The beloved actor remains in the memory of his viewers with his skillfully played roles, productions and performances, as well as his exceptional ability to read poetry. He knew how to get used to his hero and convey to the viewer the true meaning of the whole picture.

Height, weight, age. How old is Oleg Dal

Oleg Ivanovich Dal was very demanding both to himself and to his roles, therefore, from all the invitations of film directors, as well as theater scriptwriters, he chose only those that he liked, which he felt and knew that he could play excellently. That is why each of his roles is a masterpiece.

The audience has always been interested in his personality, height, weight, age, how old Oleg Dal is. He had a wide range of acting, playing in comedies, tragedies, fairy tales and dramas, and all his characters were non-standard and extremely original personalities.

Biography of Oleg Dal

Oleg Dal came into this world in one of today's districts of the Russian capital, and once the city of Lublino, on May 25, 1941. There he spent his childhood in the house number 63 on the street. Moscow, which today is called Lublinskaya. Oleg loved sports since childhood, was fond of basketball, but due to heart disease, this activity had to be abandoned. He was fond of drawing and classical literature. After receiving a certificate at the very end of the fifties, despite the opposition of his parents, Oleg Dal becomes a student of the “chip”. In parallel with the beginning of studies, the famous biography of Oleg Dal begins.


In parallel with his studies, he begins his first steps in the cinema, as well as performances on the stage of the State Academic Maly Theater. The debut role in the film "My Little Brother" (1962), where he presents to the public an intellectual young man from the Moscow court, gave him a ticket to the big world of cinema. This tape was followed by new roles, new successes, national glory and audience love.

Filmography: films starring Oleg Dal

Oleg Dal's filmography includes more than 20 theatrical productions, more than thirty films with his participation, dozens of dubbed voices and scientific films. Basically, Dahl's heroes are his peers, to whom he appropriated his character traits, his gentle, but at the same time sad charm. His performance of Zhenya Kolyshkin in the film Zhenya, Zhenechka and Katyusha, released in the sixty-seventh year, was a colossal success. Although the tape was never released big screen, but was allowed only in small towns, Oleg was remembered by the viewer and aroused curiosity. And his debut as a director was presented in the production of "The Princess and the Woodcutter" in the late sixties, where he played the main role.

Oleg Dal strengthens the audience's love with his impeccable two roles in 1968 in The Old, Old Tale, the role of a puppeteer and a soldier. Only a truly talented actor can cope with cardinal transformations within the framework of one picture. He also demonstrates the game of two roles in the film "Shadow" (1971).

But the picture "Sannikov Land" was not very fond of Dahl because of the director's ban to sing in the film "There is only a moment", giving preference to O. Anofriev in her performance.


In 1975, his old childhood dream comes true, A. Efos gives Oleg Dal an opportunity to try himself in the role of Pechorin in a fragment of M.Yu. Lermontov's novel “Through the pages of Pechorin's magazine”. After reading this novel as a boy, Oleg firmly decided that he would become an actor and play Pechorin.

Dreams of playing the philosophical drama "Vacation in September" came true at the very end of the seventies, Oleg was sure that the role of Vitaly Zilov was his biography, as if it had been written from him, but the picture was released already eight years after the death of the actor.

At the very beginning of the 80s, the actor was accepted into theater rows State Academic Maly Theatre, but he managed to play there only a single role in the production of "The Shore" dir. V.Andreeva. And the final work was the game in the film "The Uninvited Friend", which is launched on the screens in the year of his death (1981).

Personal life of Oleg Dal

This famous actor- a very impulsive personality, attracting with his charisma, style and unsurpassed talent. The personal life of Oleg Dal is replete with many novels, love stories and experiences, some of these connections ended in a wedding.

Oleg made several attempts to build a family and meet a woman who would become his reliable friend, loving and faithful wife, adviser and most devoted spectator. On his life path there were three marriages, two of which, due to the scandalous nature of the actor, and also because of his addiction to alcohol, failed.

He was a complex character, with a heightened sense of justice, very self-critical of himself and his game, but his addiction to drink got the better of him. He often got into trouble with directors, he was fined for appearing drunk on film sets, and after the death of his friend V. Vysotsky, he even started talking about his own death. It was such a person that Oleg Dal was. Death, for what reason, why so early, why exactly Oleg? - these questions were spinning in the head of relatives, friends, acquaintances and the entire audience.

After all, it didn’t fit in anyone’s head that a still very young, beloved actor, screenwriter and director would no longer delight the viewer with his new creations. At that time, Oleg Dal was in a deep crisis and it was no longer possible for him to quit his addiction to alcohol, he allegedly invited death by his actions. It was alcohol that caused the death of Oleg Ivanovich in 1981. Oleg Dal, beloved by everyone, did not live up to his fortieth birthday for two and a half months. In the last two months of his life, he and his wife moved to live in a small house in the country.

The funeral of Oleg Dal. Cause of death for what reason?

Death overtook the actor in the capital of Ukraine, in a hotel on March 3, 1981, where Oleg came to audition for the film "An Apple in the Palm". On the evening of that day, he got out of the car of friends, near the hotel, saying to them: “ Goodbye! Dahl closed himself in the room, taking with him a bottle of strong alcohol, and drank it to the bottom.


The ampoule, which is commonly referred to as a "torpedo", was sewn into his body, it dramatically increased blood pressure, which led to internal hemorrhage and death of the actor. When the body of Oleg Dal was discovered in the morning, his face was calm, peaceful and a kind of relief.

Grave of Oleg Dal

The funeral of the actor took place on March 7, 1981 at Vagankovsky cemetery Moscow.

Family of Oleg Dal

It fell to Oleg to be born at the very beginning of hostilities in 1941. Mother - was a teacher, and father - worked as a railway engineer.

There are speculations that Oleg in the fifth generation is the great-grandson of V.I. Dahl, who wrote the well-known Explanatory Dictionary of the Great Russian Language.

Oleg Dal is the second child in the family of Ivan and Pavla Dal, they also had an older daughter, Iraida. Because of the hostilities, the mother and children left their homes in a hurry on a crowded train, into which a good-natured conductor helped them get on. At the end of the war, they returned, but little Oleg dreamed of the rumble of aircraft and bombing for a long time. hometown, at such moments, the mother read him poems by A.S. Pushkin.


Mother doted on her son. He pleased her when he performed in the Dunaevsky choir and played in the drama circle when he demonstrated his piano and guitar playing. He composed best creations at school and managed to cope with his speech impediment on his own. He showed his talent in everything he undertook, it amused his parents' hearts and warmed their souls.

Children of Oleg Dal

Oleg Dal lived each of his roles, he did not just play, but worried, rejoiced, sad and fell in love with each of his characters. He often improvised, fantasized, thought through every phrase, detail, treated his work with great responsibility. He believed that his roles were the children of Oleg Dal and they simply had to be perfect.

