My mother, who adored him from the very first day, mostly coped - and he did her too. There was a time when I simply could not go to work - he did not come to spend the night or came robbed, they took off his watch, his hat ... I had to go to the sobering-up center for him. And at the same time, there were wonderful months when he did not drink and everything was wonderful ... Oleg understood perfectly well that our life was crumbling, he really wanted to get rid of this habit. All this is recorded in his diary. He understood, but there was nothing he could do. Although he was a man of very strong will. "

But in spite of everything, Oleg and Liza almost did not quarrel - largely thanks to Lisa's patience, her ability to forgive. Only at first she was offended when her husband, even when he was sober, in a rage tore out his anger on her! Then she realized that all this anger did not apply to her, that Oleg just needed to throw out his emotions, get rid of them. She learned to endure. And she learned. And after saying nothing, not answering him in kind, immediately, five minutes later, she received from him such, albeit not expressed in words, gratitude for taking everything upon herself, smiling, not in the least offended ... Liza felt the main thing: It is very important for Oleg to know that he can come home the way he is, and he will be understood. He did not have to spend extra energy on pretending, playing, acting at home. “Living with Oleg, I changed every day, remade myself. I lived his life, ”said Elizaveta Dahl.

Before meeting each other, both Lisa and Oleg already had experience in family life. Dal was married to actress Tatyana Lavrova, their marriage did not last long - only six months, and Elizaveta was married for four years to Leoni-dom Kvinikhidze, who later became a famous film director (viewers know him from the films "Straw Hat", "Heavenly Swallows" ). These were early, student marriages. Family relations for various reasons did not work out. “It’s not surprising that nothing came of it,” said Oleg Dal about his first marital experience.

Two years after Oleg and Liza got married, they moved to Moscow, exchanging a luxurious Leningrad apartment in a writer's house for a two-room Khrushchevka at the end of Leninsky Prospekt. The apartment was tiny, the audibility was terrible, the old woman living on the floor below was quite seriously indignant: your kittens stomp and prevent me from sleeping ... However, the new settlers did not lose heart. “The four of us lived there,” recalls Lisa. - Oleg, me, mom and a sense of pestilence. When someone unexpectedly came to us, I could not say that Oleg was not at home, because sometimes his leg, his hand, his nose were sticking out in the apartment ... Oleg's mom lived in a two-room apartment apartment in Lyubli-no. At this time, Oleg moved from Sovremennik to the Theater on Malaya Bronnaya, the director of which was then Dupak - a very enterprising person.

Oleg asked him to help exchange our two apartments for one in the center, otherwise he threatened to leave the theater, as he had to travel very far. Dupac helped us. In 1978 we moved to a four-room apartment on Smolensky Boulevard. Oleg fell in love with this apartment of his and arranged it in every possible way ”. A strange story is connected with this apartment in the very center of Moscow, which the artist adored. Once Oleg Dal with actor Igor Vasilyev drove past this house - it was still under construction - and said: "I will live here, this will be my house." He said and forgot. I remembered only ten years later, when I came here with an inspection warrant. Dahl was happy in this apartment. Previously, he often called himself a vagabond and said that he did not like home, now everything has changed. “This is not an apartment,” he said. - This is a dream". But the feeling of home warmth, comfort came to him not only and not so much thanks to the new house, but mainly due to the spiritual closeness that existed in their family. “Oleg immediately became friends with my mother ....

Her father, my grandfather, Boris Mikhailovich Eikhenbaum, was a famous literary critic, professor, teacher of And-ronikov and a colleague of Tynyanov and Shklovsky. When my grandfather was gone, I thought that there were no such people anymore. And suddenly I discovered similar features in Oleg, ”says Elizaveta Alekseevna.

