In the first line of this poem, which gives the name, the hero declares that he is with her - with his beloved, just stupid. And then he explains this statement. In a minute, a "flash" is ready, that is, a surge of emotions. And as we understand further - negative. But this sharp, often unreasonable word immediately brings relief to both of them. That is, lovers cannot hide not only pleasant feelings, but also their anger and irritation.

In the second stanza, the hero addresses his beloved with a call to speak out. When she is angry, worried and tormented, and her soul is restless, then it is better to speak out. It is clear that she will not express the most pleasant, but the narrator is ready to accept everything. He calls her affectionately "my friend", asks to be open. But not only to her this request, but also to himself. Do not create artificially beautiful relationships, behind which repressed anger boils, claims and misunderstandings grow.

How often people seriously quarrel over the last drop, which can be any little thing! And all because they did not speak sincerely to each other, did not sort out the dubious situation, and everyone understood it in their own way, everyone was offended ... Such a “peaceful” existence is painful. And in general, just a peaceful state without claims and questions may mean that people are afraid to touch difficult topics, remain at a distance from each other. And any world, like any quarrel, can get boring. It's good to have a change.

The third stanza is more philosophical. It speaks of the inevitability of prose in love, that is, life. But the author urges to take a “share” of happiness from her. And as for the inevitable quarrels ... then after them it is so wonderful to return to love again.

Of course, some words seem outdated to us in this 1851 poem (for example, “participation”), but the feelings of the characters are understandable. Nekrasov's advice is still relevant today.

Analysis of the poem You and I are stupid according to plan

Perhaps you will be interested

  • Analysis of the poem The Captive Knight of Lermontov Grade 8

    The work is a poem of the poet's mature work, the main theme of which is the problem of forced seclusion in the form of captivity associated with tragic loneliness.

  • Analysis of Nekrasov's poem Yesterday at one o'clock at six

    Nikolai Nekrasov in his poems tried to portray harsh reality, without any exaggeration, there are no vivid epithets and metaphors in his work, only direct meaning can be found in poems

You and I are stupid people analysis of Nekrasov's poem according to plan

1. History of creation. The autobiographical poem "You and I are stupid people" (1851) was dedicated to A. Panaeva, his common-law wife. Having fallen in love with a married woman without memory, the poet sought reciprocity for about a year. Responding to Nekrasov's feelings, Panaeva did not divorce her husband. Soon the poet moved to the Panaevs' apartment.

Society strongly condemned the enigmatic " love triangle". Nekrasov was painfully jealous of his beloved woman, which served as a source of constant quarrels. This difficult situation described in the work "You and I are stupid people."

2. Genre of the poem- love lyrics.

3. Main theme works - the inconstancy of love relationships. Nekrasov calls himself and his beloved woman "stupid people." Despite the great passion, their relationship is constantly "hanging by a thread." The slightest insignificant reason for a serious quarrel is enough ("flash is ready!"). Lovers for "relieving ... breasts" will bring down an avalanche of reproaches on each other, which they will later regret bitterly.

In order to avoid the repetition of such scenes, Nekrasov turns to Panaeva with a request not to accumulate discontent and anger in himself. He encourages her to immediately express all her experiences, thereby relieving her soul and freeing her from torment. "Let's ... be angry openly," says the author. He means that it is easier to hear and endure one rebuke than to take the matter to family scandal. Usually after such quarrels there was a very tender reconciliation.

Nekrasov and Panaeva each time seemed to start their romance anew. The poet admits that "prose in love is inevitable," but he tries to benefit from it as well ("let's take ... a share of happiness"). "Return of Love" he considers the best reward for the incredible torment of a quarrel.

4. Composition of the poem consistent.

5. The size of the work- three-foot anapaest with cross rhyming.

6. Expressive means . Special attention Nekrasov focuses on the quarrel, describing it with epithets: "agitated", "unreasonable, sharp". The metaphors used are very touching: "relief ... of the chest," "prose in love." The first and second stanzas are very emotional, which is emphasized by exclamations. The third, on the contrary, acts as a reconciling final conclusion of the author. The ellipsis at the end means the achievement of the long-awaited peace between lovers.