Oleg Dal has no children. Such a difficult fate, a complex character, addictions, a tragic perception of the world, and at the same time a very subtle and fragile nature were combined in one person. Oddly enough, in the presence of amazing talent, a huge filmography, audience recognition and respect from colleagues, Oleg Dal did not manage to become a People's Artist and never received prizes and awards. But this did not prevent the actor from forever crashing into the memory of all viewers of Soviet cinema, and becoming an actor with a capital letter.

The ex-wife of Oleg Dal - Nina Doroshina

my first big love Oleg Dal met in the theater, where he came to play already, being a movie star. Ex-wife Oleg Dalya - Nina Doroshina worked in the same Sovremennik, like most girls, was subdued by the creator of the theater Oleg Nikolaevich Efremov.

Twenty-two-year-old Oleg Dal was unconsciously in love with Nina Doroshina, and did not see anything around, even obvious to everyone love affair Nina and Efremov. Being in the captivity of Cupid, he offers her his hand and heart. They play a wedding, with which Nina is taken away by Oleg Efremov. Due to the romance of Doroshina and Efremov, which the girl did not even hide, Oleg Dal's first marriage lasted one day, without having time to really begin.

The ex-wife of Oleg Dal - Tatyana Lavrova

After a short, unsuccessful first marriage, Oleg Dal, full of hope for a happy family life, meets Tatyana Lavrova, and she becomes his second legal wife. The ex-wife of Oleg Dal, Tatyana Lavrova, was also an actress and played in the theater.

But this relationship did not last long, after two years living together Tatyana Lavrova leaves Oleg. The actor never commented on this marriage, only once opened up to his mother, saying that " Tatyana was evil". After the departure of his wife, he fell into a terrible depression, which increased his addiction to alcohol.

Oleg Dal's wife - Elizaveta Alekseevna Apraksina

And so, Oleg meets a beautiful girl, with a subtle nature, very educated and well-read Elizaveta Apraksina. She dispelled his loneliness, brightened him up gray life and let him believe in himself, but she couldn’t drive him away from addiction.

Oleg Dal's wife, Elizaveta Alekseevna Apraksina, worked as an editor, was the granddaughter of Boris Eikhenbaum, a well-known literary critic. She was four years older than Oleg and had lived the last twenty-two years of her life without him. According to her, these were years of grief for her beloved Oleg, “ he made me, but he also took me" she said.

They were brought together by Shakespeare and Kozintsev. Oleg Dal starred in Kozintsev's "King Lear", played the role of the Jester. And Lisa worked on this picture as an editor. It was 1969.

Then, when they get married, Dal will tell that there, in Narva, as soon as he saw her walking down the corridor, he immediately thought: “This will be my woman.” He didn't know anything about her yet. I didn't even know they were on the same film crew.

Then Oleg came to St. Petersburg and called her home. He asked: "What are you doing?" “We drink vodka with Dovlatov. Come," she said.

The three of them sat, and Lisa saw that Dal wanted to sit out Dovlatov, and Dovlatov - Dal. And she whispered in Dahl's ear: "Leave together, but you come back." And I saw in his eyes that he did not like it terribly. Then, when I got to know Dahl well, I realized that he did not like and did not know how to cheat. Never and in nothing. Even in small things. So: Oleg Dal and Serezha Dovlatov left together, and then Dal called Lisa from a machine. He asked very sternly: "Well, what do you say?". She simply said, "Come." He came.

And at five in the morning I woke up her mother and asked for her daughter's hand. Lisa was shocked. Why get married, you can just be together. But Dahl said responsibly and seriously: “Nah, in this country you need a stamp in your passport. Otherwise, it's humiliating. We will go on tour together with you, settle in hotels.

He was a very responsible person. To scrupulousness.

The first telegram she received from him (not yet married): "Let me kiss you." And then there were his miracle letters. He liked to write to her from the tour. I could just write one sentence: “I dream of you cheerful and in a sundress.”

When Dal and Lisa got married, they began to change the St. Petersburg apartment for Moscow. Changed for a long time, two years. Then the devil lived where, in settlements. The apartment was tiny, the audibility was terrible. A neighbor complained in all seriousness: "Your kittens are stomping and disturbing my sleep." Lisa recalled: "We lived there four of us: Oleg, me, my mother and a sense of humor."

And then there was an apartment on Smolensky Boulevard. Three rooms, a huge hall, and you go up to the window - a lot of sky and roof. Dahl said: “This is not an apartment. This is a dream".

Then they made him an office out of the hall. And Dahl's happiness became transcendental. He could now, when he wanted, be alone with himself. Read. Wrote. Drew. Listened to music.

Sometimes he would say to Liza ceremoniously: “Madame! You are free for today. I will be writing all night. And then I’ll fall asleep here, in the office, on the couch.” Mother-in-law, Olga Borisovna, exclaimed: “Olezhenka! The sofa is narrow! “I am also narrow,” Dal reassured his mother-in-law.

By the way, about the mother-in-law. Olga Borisovna Eikhenbaum was the daughter of an outstanding philologist, world-famous scientist Boris Mikhailovich Eikhenbaum. Lisa was 22 years old when her grandfather died. And ten years later she met Dahl.

And when she met Dahl, she immediately felt that she had returned home. To grandfather. So grandfather bowed to women. So he walked. So sorry. So punned.

Dahl often asked his wife and mother-in-law about Boris Mikhailovich. And Lermontov got carried away because of Eichenbaum.

Oleg was tenderly friends with his mother-in-law. He called her Olga.

(I understood a long time ago: two things do a man. Serious attitude to business. And gentle - to a woman. Oleg Dal was serious about his profession. And very gently - to women.)

Olga Borisovna Eikhenbaum died on August 8, 1999. She left very easily. Not burdening the daughter with their illnesses, torments, anxieties. As she lived, so she died.

And a year after the death of her mother, Lisa began to fuss about the monument to Olechka. On Novodevichy Liza they said: let's five thousand dollars, we will start the conversation with this. Lisa lived only on her pension. She didn’t have five, but a thousand dollars. Well, she went to Dahl's grave, sat down, wept, and as she was leaving, she stumbled upon some kind of desk there, on Vagankovsky. Maybe order a monument to your mother here? She showed the workers photos of the graves (my son-in-law and mother-in-law are buried nearby). She didn't say who she was. But the workers saw the inscription on the monument to Oleg.

And something happened to the workers when they realized who in question. Something happened to the eyes.

The workers themselves thoroughly and thoughtfully began to choose a monument. We settled on white marble. They took 3 (three) thousand rubles from Liza. Issued a receipt. They said they would call in two weeks.