Dal adored his mother-in-law Olga Borisovna, and she reciprocated. “I liked him at first sight. Amazing eyes ... - said O. Eikhenbaum. - When I looked at him for the first time, I said to myself: "Well, my Liza is gone!" I knew that he had been a cold boy for a long time, had parted with Tanya Lavrova and lived alone for five years ... By the way, I did not have the impression that he was madly in love with my daughter. True, the completely charming Letters from Alma-Ata convinced me of Liza's choice ... He was a special person, so it was very easy for me to be with him. I didn’t love all of Liza’s fans, so I wouldn’t be an easy mother-in-law for everyone ... ”. Dal called his beloved mother-in-law Olya, Olya. I began to call my mother and Lisa in the same way. Oleg Dal also called his women Elder and Younger Kangaroo. He called them without malice and anger - kindly. "Why kangaroo?" - they once asked Elizaveta Alekseevna. She laughed in reply: "Probably because we carried very heavy bags."

Then they made a study out of the hall for Oleg, and his happiness became simply prohibitive. He could, when he wanted, remain alone with himself. I read, wrote, painted, listened to music. Now he spoke to Elizaveta Alekseevna seriously and ceremoniously: “Madam! You are free for today. I will write no one. And then I'll fall asleep on the sofa, in the cockpit. " Olga Borisovna exclaimed: “Olezhechka! But the sofa is narrow. " “I'm too narrow,” Dahl reassured his mother-in-law. Oleg later brought his mother to Smolensky Boulevard. Both mothers - both Oleg and Liza - did not work, being already pensioners. And Liza didn't work. That's what Dahl wanted. He said: “When you serve me, you bring more benefits to cinematography than sitting at an editing table. They can replace you there. "

And Liza began to serve Ole-gu. And I never regretted it. The wife of one actor once said to Lisa: “Of course, he loves you! Why not love ... You tell him every day from morning to evening that he is a genius. " Lisa laughed. If she told Dal that he was a genius, it was only as a joke, he seriously would not allow her ... Maya Kristalinskaya, whom Dal once introduced Lisa to, after looking closely at her, said: “You probably very happy". Elizabeth thought about it and after a short pause agreed: "Yes." But since then she answered this question without hesitation.

Elizaveta Alekseevna Dal once said that it is very important to know that you are happy at the very moment when you are really happy; not after, not later, when everything is over and you suddenly wake up and start killing yourself: ah, it turns out that I was happy then and did not know, did not know about it; no, you need to know about your happiness at the moment of his birth, at the moment of existence. Elizaveta Dahl often recalled how, in 1973, on her birthday, while filming in Tallinn the Omega Variant, Oleg presented her with a bucket of roses. Exactly thirty-six pieces, and in the same place, in Tallinn, presenting her to Rolan Bykov, she said proudly and significantly: “Lisa Eikhenbaum, she is the Countess Apraksina, she is now Dahl.” Such bright flashes of happy moments that happened in their lives, they both greatly appreciated and cherished in their memory. These memories helped Elizabeth to survive when Oleg was no longer around. Of course, they brought not only comfort, but also pain and suffering.

“It's strange: when I remember our life, I see THEM together, HIM and TU Lisa. Not me. TU Liza was buried together with Oleg, and I remained as some kind of witness, - E. Dal recalled. - This is not a fictional image, but my feeling. I always see not myself with him, but the two of them. I do not know why...". Dahl was lonely in the acting environment. Liza understood this like no one else. She introduced him to wonderful writers - Shklovsky, Andronikov, Ka-verin. I adored the distance of these great old men. And they loved him dearly. But still, Oleg Dal did not have really close friends. He was a closed person, and those around him often seemed gloomy and unsociable, although this was not so. “Oleg seemed to many to be a gloomy person, but at home he was always cheerful and kind,” says Elizaveta Alekseevna. - He had a cherished dream - to play a comedic role. Once Oleg very funny portrayed an old man, and I suddenly felt scared: I realized that he himself would never be an old man.

I have never left the feeling that a thin thread connects him with life, which can break off in any se-kundu. " Oleg Dal did not have a chance to fulfill his old dream. It seemed that it had almost come true - the artist was invited to Kiev to play in the long-awaited comedy, but three days after his arrival in Ukraine - March 3, 1981 - Oleg Dal passed away. He had a presentiment of his departure - in the artist's diary there are thoughts of death. In October 1980, he wrote: “I began to think often about death. Depressing nickname-nothingness. But I want to fight. Cruel. If we are to leave, then leave in a frantic fight.