7. Main idea The work lies in the fact that even between passionately loving people, quarrels will be inevitable. A reasonable person will try to understand the cause of the conflict in order to avoid its repetition. In the case of Nekrasov and Panaeva, the source of the quarrels was known to the whole society. Contemporaries noted that the instigator of the scandal was usually the poet himself, suffering from jealousy.

His lover was a rather independent person. She could not bear the accusations and insults silently. In any case, Nekrasov is sure that the love relationship will be smoother if there are no secrets and secrets left between him and Panaeva from each other. A calm, confidential conversation on any topic is the key to the stability of love.

Analysis of the poem "You and I are stupid people ..."

You and I are stupid people:

What a minute, the flash is ready!

Relief of an agitated chest,

An unreasonable, harsh word.

Speak up when you're angry

Everything that excites and torments the soul!

Let us, my friend, be angry openly:

The world is easier - and more likely to get bored.

If prose in love is inevitable,

So let's take a share of happiness from her:

After a quarrel so full, so tender

The return of love and participation ...

Poem by N.A. Nekrasov “You and I are stupid people”, first published in Sovremennik in 1851, addressed to A.Ya. Panaeva and is included in the so-called "Panaevsky cycle". The poet was 22 years old when he met A.Ya. Panaeva. She was 24 years old. Yesterday's proletarian, a literary vagabond, of course, at first he did not even dare to dream of the favor of such a brilliant lady. Her husband married her when Avdotya Yakovlevna was not yet nineteen, "almost in order to flaunt beautiful wife in front of friends and walk with her on music in Pavlovsk. It was not easy for N.A. Nekrasov this woman. Out of desperation, he almost rushed into the Volga, but he was not such a person to fall behind. This duel lasted from 1843 to 1848, when she finally became his wife. But by this time A.Ya. Panaeva and N.A. Nekrasov were already completely different people.

The poem "You and I are stupid people ..." is about love, but love is not romantic, enthusiastic. Keywords who talk about the relationship A.Ya. Panaeva and N.A. Nekrasov, - “minute”, “flash”, “excites and torments the soul”, “share of happiness”, “return of love”.

There are two heroes in the poem: he and she, the lyrical hero and his beloved. The poem "You and I are stupid people ..." - the appeal of the lyrical hero to his beloved. ON THE. Nekrasov uses the appeal ("my friend"), verbs in the imperative mood ("speak").

This lyrical work can be divided into two parts: 1) a description of life, quarrels; 2) the appeal of the lyrical hero to his beloved (request, offer of compromise).

In this poem, consonant sounds [w], whistling, are repeated. Alliteration helps convey the ardor of a quarrel, indignation, indignation. In addition, hissing and whistling sounds affect the sound of the poem, slowing it down, making it more drawn out. Undoubtedly, the poetic size - an anapaest that conveys duration - was also chosen by the author not by chance.

ON THE. Nekrasov long and painfully loved the writer A.Ya. Panaev. He sings in his poems of deep love, mutual understanding and friendship of those who love. However, life is complex and tragic, and N.A. Nekrasov often talk about the dramatic pages of their love. The poet writes about this in the poem "You and I are stupid people ...". Heavy quarrels very often occurred between them, but love won, and they reconciled again. The poet here refers to Panaeva, calling both stupid due to frivolous quarrels that flare up like a match.

He asks her not to collect irritation, anger, resentment in herself, not to accumulate it, but to give them an outlet. It is better to shout out, to speak openly, not to conceal, and then it will become easy on the soul, and there will be no secrets between them. After all, "the world is easier - and more likely to get bored." And if there is a prose of life in love, then happiness can also be extracted from it: after a quarrel, love flares up even more.