They called a day later. Lisa came to the cemetery. The monument has been erected. The paths are swept. Workers in black ironed suits. “Almost in tuxedos, can you imagine,” Lisa told me. Next to the large, Siberian granite monument to Oleg, a small, white marble monument to Olechka. They were like that in life: tall and small.

“And you know what shocked me the most? Lisa said. - The workers put a bouquet of cornflowers on Olechka's grave. I do not know the names of these workers. Never saw them again. But I’m sure they did it for Oleg.”

Lisa outlived Oleg by twenty-two years.

For twenty-two years she kept the memory of him. No tantrums. Without clamor. No strain. No public work.

She just loved him. Like he didn't die. Her love for him was quiet, restrained, strict, lively, warm, delicate.

Lisa never hung out anywhere. I wasn't looking for the right contacts. She did not play the role of an inconsolable widow. AND recent times hardly left the house.

But when she came to Oleg's grave, she always met people there. Once she told me: “You know, Oleg’s people didn’t let go.”

One day I approached her in the cemetery unknown girl and asked: “Do you know that Oleg Menshikov has Oleg Dal as his favorite actor? And a huge portrait of Dahl hangs in Menshikov's office.

Lisa, of course, did not know this.

And then Lisa and Lila Bernes (the widow of Mark Bernes) got a call one day before the New Year and warned that Santa Claus would come to visit them. “You just sit down at the table,” they said at the other end of the line, “and wait.”

Lisa, laughing, recalled: “And so we sit and tell each other what fools we are, old fools, we are waiting for a miracle. And the drunk Santa Claus will come, he will hiccup here ... ”.

Doorbell. Oleg Menshikov is standing on the threshold. With two huge bouquets. He brought food and drink with him. Gave some heavenly beauty gifts. Sat for a long time. (Mobile phone turned off.) He spoke. Listened. Was very embarrassed. He whispered in Lisa's ear: "For me, Oleg Dal is an unattainable ideal."

Then he invited me to his premieres.

Lisa told me: “You know, when I confessed this to Misha Kozakov, with whom I grew up in the same St. Petersburg house, Misha did not believe me. I, he says, love Menshikov very much, but he is one of those who keep cool. He has press secretaries, referents, servants. Unable to call. He is always far, high. And then ... So, Dal does not let him go either. Although these Olegs did not see each other in the eye.

Sometimes the past loses its meaning long before it ends.

And there is a past that does not go anywhere.

I now know: thanks to the meeting, very different things coincide, come together. Those that could not be combined or predicted.

Once upon a time, my younger sister Tamara, working at the Krasnodar film propaganda bureau, “knocked out” a creative business trip for Oleg Dal. At a meeting with the Kuban audience.

It was, I think, 1978. Oleg Dal was forbidden to communicate with the people. Because he said at these meetings what he thought, and not what he needed to.

In short, Tomka had to work hard to get permission. Dahl arrived in Krasnodar. They became friends. And then, after Dal's death, my sister was found in Krasnodar by Alexander Ivanov, one of the compilers of the collection of memoirs about Oleg Dal. Sasha wrote down Tomkin's memoirs. They say Lisa cried while reading them.

It was through Tomka and Sasha that I met Lisa Dal and Olga Borisovna Eikhenbaum. That was exactly ten years ago. In 1993.

And two years ago my sister was in the hospital. And when Tomka had just been brought from the operation to the intensive care unit, Lisa Dahl called her on her mobile phone. Or rather, Lisa thought she was calling me. But, having learned that it was Tomka and she was in the hospital, Lisa somehow instantly gathered herself and said such words to Tomka that ... suddenly space was freed up in her soul. Both Tomka and I released. Do you understand?

Lisa never called me before that day or after. And then she seemed to be pushed. Oleg was very responsible. To scrupulousness.

And this Wednesday, May 21, I come home late at night, on a pager: “Zoya, please call Lisa Dahl.” What happened? I remember that one time she called. Run to the phone. I shout into the phone: "Elizaveta Alekseevna ...". And they say to me: "Lisa is dead."

P.S. Viktor Konetsky has a story. "Artist" is called. I can't read it without crying. Dedicated to Oleg Dal.

There, the hero calls the mother-in-law and wife the Elder Kangaroo and the Younger. "Why - a kangaroo?" - I once asked E.A. She laughed: “Probably because we carried very heavy bags.”

So, from the story of Konetsky:

“I end with the words from the letter of Oleg’s wife:

“Our orphaned native neighbor! I remember how he came to your men's council through your unlocked door. His soul is now with you. The road to you is open to her. You tell me that I love him as souls love God. Find the words - I don’t know them now, always loving him like an earthly woman.

Neither I nor anyone else will find better words.

And Oleg comes to me.

And now she has gone to Oleg.

Probably, I missed you so much that I had no strength left.

Oleg Ivanovich Dal - brilliant Soviet actor, with the subtle and vulnerable soul of the poet and tragic fate a great actor who burned to death. He did not manage to fully realize himself as an actor in those few years of life and work in the acting profession that fate took him, but many of his roles will forever remain in the memory of people, as being far beyond the bounds of ordinary acting. As a person and actor, Oleg Dal was absolutely unique, not tolerating any restrictions and not fitting into any of the systems. And in vain, Oleg Dal, at one of the meetings with the audience, when the presenter mistakenly introduced him as a people's artist, said: “I am not a people's artist, I am a foreign ...”. I think that this phrase most accurately describes Oleg Dal as a person and as an actor. He was absolutely unique, completely internally free and simply physically did not fit into the reality around him because of the special fine organization of his soul and nature. He was a tragic person, with a very great inner emotional tension and spiritual torment (as can be seen from his horoscope), which could find a way out only through selfless creativity (acting), alcohol or constant conflict with the reality around him. And the tragedy of Oleg Dal's fate lay precisely in the fact that he could not, due to so many subjective and objective reasons, fully realize himself in theater and cinema as an actor. Which, in fact, was the reason that Oleg Dal lived such short life and died young. His life flashed like a comet in the night sky, and lasted one brilliant moment, that very moment between the past and the future, about which he sang so penetratingly in “There is only a moment between the past and the future ...”.

I determined the time of birth of Oleg Ivanovich Dal as 6 hours 00 minutes (GMT +3 hours). The degree of position of the Ascendant is 4 gr. Cancer. Date of birth May 25, 1941 (Moscow). Rectification was carried out by the following methods: directing the solar arc, transits, solariums. House system - Placidus. The sign of the Ascendant was determined by me on the basis of the appearance, psychological portrait and personality traits of Oleg Dal.

I determined the ascendant of the actor and the position of the planets in the houses based on the following:

1. The main character traits of the actor.

I give a description of the main character traits of Oleg Dal according to the recollections of acquaintances and relatives.