Try my best to say everything that I thought and think about. The main thing is to do it. " He never showed his Diary, which the artist had kept since 1971, to anyone. Only sometimes he called his wife and mother-in-law to his office and read small excerpts from his notes. “I read the entire diary only after it was gone,” E. Dal recalled. “And I was horrified. I knew how difficult it was for him, how he suffered, not fitting into the existing system. But I didn't even know how his heart was breaking. "

“I'm next,” Dahl said at the funeral of Vladimir Vysotsky, who was not his friend, but who is very close to him spiritually. Actor A. Romashin, who lived not far from the Vagankovskoye cemetery, at about the same time he said the following phrase: “Tolya, do you live there? I'll be there soon. " And yet, although thoughts of death haunted him, the actor did not strive for it, as many of his colleagues believed. Some of them even thought that Dahl had committed suicide. The fact that Oleg Dal did not want death is confirmed by the artist's widow:

“Oleg loved life very much. These are all dirty rumors that he drank a lot and died due to drunkenness. In recent years, he did not drink much. He was in poor health. Oleg himself imposed a ban on alcohol. There were rumors in Moscow that he committed suicide. And he died just in a dream from a cardiac arrest, it had been weak since childhood. For the last months we have been living in Monino, in a dacha near Moscow. During this time, he said a lot of good words to me. One day he came to the kitchen in the morning and said that he had dreamed about Volodya Vy-sotsky, who had called with him. I answered: "Volodya will rain, Olezhek, he is not bored there."

Already “after all,” one friend said to Lisa Dahl: “Now he will always seem to you. You leave the house, and suddenly someone’s gait, someone’s head turn, someone’s facial features will remind him. ” But no one, ever, anywhere, and in any way reminded her of him. “Even before I met Oleg, when I just watched him in the movies, he amazed me with some kind of unearthlyness. He remained so alien, ”said E. Dal. It was not by chance that Dahl called himself not “folk”, but “foreign” artist. There was indeed a certain foreignness in him. At the same time, he was very demanding of himself, of art and of his colleagues. E. Radzinsky said very well that Dal was sick with a wonderful disease - delusions of perfection. It was she who, perhaps, did not allow him to do more than he did. He left one theater for another, from one director to another.

At the same time, Dal brilliantly played in a variety of films - from classics to fairy tales and adventures. He loved almost all of his roles and was dissatisfied with only one of his work - the painting "Sannikov's Land". The rest he and Diza liked to watch together - it "was almost a family ritual." When her husband was gone, Elizaveta Dahl watched films with his participation even more often. “This is a meeting for me every time. One-sided, but meeting, she said. “In addition to what is shown on TV, I also have cassettes, I watch when I want, and this is a joy for me.”

After the death of her husband, Elizaveta Alekseevna did not try to re-arrange her personal life. “I could not replace Oleg with anyone. After all, I did not fully recognize him. It was an absolutely mysterious, mysterious person. I could guess any of his wishes, understand his condition, forgive anything, but as a person and as an artist, he remained a complete mystery to me. "

Elizaveta Dahl survived her husband by twenty-two years. For twenty-two years she kept the memory of him. No hysterics, no anguish, no public suffering. She just loved him. As if he hadn't died. Her love for him was quiet, restrained, lively, warm, delicate. Lisa Dahl has never played the role of an inconsolable widow. I was not looking for the right acquaintances. And lately she hardly left the house. She often sat in her husband's office, where everything remained the same and reminded of him: theatrical posters, photographs, books, on the table - a turntable and favorite records. “I will always love and remember Oleg,” said Elizaveta Alekseevna. “I feel like I was buried with him. And now I live only so that there is someone to tell about the actor and the person Oleg Dal ... "

The widow of the great actor died five days before his birthday. On May 25, 2003, Oleg Dal would have turned 62 years old. The years without a husband were not easy for Eli-Covenants in every way. She had no children, but Lisa had to take care of two mothers - her own and Oleg's. After a long break, she went to work at the Soyuz-Sportfilm studio - at Mosfilm, where there were many acquaintances, she did not want to go. When, after a few years, both mothers, one after the other, passed away, Lisa was left completely alone. But in the early 90s, fate gave her a meeting with a then very young girl - Larisa Mezentseva Childless Elizaveta Alekseevna fell in love with her as a daughter, and she became the second mother to Larisa.