Nikolai Alekseevich Nekrasov is a prominent figure in Russian literature of the 19th century. It is he who is considered the main successor of the cause of the romantics - Pushkin and Lermontov. This poet is a master of the artistic word - he masterfully mastered all lyrical genres - poems, poems, elegies. Of course, for many inquisitive readers, Nekrasov is the author of "folk poems", in which he skillfully conveyed the bitter fate of the peasants and general injustice, but this is only one of the facets of his talent. He is also an unsurpassed lyric poet.

“You and I are stupid people” is a stunning lyric poem by Nekrasov, written in 1851. The history of the creation of this work is closely intertwined with the love story of the author. Nikolai Alekseevich loved Panaeva, a married woman, tried in every possible way to achieve her location. Secret meetings, attempts to keep the relationship in the strictest confidence were unsuccessful, and in 1846 something unimaginable happened - the poet began to enter the Panaevs' house as a lover, that is, Panaeva, her husband and Nekrasov himself lived in the house.

Of course, such cohabitation was actively discussed in secular society, put up for general discussion, which could not but anger the lovers. It was from 1846 that Nikolai Nekrasov began to quarrel with Panaeva and came to the conclusion that to describe this phenomenon, to try to explain the nature of quarrels and their meaning.

Genre, direction and size

From the first lines it becomes clear that the poem can be safely attributed to love lyrics, because, speaking of lovers, there can be no other feeling than love. Nekrasov continues the tradition of romanticism, but also depicts shades of realism in his own lyrics, filling it with ordinary mundane sketches.

The poem is written in three-foot anapaest using cross rhyme (ABAB). Literary critics have already agreed that it is the anapaest that is the best of the syllabo-tonic meters, capable of conveying the lyricism and sensuality of the mood of the lyrical hero, thanks to the rather non-dynamic alternation of stressed syllables.

Images and symbols

The lyrical hero and his beloved - that's all characters lyrical work. Both of them love each other, but their temper makes itself felt in outbreaks of quarrels. The author calls himself and the chosen one stupid people, giving this adjective a completely harmless meaning. He is touched by the ability of each of the lovers to instantly ignite with anger and immediately fade away.

It is also worth noting that in love lyrics there cannot be a motive of love, a romantic feeling between a man and a woman. The motive of the quarrel is the backbone of the poem, which was the reason for writing the work.

Themes and mood

The main theme of the poem is the passionate relationship of lovers. The writer masterfully conveys the tension between them - "the soul excites and torments." Nekrasov does not describe the phenomenon of a quarrel very tragically, he is sure that this is inevitable, therefore, one must treat the quarrel philosophically - as a test of relationship for strength.

There is another theme in the poem - the theme of reconciliation of lovers. The poet does not paint a picture have a good day for a couple, the reader can only guess how much it will be good for them together, because the question that it may suddenly happen that the lovers do not reconcile is not even worth it.

Of course, all these micro-themes are parts of the main theme, love. Relationships between a man and a woman are a natural phenomenon that develops dynamically, so there will always be ups and downs, quarrels and reconciliations.

main idea

The main idea of ​​the poem is that a quarrel is a natural period in a relationship. loving people. To reconcile, you need to express emotions. Although this moment is sharp, but the stronger the feeling of love after a quarrel.

Means of artistic expression

The poem is small in volume, therefore it is not replete with epithets and metaphors, but they still have a place to be.

“An unreasonable, harsh word” is a very figurative epithet that conveys the attitude of the lyrical hero to the nature of the quarrel. The hero is aware that the conflict is a stupid and impulsive act that cannot be taken with the utmost seriousness. Fighting is an emotion.

“Prose in love” is a popular metaphor for writers that describes the dullness and everydayness, and sometimes the negative aspects of love.

Interesting? Save it on your wall!

The poem "You and I are stupid people" was written in 1851 and published in Sovremennik No. 11, 1851. It was included in the collection of poems in 1856. In 1865 it was set to music.