Actor Valentin Gaft says:

“ Oleg believed: an artist is a secret. He must do his job and disappear, - He must not poke a finger in the streets. He must show his face at work, as Vertinsky his white mask- and then take off this mask so that they do not recognize him. “

From the memoirs of director A. Efros:

“There are actors - pawns. Oleg was not one of those actors. He combined a very serious personality, independent, proud, rebellious, and - acting flexibility, elasticity ...

He was a restless person. He constantly moved from place to place if he did not agree with something. He was a man of extremes. Some feelings of protest against his partners, towards the premises in which he worked, bubbled up in him. Because somewhere inside himself, he understood art very highly. Although this was mixed with a share of carelessness, which was also in him. But still, the roots of this disobedience went to the maximalism of his views on art. He hated himself in those moments when he betrayed this maximalism. He had high artistic demands. He made very high demands on himself. He understood that he often did not meet these requirements. And suffered from it.

Mockery, exactingness and at the same time some kind of irresponsibility, the ability to torment others and torment yourself even more - everything was in him.

He was a mysterious person. I confess that I never fully understood him. I don't think anyone really understood it until the very end. Sometimes it seemed to me that this mystery is a consequence of a hidden spiritual emptiness, and sometimes, on the contrary, that he feels so strongly that he protects himself from unnecessary experiences, somehow defends himself.

He was boyishly fearless and could throw himself into any creative task. By nature he was an improviser. The so-called "academism" did not threaten him at all. "Academism" is peace, stability, it is attachment to something frozen. There was nothing like this in the character of Oleg Dal. There was always some kind of rebellion in him. And if you try to figure out what he constantly raised this rebellion in his own soul, I would say - against all the absurdities of our life, against all its deformities.

He hated a lot, could not endure, could hardly endure. He was a scoffer, but behind many of his unkind sneers, there was pain.

He had such amazing, rare external data - a thin figure, a hard, sharp face, incredibly expressive eyes. He understood very well when they shot a close-up in a movie that nothing needs to be done - just change the expression of the eyes a little. Having given him a task, I went to the movie camera and from there I didn’t always see Dahl’s face close-up. But then, looking at the material, I was always amazed. In the same way, I was amazed when I looked at the duplicates of Smoktunovsky. But if Smoktunovsky admires the smallest game of the face, the many shades that turn into one another, then Dahl has such strict frugality, such a scalpel, sharp accuracy! Well, a little wider opened his eyes - so what? But Dahl did nothing formally, he filled everything with content, and what! I was in a hurry to shoot, I didn’t ask if Oleg understood any of my brief explanations, and then the film did not reflect an illustration for the explanations, but something independent and significant.

He was a born filmmaker. He could be motionless, but at the same time incredibly active internally. [...]

When he left the Theater on Malaya Bronnaya, he entered the Maly Theater, and I did not understand this step at all. I thought it was all the whim of an undisciplined actor. But now I think it was all throwing. He did not find his place, did not find himself in the modern theater, moreover, in our modern life.

He has always been a separate person. He always sat alone in the dressing room, curtained the windows, sat in the dark, and his cheekbones walked. He was so annoyed when he heard the artists chatting on extraneous topics behind the wall, telling where and with whom they were filming. He himself never spoke about his filming and generally spoke very little. And then he burst into some cynical phrase.

But for all that, he was a spiritually very high person. Very rigid, and behind this rigidity - an extraordinary subtlety, fragility.

It was wonderful when he was kind. Or when he was happy. These were very rare moments, but they were very warm, special. When the viewing of "Pechorin's Notes" ended, Irakli Andronikov praised Oleg very much, and Oleg was happy. He was literally sparkling - he began to say something affectionate to me and others, and his eyes shone ...

There are few actors about whom it can be said that they are unique. Everyone is a little like someone else. And Oleg Dal was unique. “

(EFROS A. Book Four. M., 1993.)

From an interview with Oleg Dal's wife, Elizaveta Dal:

“And how did you get married?

He wrote me letters, very lyrical, kind, I fell in love with him thanks to these letters. When he arrived, we went to the registry office. I remember, I froze for a moment, filling in the column about the change of surname, and looked at him. And I realized that he wants me to become Dal. After the registry office, we went to an ice cream parlor and drank champagne. On the marriage certificate| Oleg wrote boldly: "Oleg + Lisa = Love." We were given three days for our honeymoon. These were happy days, then very difficult everyday life began, which stretched out for two years ...

Oleg drank terribly. At the same time, he became like Zilov from Duck Hunt, even scarier. He was not capable of killing himself, but somehow he almost stabbed me. In Gorky, on tour, he began to drink heavily, such, you know, an unfinished state when a person is completely brutalized. It was very hot, I was lying in the room in one bathing suit. He ran a knife across my stomach and said: “So what! I don't care, I'm not going to live anyway. How subtle, intelligent, generous he was, just as terrible, dirty and cruel in drunken courage. I didn’t sleep, I suffered, I hid, when he came home drunk in the trash, Olya was busy with him. At the same time, he was unusually clean. Whatever stage I was in, the first thing I did was go to the bathroom. Olya was afraid that he would break the column, and always said: “Olezhechka, don’t throw a hook. Lie down in the bath, get some water and call me. I will help you". Once Olya enters the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps in a blissful sleep, without even turning on the igniter. She turned off the water, yelled at him: “I am a woman, and you are lying in front of me in in kind!" She helped him up, put on a dressing gown, and put him to bed. I slept on a cot that night. There was no money, we forgot what coffee was, and Olya and I were selling things that were sent to us from France. And somehow, when he almost strangled me and I, having escaped, sat up in the attic until evening, Olya, unable to stand it, told him: “Oleg, leave for Moscow” and gave 25 rubles for the road. I must say that he left very beautifully: he washed himself, dressed elegantly and went into our kitchen: “That's it. I went. Can I keep the key to the apartment? - "Yes". I already loved him again, my heart bled, I felt so sorry for him. But still she held herself and did not run after him. It was in March, and on April 1, suddenly a call: “Lizka, I’ve been sewn up for two years!” "This is no joke!" I cut him off sharply. But it was true, he, in company with Volodya Vysotsky, really screwed up. The next day I enter the apartment, Oleg stands at the window, makes a gesture with his hand, I stop. He turns his back, unbuttons his pants and shows a patch on his ass: "Here's my torpedo!" After the torpedo former Oleg disappeared for a long time, as if it was not there. A real happy life began...

For the last ten years that we lived, he periodically drank when he was out of time, then again hemmed himself and did not drink for years. It was impossible to offer him to sew up; he himself had to decide on this. He said this: “Don’t let me out of the apartment for three days, I’ll cry, beg - don’t listen. We're going to the doctor in three days." He never arranged drinking parties at home - if he wanted to drink, he left home for the WTO, IDL, Cinema House. I could not stand drunk acting companies.