“Liza was very sick,” L. Mezentseva recalled about the last days of E. Dal’s life. - She suffered from bronchial asthma and ischemia. We bought the necessary medicines, but her pension and my salary, even if we hadn't eaten anything for a year, would not have been enough to pay Liza a good treatment. Her death was unexpected, sudden. In the morning, leaving for work, I asked: "Well, how are you?" She replied: "You know, today I am much better!" I worked quietly, and when I returned home, I found her already dead. She left a few hours before I returned home. " She went to the one whom she remembered and loved all her life. Probably, her soul was so yearned that there was simply no more strength left ...

The writer Viktor Konetsky, who was a neighbor of Elizabeth and Oleg in the house on the Petrograd side in Leningrad, has a story "The Artist", dedicated to Oleg Dal. It is impossible to read it without tears. There are the following lines: “I finish with the words from the letter of Oleg’s wife:“ Our dear neighbor, an orphaned one! I remember how he came to your unlocked door to your male council. You tell me that I love him as souls love God. Find the words - I don't know them now, who always loved him like an earthly woman. "

Oleg Dal "

Born May 25, 1941 in Lublin, Moscow Region, in the family of a prominent railway engineer and teacher.

In 1963 he graduated from the Theater School named after M.S. Schepkina (teacher Nikolai Annenkov).
In 1963-1969, 1973-1976 he was an actor at the Sovremennik Theater.
In 1971-1973 he was an actor at the Leningrad Lenin Komsomol Theater.
Since 1976 he has been an actor at the Malaya Bronnaya Theater in Moscow.
Since 1980 he has been an actor at the Maly Theater.
In 1980-1981 he was a teacher at VGIK.

The first film work was the role of Alik Kramer in the film directed by Alexander Zarkhi "My little brother" (1962) based on the story "Star Ticket" by Vasily Aksyonov, where Dal played the hero of the 1960s, a young intellectual from a Moscow gateway. Most of Dahl's heroes in the early period of his creative activity are his peers. He appropriated many of his traits to them. First of all, of course, the appearance of a thin, but very graceful young man, with clear big eyes, expressive, peculiar plasticity and an amazing, cunningly gentle, a little sad charm inherent only in him. In the young Dahl there was something that did not depend in any way on texture and external data. Trepidation, poetic inspiration helped the actor to express the time, which manifests itself in a passion for art, a desire for arguments and faith in life.

In 1966, Vladimir Motyl offered Dal the role of Zhenya Kolyshkin in the film "Zhenya, Zhenya and Katyusha." The premiere took place in August 1967 and aroused great interest among viewers. Nevertheless, the picture did not get on the wide screen then: the minimum number of copies was printed, distribution was allowed only in the provinces.

An important stage in the creative life of Oleg Dahl was his performance as Yevgeny Sobolevsky in Naum Birman's film The Chronicle of a Dive Bomber (1967). Thanks to the image he created of an intelligent and charming guy Zhenya Sobolevsky, 27-year-old Dal became one of the most popular actors in Soviet cinema.

The role of the Dollmaker and the Soldier in The Old Old Tale (directed by Nadezhda Kosheverova, 1968) further strengthened the audience's love.

In the same year, at the Sovremennik Theater, Oleg plays Vaska Pepla (At the Bottom by Maxim Gorky, director G.B. Volchek), plays brightly and unexpectedly. Dahl saw a man in the thief. Vaska Ashes in Dahl's interpretation is a single and impetuous impulse to happiness and beauty.

Oleg Dal continues to work in cinematography. He starred in the role of the Jester in the film "King Lear" directed by Grigory Kozintsev (1970). This character was built by Dahl from some sharp angles: a naked skull, protruding ears, sunken cheeks. Tragic and wise eyes. Instead of a buffoon's attire - a shabby rags. His task is not to entertain, but to reopen wounds.