It is dedicated to Avdotya Panaeva, wife of Ivan Panaev and civil wife of Nikolai Nekrasov. Young Nekrasov met Panaeva in 1845, at which time friends Nikolai Nekrasov and Ivan Panaev bought out Sovremennik, founded by Pushkin, and threw themselves into work. Roman Nekrasov and Panaeva lasted about 16 years, three of their children died as soon as they were born.

Avdotya Panaeva at the time of her acquaintance with Nekrasov was a written beauty, the mistress of the salon. Many contemporaries were in love with her. She perceived Nekrasov as one of the gentlemen. For more than a year, the writer proved to his beloved the seriousness of feelings. Nekrasov rented an apartment next to the Panaevs, and then the three of them began to live in the same house.

It was impossible for the Panaevs to get a church divorce; this did not bother Nekrasov. Society condemned civil marriage Nekrasov. Ivan Panaev, as they say, tripled this state of affairs: he was a rake. Nekrasov was jealous of Panaev for her husband. Both scandalized with rapture.

All three were excellent writers, they worked fruitfully together. Panaeva was the inspiration, the muse of Nekrasov (he called her the second muse), they co-authored several novels. Panaeva worked on equal terms with men in Sovremennik, was a proofreader.

Nekrasov and Panaeva often quarreled, their life was an alternation of quarrels and reconciliations, partings and meetings. They had difficult personalities. After a quarrel, Nekrasov often wrote poetry to Avdotya. They are united in the so-called "Panaev cycle". One of them is "You and I are stupid people."

Literary direction, genre

The poem "You and I are stupid people" is the best example love lyrics Nekrasov. This is not a romantic admiration for the perfections of the beloved. The lyrical hero addresses the earthly woman. She is not only not without flaws, but absurd, but this makes her even more loved!

Theme, main idea and composition

The poem consists of three stanzas. The first stanza is a picture, a description internal state quarreled. It is static, completely devoid of action (there are no verbs in it). This is a frozen state that needs to be changed.

The second stanza, on the contrary, is filled with verbs. This is an appeal to a beloved (who is, first of all, a friend). The lyrical hero, using imperative verbs, encourages her to talk about everything that worries and torments, to get angry openly. The lyrical hero believes that it is easier to make peace this way. The remark that the quarrel is "rather boring" suggests that the heroine enjoys the scandal, this is her usual occupation.

The third stanza is again static. This state is the expectation of the coming of peace, the return of love. The only verb in the phrase “let's take a share of happiness” does not imply active actions. This is a kind of "philosophy for those who quarrel." The lyrical hero calls conflicts the prose of love, but believes that it is thanks to them that love flares up brighter.

The theme of the poem is a quarrel and reconciliation of lovers.

The main idea: a quarrel is a natural period in the relationship of loving people. To reconcile, you need to express emotions. Although this moment is sharp, but the stronger the feeling of love after a quarrel.

Paths and images

In the first stanza, the state of the quarreling lovers is described with the help of epithets: stupid People, excited breast, irrational, harsh word. Synonyms stupid – unreasonable reinforce awareness of the guilt of the lyrical hero in a quarrel.

The whole poem is based on metaphors, conveying the feelings of the characters: the flash is ready, the relief of the agitated chest, the soul excites and torments, it is open to be angry, the world is easier, prose in love, a share of happiness, the return of love and participation.

Nekrasov uses such a technique of sound writing as alliteration. An abundance of hissing and whistling ( s, h, h, st) conveys the sounds of a quarrel, sonorous sounds make the narration smoother and more measured, extinguish emotions.

Size and rhyme

The poem is written in three-foot anapaest. Rhyme for women. The smoothness and melodiousness of the poem emphasize its rational nature, a look at the quarrel as if from the outside, after what happened. Poetic confession is the result of a quarrel and an attempt at reconciliation.

  • “Stuffy! Without happiness and will…”, analysis of Nekrasov’s poem
  • "Farewell", analysis of Nekrasov's poem
  • “The heart is breaking with flour”, analysis of Nekrasov’s poem