- They say that he started drinking at the Sovremennik Theater?

When Oleg appeared in the theater, he almost immediately married Nina Doroshina. Together they starred in the film "The First Trolleybus". Doroshina long time was the beloved of Oleg Efremov. When he and Nina became lovers, Dahl even got scared: “What am I doing?! I'm taking the woman away from my idol!" In the midst of their wedding, Efremov, who had already received well, said: “Well, Ninok, sit on my lap.” She sat down. In fact, that was the end of the wedding. And began his application to the bottle. In addition, in the theater at that time, everyone without exception drank very heavily. She and Nina lived for some time, she tried to commit suicide several times, he dragged her to Sklifosovsky, then married Tanya Lavrova, but also unsuccessfully. Once my mother asked him about the reason for the divorce, he answered briefly: "She was angry." And that's it, not a word more about Tanya. He was not a womanizer, although they fell madly in love with him.

Have you worked with him on all of his paintings?

Oleg, after he "sewn up", "removed" me from work. I often started talking about the service, but he always answered this: “The hundred rubles that you earn, I myself will bring to the house. I want you to always go with me to the shooting. It was so difficult for me in the beginning! One day at dinner, he noticed that I was not eating, asked: "What's the matter?" “I can’t eat someone else’s bread.” He replied: "Sick - get treated." After that, I realized that a good wife is also a profession. I went with him on all the expeditions, and he knew that hot tea and strong coffee were always waiting for him at the hotel. As one of our mutual friends joked: “You really are behind your husband.” Our house was clean and tasty, he wanted it that way. A completely outdated person in everything - in his attitude to life, to women. He was the head of the family: three of his women and he (his mother began to live with us). Oleg alone worked for everyone. When he brought back money from trips, he took it out of his inner pocket with a sweeping gesture and threw it on the floor like a fan. He knew how to leave behind the door everything that was not worth bringing into the house - it would get dirty. He wiped his feet and entered, throwing away all third-party troubles, resentments, unplayed roles, and the envy of colleagues beyond the threshold. If he felt that we had problems at home - money ran out, illnesses began, everyone around was getting gloomy - he cheerfully said: "Don't sigh, old women, everything will be fine." And in order to raise the spirit of his women, he invented a role for himself - he portrayed an old man. The whole evening was old, old, even when I was alone in the room (I peeped on purpose). He put on a shabby long dressing gown, slippers, shuffled his feet and coughed all the time. Hooligans like an old man, for example, we sit in front of the TV, he comes up, turns his back to him and “farts”. And for some reason I remember a piercing thought in my head: “He will never be old!”

Many were surprised: “It is so difficult to live with him!” Nothing like this! He was light, knew how to appreciate and love, knew how to sacrifice, never asked for anything in return. He rarely gave flowers, because he did not imagine himself walking down the street with a bouquet. I remember when we lived on Novatorov in Khrushchev, he forced the taxi driver to drive up to the house right across the field in terrible potholes - Oleg was with a bouquet and did not want to go through the yard with him.

How did he feel about fame?

He closed his house from everyone. When asked about fame, he replied that he dreamed of an armored door and an armored train to ride around Moscow. If he was stopped on the street by an old woman or a child with a request for an autograph, he could forget everything - that he had a performance, shooting, stopped and talked for a long time ... And if all sorts of girls ... He hated when he was recognized, he never used his fame , always walked in a cap pulled over his forehead and turned up his collar. One day we went to look for a warm coat for him. We came to the commission shop, digging, looking, and then the sales girls recognized him: “Oleg Ivanovich, why don’t you ask us? Let's help you - we'll call you when we have a coat." After a while they really called, we came and bought a nice fur jacket. Oleg made me give them money, they resisted, a whole story came out. And then I just ran around to wear counterfeits to the girls in Sovremennik.

- He was once called Mozart in his profession, how would he react to this?

He would agree, although he was demanding and ruthless to himself to the point of anger, all his life he was engaged in self-criticism. He ran ahead of time, and time never caught up with him. I never told him that he was a genius, but I think he knew it himself. He is characterized by unplayed roles, but by rejected ones. We had a huge stack of scripts in the closet that he turned down. He had a lot of proposals to play something party, Soviet, for which he would receive a lot of money, titles ... Everything was rejected in the bud. I am not ashamed of any of his roles now. No, he was not Matthew. Once, at one performance, Dahl was mistakenly called a people's artist. After that, Oleg went on stage and said: “You know, there was one mistake here. They called me a people's artist, but I'm rather a foreigner. He has only one award for a television film, and that is posthumous: a crystal goblet, very heavy and ridiculous. We put flowers in it. Oleg was a very shy person, modest and did not work for benefits and rewards. Misha Kozakov once told me one story about him. They ended up in the same hotel room with Dean Reed. Dean sang and played the guitar all evening and bragged about how many gold records he had. Then they drank, and Oleg told him: "Come on, give me the guitar." And he sang, plucking the strings with his uniquely long fingers: “Oh, roads, dust and fog ...” Reed rolled his eyes in admiration: “Excuse me, but how many gold discs do you have?” Oleg grinned good-naturedly: “Fuck you ...”

Did he foresee his own death?

From the article by I. Karasev “Chronicle of a diving artist”:

“In the graduation performance, Dal was seen by the artist of Sovremennik Alla Pokrovskaya and invited Oleg to the famous “entrance tours” to the Efremov Theater. Lyudmila Gurchenko, who was also among the applicants, recalled how, having heard a thunder of applause behind the doors, she looked in and saw Oleg completing a passionate monologue on a high windowsill, then flying in an unthinkable arc into the middle of the hall and a second later modestly stopping with a torn off window handle among general delight.

The next five years in Sovremennik, Dahl, despite the absence of the main roles, called best years lives spent in the indescribable aura of theatrical creativity.

However, the transition from an enthusiastic perception of life to a skeptical one was quite abrupt. The studio spirit of the theatrical experiment, which nourished Dahl's artistic talent, gradually gave way to "harsh everyday life."

To some extent, Kozakov explains the situation in his memoirs about Dal: “I still live in the memory of harmony in the theater - it was only in the early Sovremennik and never again. Everything coincided there - youth, time, the state of the theater. To Oleg, all the time he was unlucky. He seemed to fall "on the descent" And he came to Sovremennik and other theaters at a time when the theater was already essentially dying. Dahl was ready to fanatically serve the Theater, but he did not agree to the banal "serve in the theater".

In the yard, the "thaw" was replaced by "stagnation". The famous charter of Sovremennik and the studio fraternity became history. Dahl, who tried to play and exist "according to the charter", found himself alone.