In 1971, Dahl starred in the film "Shadow" directed by Nadezhda Kosheverova, playing two roles at once: the Scientist and his Shadow. The scientist is a kind, sweet loser in a shabby velvet suit, an eternal youth, waiting for a meeting with fabulously beautiful love, with adventures. But suddenly the adventure turns into a split personality, and Shadow-Dal rushes among the Andresen's scenery with long breaking fingers, with a face-mask, with wild animal habits.

Since 1974, Sovremennik has hosted four performances with the participation of Oleg Dal:
"Valentine and Valentine" by Mikhail Roshchin,
"Provincial jokes" by Alexander Vampilov,
"From the notes of Lopatin" by Konstantin Simonov,
"The Princess and the Woodcutter" by Mikael Mikaelyan and Galina Volchek.

Such directors as Valery Fokin, Iosif Raikhelgauz, Galina Volchek work with him. And the play "The Princess and the Woodcutter" was the first experience of Oleg Dal as a director.

In 1975, Anatoly Efros makes it possible for Oleg Dal's old dream to come true, inviting him to star in the TV show "Through the Pages of Pechorin Magazine". While still a schoolboy, after reading "A Hero of Our Time" by M.Yu. Lermontov, Dal decided to become an actor in order to play the main character of the story someday.

Meeting with A.V. Efros again returned Oleg Dal to the bosom of the theater. He came to the "Theater on Malaya Bronnaya", where he played various roles, including Alexei Nikolaevich Belyaev ("A Month in the Country" by I. S. Turgenev), who, like the wind, burst into the stillness and languor of the Islaevs' house.

In 1977, Oleg Dal starred with Anatoly Efros in the film "Thursday and Never Again" in the role of Sergei. Their last joint work was the painting "Islands in the Ocean" (1978). “He was a very tall person mentally. It is very tough, and behind this toughness there is an extraordinary subtlety and fragility ", - said A.V. Efros.

Shooting in the film "Vacation in September" (based on the play by Alexander Vampilov "Duck Hunt", director Vitaly Melnikov, 1979) became a significant event in Dahl's work.
Zilov-Dala bore the stamp of high talent. He could write wonderful poetry, compose songs. But from the first seconds of his appearance on the screen, he knew that he would die. In the very ritual of the duck hunt, in anticipation of it, something convulsive, absurd, was caught, how absurd this countdown was not days, not hours, - minutes.

On November 11, 1980, Dal was enrolled in the troupe of the Maly Theater, where he played the role of Alex only once (December 31, 1980) (Yuri Bondarev's "Shore", director V. Andreev).

The last work in the cinema was the role of Viktor Sviridov in the film "Uninvited Friend" directed by Leonid Maryagin (1981).

Oleg Dal usually thought out the task of the role himself, its drawing, fantasized, improvised. Dahl prepared for rehearsals, and especially for performances, as a surgeon, on whom the outcome of a complex operation depended. Actors and directors loved to work with him. His mental, psychophysical apparatus, when creating images, was a delicate, jewelry instrument. Extremely plastic and internally very mobile, Dahl could play in completely different rhythms in one performance or film.

The usual state of almost all of Dahl's heroes is restlessness. They cannot find themselves in the world around them, and most importantly, they cannot find themselves in themselves. They are characterized by contemplation and self-absorption.

In all roles, Dahl was gullible and wide open, possessed a special, tragic perception of the world. He began to think about death very early, he seemed to have a presentiment of it. Departure from life largely determined his life itself. From the diary: “Try my best to say everything I thought and think about. The main thing is to do it !!! " He was afraid not to have time to say, do ... He was always on the lookout.

Dahl read poetry remarkably, slightly "pulling back" the sound, thoughtfully living it, and not reciting it. In Oleg Dahl, one could discern hidden tenderness, and dissatisfaction with himself, and spiritual insecurity. He knew what deep sadness and deep sound were. He fell into them like into a deep well. Hence its originality and uniqueness.

Oleg Ivanovich Dal died on the morning of March 3, 1981 at the age of 40 in a hotel room in Kiev.

Chapter 11 of the cycle "To be remembered" by Leonid Filatov is devoted to the life and work of the actor.

theatrical works

1963 - The Naked King - Heinrich
1963 - "Older Sister" - Cyril
1963 - "Snow White and the Seven Dwarfs" - Dwarf Thursday
1963 - "Forever Alive" by Viktor Rozov - Misha
1964 - "Cyrano de Bergerac" by Edmond Rostand - Marquis of Briceil
1965 - "Always on sale" - Igor
1966 - "An Ordinary History" based on the novel by I.A. Goncharova - Pospelov
1967 - "The Decembrists" - episode
1968 - "At the Bottom" by Maxim Gorky. Director: Galina Volchek - Vaska Ash
1969 - "Taste of Cherry" - man
1972 - "Choice" - Doubles (Leningrad Theater named after Lenin Komsomol)
1973 - "Balalaikin and K" - Balalaikin
1974 - "Valentine and Valentine" by Mikhail Roshchin - Gusev
1974 - "Provincial Jokes" by Alexander Vampilov - Kamaev
1974 - "From the notes of Lopatin" by Konstantin Simonov - Gursky
1974 - "The Princess and the Woodcutter" M. Mikaelyan and G.B. Volchek. Director: Oleg Dal - Magiash
1975 - "Forever Alive" by Viktor Rozov - Boris
1975 - Shakespeare's Twelfth Night - Andrew Egyuchik
1977 - "A Month in the Country" by I.S. Turgenev - Alexey Nikolaevich Belyaev (theater on Malaya Bronnaya)
1977 - "Veranda in the Forest" - Cheloznov
1980 - "Shore" - Alex (Maly Theater)

prizes and awards

Prize for the best male role in the film "Vacation in September" - XII All-Union Festival of Television Films, Minsk, 1987 (posthumously).

Who interests many of his fans, he was one of the brightest and most controversial figures in Soviet theater and cinema. This man was very delicate and vulnerable, even sometimes cocky. But he was forgiven a lot: harshness, maximalism, and sometimes drunkenness. He could start rehearsing, and then, deciding that the film or play is not good enough, take and refuse the role.

The people around him understood: he was not like everyone else. He has his own path, his own road, which constantly winds between heaven and hell. Famous actor Oleg Dal. Biography, personal life, career, everything that touched this person, of course, has an insanely vivid character.

The decision to enter the theater, or speech defect

The future artist was born in 1941 on May 25 in a Russian family. As a child, Oleg Ivanovich dreamed of being a pilot, but he could not enter the aviation institute. And then I decided: since they are not taken as a pilot, he will become an artist. When the parents found out about this, a scandal began. All relatives on my mother’s side are hereditary teachers and philologists. Oleg's dad is a railway engineer, a party man.

How could they then guess what kind of famous artist Oleg Dal would become? Biography, nationality and other facts from the life of famous people are very often studied by specialists. And there is information that according to some sources Oleg Ivanovich is the great-grandson of the famous compiler of the dictionary. Quite naturally, the parents considered the stage a frivolous occupation for their son.

In addition, Dahl had him bursting from childhood. But I constantly tried to overcome it. He studied in the central house of children of railway workers in the studio of the artistic word. As a result of this, his unusual structure of phrases and pauses was born. The specialist taught him how, after a little hesitation, he pronounces words. This is how the artist Oleg Dal was born, whose biography will now be associated only with theater and cinematographic art.

Completion of training and the beginning of a creative path

After graduating from the Shchepkin School, Oleg Ivanovich enters Sovremennik. At the time, it was one of the most famous theaters in the country. Then it seemed that Dahl pulled out But work in the theater, unfortunately, does not work out. Oleg feels that he is capable of much, is constantly waiting in the wings, but five long years have passed, and he has not had a single serious role in Sovremennik.

I had to learn only some hasty introductory roles, when the text was given in the morning, and by the evening the performance was staged on the stage. And not a single serious character. Thus, the actor has accumulated not only a huge amount of unspent energy over a long period, but also resentment. Oleg Dal was a very hot-tempered person. His biography contains many stories of his relatives and friends, which characterize him as a rather emotional person. The same thing happened this time, Oleg Ivanovich left the theater, slamming the door.