The stigma of "loner", the label of "strange", the position of "alien". This is not a whim of fate, not a game of chance. There is a rigid predetermination in Dahl's life. Possessing by nature a subtle and hypersensitive apparatus of perception, Dahl could not coexist with the surrounding reality on the same aesthetic level. In his statements about the "achievements of socialist realism in the theater and cinema", about the dominance of ignoramuses and bastards, genuine physiological disgust comes through.

This is not an easy frontier, which many representatives of the creative intelligentsia then indulged in. In Dahl's case, there was a pathological mismatch between man and environment, people, systems (meaning the system of moral, ethical, creative stereotypes and standards).

Life in discord with space and time requires an incredible expenditure of energy. Could this be the source of the motif of the "boy with tired eyes" repeated in various memoirs about Oleg Dal? Dahl's only source of strength was Dahl himself. All questions that did not find an answer outside, he turned inward. The result, or rather a chronicle of searches and reflections, was his diary, which began in 1971.

This diary is not like an ordinary biography tied to days, months and years. It resembles an emotional, sometimes chaotic dialogue with oneself, written (or drawn) in letters, words, phrases different size and font. Sometimes entries are daily, sometimes one sentence covers six months or more.

From the diary: "January 72 FRIENDS "More painful than all wounds is an invisible wound, my friend is my enemy, oh vile age of deceit!" W. Shakespeare. My grief and my misfortune from my friends. Only now I understand this these bastards are going to have a terrible time. Maybe ONE? Maybe. But yourself! To protect yourself.

Reading the "diary", you catch yourself thinking that it resembles the logbook of a ship or plane crashing. And by analogy with the film "The Chronicle of a dive bomber", in which Dahl played one of best roles, his diary could well be called "a chronicle of a diving artist."

From my point of view, these descriptions absolutely fit a person with the following horoscope configuration: Ascendant in Cancer, most of the planets, including the Sun, Moon (ruler of the horoscope), Venus, Mercury, Jupiter, Saturn (ruler of the 7th and 8th houses) and Uranus (ruler of the 10th house) is in the 12th house, which is closed to outsiders and gives a strong tendency to loneliness, pride, strong individualism and the desire to know the inner essence of things, and not their front side. Strong closeness and a tendency to loneliness, due to the powerful influence of the 12th house of the horoscope, in the character of the actor is softened by the fact that Mercury, Venus and the Sun of Oleg Dal are in the sociable sign of Gemini. It was the fusion of the influence of the energies of the 12th house and the sign of Gemini that made Oleg Dal such a unique and bright actor and personality. Neptune, having major planets from almost all the planets in the 12th house, is in the 5th house and through it the powerful energy of the conjunction of the ruler of the horoscope of the Moon with Saturn and Uranus and the conjunction of the Sun with Jupiter finds an outlet. It was Neptune that was the planet through which the difficult and stormy energies of the luminaries and planets from the 12th house of Oleg Dal's horoscope found a way out in acting. And it was the powerful Neptune (“the king of aspects”) that was the reason that Oleg Dal periodically tried to get away with the help of alcohol from the reality that surrounded him, and from his internal crises, which were inevitable and regular due to the exact conjunction of the Moon ( ruler of the horoscope) with Saturn and Uranus in the 12th house.

2) According to the recollections of people who knew the actor personally, Oleg Dal was a very emotional person and a vulnerable person who could hardly cope with his intense emotions. But, both luminaries and personal planets (except for Mars in Pisces) are in the air and earth sign (Gemini and Taurus), which indicates a person who is not particularly prone to strong and deep emotional experiences. Only the conjunctions of the Moon with Uranus and Saturn and the strong aspect of Neptune could hardly form such a subtle and emotionally oversensitive nature, which, of course, was Oleg Dal. The location of the Ascendant in the water sign of Cancer and the powerful 12th house, together with the damage to the ruler of the horoscope of the Moon by conjunction with Saturn and Uranus, could well form such a person with a strong emotionality of the water plane.

3) Oleg Dal had a rebellious spirit, toughness and a strong tendency to emotional depression. In the horoscope, this is indicated by the conjunction of the Moon with Uranus and Saturn. But, just the conjunction of the Moon with Uranus and Saturn is clearly not enough for this. The moon must surely be the ruler of the horoscope and have a strong influence on the whole personality of the actor, and not just on his emotional sphere.

4) At the time of registration of marriage in November 1971, Oleg Dal with Elizabeth Dal, transit Saturn entered into conjunction with natal Saturn in the horoscope of Oleg Dal (the return of Saturn) and the natal Moon. This is a very powerful indication that Saturn or the Moon is the ruler of the 7th house of the horoscope or is in the 7th house. Another confirmation of Oleg Dal's version of the horoscope with Ascendant in Cancer.

5) According to the recollections of people who knew Oleg Dal well, he foresaw someone else's and his own death. In this version of Oleg Dahl's horoscope, the ruler of the 8th house, Saturn, is in exact conjunction with the ruler of the horoscope, the Moon in the 12th house, in exact trine with the ruler of the 11th house, Neptune.

6) Relatives and acquaintances claim that Oleg Dal had increased intuitiveness on the verge of clairvoyance. A powerful 12th house and multiple aspects from the luminaries and planets from the 12th house to Neptune can give such abilities.

7) The tension of the conjunction of the Moon with Saturn and Uranus and the square of Mars with the Sun and Jupiter found its way out through Neptune in the 5th house. Hence Oleg Dahl's choice of the profession of an actor. When Oleg Dal was not involved as an actor and was in a creative downtime, he either relieved excessive internal stress from the conjunction of the Moon with Uranus and Saturn through scandals with others or went into deep and long binges(if at that moment he was not “hemmed” from drinking alcohol).

8) In May 1978, when Oleg Dal's family was able, with the help of the directorate of the theater, where Oleg Dal worked then, to make an exchange and move into a 4-room apartment on Smolensky Boulevard in Moscow, transit Jupiter entered into exact conjunction with the natal Ascendant of Oleg Dal's horoscope (in my version of rectification), and transit Saturn was in conjunction with the cusp of the 4th house of Oleg Dal's horoscope. And since Oleg Dal dreamed all his life about a separate office, which he received after improving his living conditions, moving into a new apartment and overhauling it, and after the realization of his dream, according to the stories of his wife, he was on a very big emotional upsurge, then this is a very serious additional indication that this version of the horoscope configuration is correct.

9) In one of the letters to the director Efros, Oleg Dal bitterly wrote: “I am losing my I!”. And this is a very serious indication of the possible strong influence of the 1st or 12th house of the horoscope on the personality of a person.

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Here is a list of the main events in the life of an actor for which I carried out rectification with an indication of the years:

1) 1963 - marriage and divorce from actress Nina Doroshina.

2) 1965 - marriage and divorce from actress Tatyana Lavrova.

3) 1968 - the release of the film "Chronicle of a dive bomber", after which Oleg Dal became a famous and popular Soviet film actor.