Salvation in cinematography

When there were no serious roles in the theater, cinematography saved me. Filming of the film "Zhenya, Zhenechka and Katyusha" began in 1966 in Peterhof. The center of the collective was two actors - Oleg Dal and Mikhail Mikhailovich Kokshenov. Both are young, ambitious and completely different. When they found themselves on the set together and started joking, none of the people around could help laughing.

Sometimes, after the end of the working day, the artists forgot to hand over their ammunition to the costume designer. They were so used to fighting that they continued to play war even after the camera had already turned off. Mikhail Mikhailovich Kokshenov himself often recalls how they wandered around the city in uniform at that time and were stopped by a patrol asking where they were from.

Character problems, or Filming under police escort

But what was Oleg Dal really like? Biography, personal life, what tormented the actor - all this interested people only after his death. And then, on the set, Oleg Ivanovich was the ringleader, and what is going on in his soul, no one knows. Numerous problems that overwhelmed the actor's soul began to be expressed in hard drinking. The director often deliberately puts him with his back to the camera. Oleg Ivanovich's face swells from what he had drunk the day before, his eyes become cloudy. And yet everyone forgave him.

In the midst of filming, Oleg Dal again went into a binge. Moreover, he got into the police and got fifteen days for the director Vladimir Motyl understood that the shooting was under threat. In order not to disrupt the schedule, he negotiates with the head of the police station and Oleg Ivanovich is brought to the site under escort, and in the evening he is again taken away.

That dialogue, when the hero of Dalia Kolyshkin was talking with Zhenechka, sitting in the guardhouse, was filmed during this period. Perhaps that is why it is played so touchingly and authentically. Such was the actor Oleg Dal. Biography, personal life, filmography of this man, of course, had a very bright character. And there is hardly a reader whom this person will leave indifferent.

The Ending Filming of a Popular Movie, or How Life Turns to Hell

Oleg Dal did not like much in the world around him, and he did not know who to express his dissatisfaction with, and from this he was constantly nervous and turned on. With rudeness, mediocrity and narrow-mindedness, Oleg Ivanovich sorted out the relationship with his fists. I had to fight not only in life, but also on the screen. The most famous hand-to-hand scene in the film "Zhenya, Zhenya and Katyusha" took place in the dugout.

Dahl, this film brought unprecedented popularity. True, the artist did not have time to enjoy it. For thirty years this painting was banned. And the wording is simple enough. The film is immoral, and the main characters are drunks and hooligans. After filming this movie, Dahl's life turned into a real hell.

All film studios in the country were forbidden to film this artist and generally forget who Oleg Dal is. His biography really contains information that at that time he was included in the black list of objectionable artists. But times are changing, and today this film is shown on every Victory Day.

A new twist of fate, or an unspoken order of the leadership

Dahl was versatile. He could play the Shadow in a children's fairy tale, create the image of a scout, a recidivist criminal and even a prince. Oleg Dal was infinitely talented. The biography of this artist, starting in 1978, finally tells about some positive moments in his life. This year begins work on the film "The Travels of Prince Florizel". The director is sure that Oleg should play the main role in this picture.

But it was almost impossible to approve Dahl's candidacy at the film studio. For all Mosfilm officials, Oleg Ivanovich is persona non grata. Too picky, capricious, arrogant. Other actors are happy about any offer, and Dal refused to work with Kazakov, Ryazanov, Gaidai. At the end of the 1970s, an unspoken order from the management began to operate at the film studio, which read: for three years, Oleg Ivanovich Dal should not be filmed anywhere.

Perseverance of the director and the beginning of filming

Tatarsky refused to work without Dahl. As a result, the director was given the go-ahead, but was warned that Oleg Ivanovich was an uncontrollable artist, inadequate and drinking heavily. The scandal erupted on the very first day of shooting while trying on a suit. To fit the jacket that was picked up in the props on Dahl's figure, the suit was pinned at the back with pins.

For Oleg Ivanovich, who is used to looking great, it was a shock. And he refused to play in an old suit that did not fit. Dahl believed that the prince should look so that the audience, seeing him on TV, tomorrow began to dress the same as him. So Prince Florizel on the screen becomes the height of elegance, and Oleg Dal on the set - the height of professionalism. Everyone who starred next to him knew that the actor was constantly improvising. He is an unpredictable artist.