4) 1970 - marriage to Elizaveta Eichenbaum (Dal).

5) 1973 - Oleg Dal "succumbed" to alcohol (the beginning of a 2-year favorable period in professional and family life).

6) 1978 - receiving a 4-room apartment on Smolensky Boulevard in Moscow.

7) 1979 - the beginning of the persecution of officials from the cinema and the beginning of serious health problems.

8) 07/25/1980 - the death of Vladimir Vysotsky and the strongest emotional depression of Oleg Dal, which led after some time to his death.

9) 03/03/1981 - the death of Oleg Dal from a heart attack

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1963 - marriage and divorce from actress Nina Doroshina.

Directional Venus (ruler of the 5th house) conjunct natal Ascendant;

Directional Moon (ruler of the horoscope) conjunct natal Venus (ruler of the 5th house);

Directional MC square natal Venus (ruler of 5th house);

Directional Sun square natal Neptune in 5th house;

Transiting Mars in opposition to natal Uranus on the wedding day;

Transiting Pluto square natal Venus (ruler of the 5th house);

In December 1963, transiting Saturn in square with the natal Moon (ruler of the Ascendant) and natal Saturn (ruler of the Descendant) - most likely at this time Oleg Dal finally broke up with Nina Doroshina.

“Dal's first marriage was unsuccessful and fleeting. In 1963, after graduating from the Shchepkin Theater School, he entered the Sovremennik Theater and fell in love with one of the local actresses, Nina Doroshina. Their romance began not within the walls of the theater, but in Odessa - during the filming of the film "The First Trolleybus". Dal fell in love with Doroshina very much, and her heart was then given to another - the founder of Sovremennik, Oleg Efremov. But the circumstances were such that Efremov, having promised to come, did not show up in Odessa, and Doroshina was offended by him. That evening, she drank vodka, put on a dressing gown and went for a swim. However, in the water she suddenly became ill - she began to drown. Nothing would have saved Nina if her fellow actors had not been nearby. Dahl was among them. Hearing women's cries, young people rushed into the water, having managed to shout to each other on the run: "Whoever swims first, she will get it." Dal swam first. From that moment, their romance began.

After some time, Dahl was called to Moscow for the dubbing of another film. He promised to return in two days, but due to unforeseen circumstances he was delayed. Filming of The First Trolleybus could not continue without him, and Doroshina was asked to call Oleg from Moscow. When asked on the other end of the line who was calling, she replied: “Wife. Tell him to return to Odessa immediately.” On the same day, Dal broke from Moscow. When the next morning Doroshina looked out the window of the Krasnaya Hotel, the first person she saw was Oleg standing with flowers. When they returned to Moscow, Dahl made Doroshina a marriage proposal, and she accepted it. Since they didn’t have a lot of money at that time, wedding ring managed to buy only one thing - Dalia (for 15 rubles). The wedding took place on October 21, 1963, but it was at the wedding that everything ended. Efremov came there as a guest, who, being tipsy, did not find anything better than to sit the bride on his knees and say: “But still you love me more.” Dal shot out of the apartment like a bullet, and soon after that, he and Nina broke up.” (Fyodor Razzakov)

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1965 - marriage and divorce from actress Tatyana Lavrova.

Directional Venus (ruler of the 5th house) trine natal Mars;

Directional Descendant trine natal Uranus (ruler of the 10th house);

Directional Saturn (ruler of the 7th house) conjunct natal Venus (ruler of the 5th house).

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1968 - the release of the film "The Chronicle of a dive bomber", after which Oleg Dal became a famous and popular Soviet film actor.

Directional Uranus (ruler of the 10th house) trine natal MC;

Directional Ascendant sextile natal Jupiter.

At the time of the release of the film "Zhenya, Zhenechka and Katyusha" Dal starred in another film directed by N. Birman "Chronicle of a dive bomber", in which Oleg played the role of pilot Yevgeny Sobolevsky. The image of a smart and charming guy created by the actor, who came up with a branded liquor called "chassis", was liked by the audience. After the release of the film on the screen, young people began to call strong drinks that way, and Dahl became one of the most popular actors in Soviet cinema.

The end of the 1960s was a good time for Oleg Dal. After several years of creative and personal troubles, everything turned out well for him. At the Sovremennik Theater, where he returned after a long break, Oleg received his first significant role - Vaska Pepel in Maxim Gorky's At the Bottom. The play premiered in 1968. In 1969, Oleg Dal brilliantly played the role of the Jester in the film G.M. Kozintsev "King Lear".

“Modern man is a thinking man,” Grigory Kozintsev liked to repeat. And he associated the image of the Jester with modernity: “A boy with a shaved head. Art under tyranny. A boy from Auschwitz who is forced to play the violin in the band of suicide bombers; they beat him so that he chooses more cheerful motives. He has childish tortured eyes. Dahl suited Kozintsev perfectly. They admired each other. Kozintsev and Dahl were connected by something more than the relationship "director - actor" or "teacher - student". Kozintsev protected Dahl's talent as a fragile and priceless musical instrument. Merciless to any troublemakers on the set, Kozintsev only made exceptions for Oleg, forgiving his frequent breakdowns. The explanation sounded simple and prophetic: “I feel sorry for him. He is not a resident."

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11/27/1970 - marriage to Elizaveta Eichenbaum (Dal).

Directional MC sextile natal Saturn (ruler of 7th house) and natal Moon (ruler of 1st house);

Directional Mercury (ruler of the 4th house) sextile natal Saturn (ruler of the 7th house) and natal Moon (ruler of the 1st house);

Directional Mars square natal Descendant;

Transiting Jupiter opposing natal Moon (ruler of Ascendant) and Saturn (ruler of Descendent);

Transiting Saturn conjunct natal Moon (ruler of Ascendant) and Saturn (ruler of Descendant).

Filming of King Lear took place in August 1969 in Narva. 08/19/1969 Oleg met with his future wife- 32-year-old Elizaveta Eikhenbaum, who worked as an editor in the film crew. She was the granddaughter of the famous philologist Boris Eikhenbaum. All the time of filming, Dahl courted her, then invited her to Moscow. And when she arrived and called - did not know. Torn off from the rehearsal, he angrily threw: “What else is Lisa ?!”. She got offended and returned home. A few months later they met again at Lenfilm.