Filming ended in 1979. Viewers saw the film two years later. Finally, Dahl was happy. At that time, Mosfilm had five paintings with his participation, and everything was banned. He understood that the fact that Florizel came out was a miracle. Television, radio and newspapers attacked Oleg Ivanovich, he liked it. He gave interviews with great pleasure. And the journalists were interested in absolutely everything. What is Oleg Dal, biography, personal life, children and future plans in cinema.

Nice appearance and obnoxious character

Eyes, smile, strong-willed gait, unique manner of speaking. All this attracted girls like a magnet. On the set, half of the group was in love with him, from costume designers to the actresses themselves. The fans on the street did not give Oleg a pass. So who was the lucky woman chosen by Oleg Dal? Biography, family, children - this is all that is always of interest to many fans of the talent of their favorite actor.

Many loved Oleg Ivanovich Dal, but he could not find his other half for a long time. The artist's personal life did not work out. The affair with actress Nina Doroshina ended right at the wedding. With his second wife, Dal lived a little more than six months. It was almost impossible to bear Oleg's character.

Oleg Dal: biography, wife, or in search of personal happiness

It seemed that Dahl had no chances for personal happiness. But on the set of the picture, there was a meeting that changed his whole life. On August 19, 1969, Oleg Ivanovich met Lisa Eikhenbaum. She worked as an editor for the picture. And soon they got married. Introducing her to his colleagues, Dahl always spoke proudly and significantly.

Elizabeth was also very kind to her husband. She always made sure that he was not tired, hungry or cold. Oleg Ivanovich always took his wife with him to the shooting. This relationship was very tender. This woman was the only one who could find an approach to a talented actor with an obnoxious character.

Another unfulfilled hopes

Good artists are often compared to children. In the case of Oleg Ivanovich, this is the best definition. After all, it was almost impossible to outplay Dahl, as well as outplay the child. Filming of the film "September Vacation" began in 1977. When Dal found out that Lenfilm was preparing this film based on Vampilov's play "Duck Hunt", he immediately realized that he would be offered the main role. Naturally, I was waiting for the call.

With the approval of the roles, Melnikov pulled to the last. When permission to shoot was received, I called Oleg Dal. The actor worked in this film selflessly, and this became one of his best roles. However, the finished picture was not allowed to rent, it was called decadent and put on the shelf for eight years. Another shock that Oleg Dal went through.

The biography, the cause of death of any favorite actor is always of interest to many admirers of the talents of Soviet cinema. And very often you can find in the destinies of artists of that generation such a dismissive attitude of officials towards their talent. Of course, this always negatively affected not only the psychological state of the actors, but also often undermined their health. The premiere of the film took place only in 1987, when Oleg Ivanovich was no longer alive.

The last days of the artist's work

What else interests those who know and love an artist like Oleg Dal? Biography, cause of death and events leading up to his death. "Uninvited Friend" is the last work of Oleg Ivanovich. During the filming, Vladimir Vysotsky dies. It became a sign for Dahl. He understood that they were walking the same road with Vladimir Semenovich. Together they worked on the set of the film "A Bad and Good Man", even then Vysotsky more than once warned Oleg Ivanovich against frequent alcohol consumption.

In 1981, Oleg Dal was offered to star in a lyrical comedy. He goes to Kiev. On the eve of their departure, their last conversation with Yevgeny Tatarsky took place, in which Oleg Ivanovich mentioned how often he dreams of Vladimir Vysotsky and invites him to his place. On March 1, Dal left for the capital of Ukraine, and on the 3rd of the same month he was gone.

They say that a candle cannot be lit from both ends. It then ends too quickly. Oleg Ivanovich burned his candle mercilessly and did it deliberately. Tore my heart to pieces, and it could not stand it. Oleg Dal passed away. Biography, children who could still appear with this wonderful person, further creativity and much more, what Oleg Ivanovich was capable of, as if frozen in this moment. He passed away at thirty-nine, but for those who were close to him, who revisit films with his participation, he is still alive today.