Elizaveta Dal said: “A few months later, when we met again at Lenfilm, it turned out that I then tore him away from the rehearsal. Touching Dahl at such a moment is a tragedy. But I didn't know about it then. On this visit, he stayed overnight with me for the first time. But I wasn't in love yet. The distance affected ... Oleg immediately became friends with my mother - Olga Borisovna and called her Olya, Olechka. Her father, my grandfather - Boris Mikhailovich Eikhenbaum - was a famous literary critic, professor, teacher of Andronikov and colleague of Tynyanov and Shklovsky. When my grandfather passed away, I thought that there were no such people anymore. And suddenly I discovered similar traits in Oleg. He rather old-fashionedly asked my mother for my hand. It happened on May 18, 1970. The next day, he flew with the Sovremennik Theater to Tashkent and Alma-Ata on tour ... The fact that I got to see the film King Lear played a huge role in my life. For me, there is still something mystical in this: if this film had not been shot by Grigory Mikhailovich, but by someone else, but Oleg had been filmed, we would not have become husband and wife. There was something here ... I remember the arrival of Grigory Mikhailovich for the next viewing of the material and his words addressed to me: “Liza, what Oleg was on the set with us yesterday !!!” I thought then - why does Kozintsev tell me about this, maybe he knows something more than me? Then I myself didn’t have any serious thoughts about Oleg and me ... Why did I marry Oleg, although I saw that he was drinking heavily? I was interested in him. I was already 32 years old, and I thought I could handle his weakness. I felt with some inner feeling: this person cannot be upset by a refusal ... ”The marriage between Oleg Dal and Elizaveta Eikhenbaum was concluded on 11/27/1970.

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04/01/1973 - Oleg Dal "succumbed" to alcohol, the beginning of a 2-year favorable period in professional and family life.

Directional Sun conjunct natal Ascendant;

Directional MC in square with natal Mercury (ruler of the 4th house);

Directional Ascendant sextile natal Sun;

Directional Moon (ruler of the Ascendant) trine with natal MC;

Transiting Pluto trine natal Sun;

Transiting Pluto sextile natal Pluto;

Transiting Jupiter trine natal Sun.

From an interview with Lisa Dahl:

“Oleg drank terribly. At the same time, he became like Zilov from Duck Hunt, even scarier. He was not capable of killing himself, but somehow he almost stabbed me. In Gorky, on tour, he began to drink heavily, such, you know, an unfinished state when a person is completely brutalized. It was very hot, I was lying in the room in one bathing suit. He ran a knife across my stomach and said: “So what! I don't care, I'm not going to live anyway. How subtle, intelligent, generous he was, just as terrible, dirty and cruel in drunken courage. I didn’t sleep, I suffered, I hid, when he came home drunk in the trash, Olya was busy with him. At the same time, he was unusually clean. Whatever stage I was in, the first thing I did was go to the bathroom. Olya was afraid that he would break the column, and always said: “Olezhechka, don’t throw a hook. Lie down in the bath, get some water and call me. I will help you". Once Olya enters the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps in a blissful sleep, without even turning on the igniter. She turned off the water, yelled at him: “I am a woman, and you are lying in front of me in your natural form!” She helped him up, put on a dressing gown, and put him to bed. I slept on a cot that night. There was no money, we forgot what coffee was, and Olya and I were selling things that were sent to us from France. And somehow, when he almost strangled me and I, having escaped, sat up in the attic until evening, Olya, unable to stand it, told him: “Oleg, leave for Moscow” and gave 25 rubles for the road. I must say that he left very beautifully: he washed himself, dressed elegantly and went into our kitchen: “That's it. I went. Can I keep the key to the apartment? - "Yes". I already loved him again, my heart bled, I felt so sorry for him. But still she held herself and did not run after him. It was in March, and on April 1, suddenly a call: “Lizka, I’ve been sewn up for two years!” "This is no joke!" I cut him off sharply. But it was true, he, in company with Volodya Vysotsky, really screwed up. The next day I enter the apartment, Oleg stands at the window, makes a gesture with his hand, I stop. He turns his back, unbuttons his pants and shows a patch on his ass: "Here's my torpedo!" After the torpedo, the former Oleg disappeared for a long time, as if he had never existed. A real happy life began...

For the last ten years that we lived, he periodically drank when he was out of time, then again hemmed himself and did not drink for years. It was impossible to offer him to sew up; he himself had to decide on this. He said this: “Don’t let me out of the apartment for three days, I’ll cry, beg - don’t listen. We're going to the doctor in three days." He never arranged drinking parties at home - if he wanted to drink, he left home for the WTO, IDL, Cinema House. I couldn't stand drunk acting companies.”

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1978 - receiving a 4-room apartment on Smolensky Boulevard in Moscow.

Transiting Saturn has entered the 4th natal house;

Transiting Jupiter has entered the 1st natal house;

Directional Jupiter conjunct natal Ascendant.

Two years after Oleg and Lisa got married, they moved to Moscow, exchanging a luxurious Leningrad apartment in a writer's house for a two-room "Khrushchev" at the end of Leninsky Prospekt. The apartment was tiny, the audibility was terrible, the old woman living on the floor below was quite seriously indignant: your kittens are stomping and disturbing my sleep ... However, the newcomers did not lose heart. “The four of us lived there,” Lisa recalls. - Oleg, me, mom and a sense of humor. When someone unexpectedly came to us, I could not say that Oleg was not at home, because in the apartment from somewhere his leg, then his arm, then his nose always stuck out ... Oleg's mother lived in a two-room apartment in Lyublino. At this time, Oleg moved from Sovremennik to the Theater on Malaya Bronnaya, the director of which was Dupak at that time - a very enterprising person. Oleg asked him to help exchange our two apartments for one in the center, otherwise he threatened to leave the theater, since he had to travel very far. Dupac helped us. In 1978 we moved to a four-room apartment on Smolensky Boulevard. Oleg fell in love with this apartment of his, he improved it in every possible way. With this apartment in the very center of Moscow, which the artist adored, is connected strange story. Once Oleg Dal with actor Igor Vasiliev drove past this house - it was still under construction - and said: "I will live here, this will be my home." Said and forgot. I remembered it only ten years later, when I came here with a viewing order. Dahl was happy in this apartment. Previously, he often called himself a vagabond and said that he did not like the house, now everything has changed. “This is not an apartment,” he said. - This is a dream".

During the renovation in new apartment made an office out of the hall for Oleg Dal, and his happiness became simply beyond. He could, when he wanted to, be alone with himself. Read, write, draw, listen to music. Now he was saying to Elizaveta Alekseevna seriously and ceremoniously: “Madame! You are free for today. I will write at night. And then I’ll fall asleep on the couch, in the office. ” Olga Borisovna exclaimed: “Olezhechka! But the sofa is narrow. - “I am also narrow,” Dal reassured his mother-in-law.

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1979 - the beginning of the persecution of movie officials and the beginning of serious health problems.

Transiting Uranus in opposition to natal Saturn and the Moon;

Transiting Uranus square natal MC.

The cinematic career of the actor in 1978-1979 developed floridly. Dahl was approved for the lead role in Alexander Mitta's The Crew, but at the last moment he refused to shoot. The refusal was peacefully discussed between the actor and the director, who found another performer for this role - Leonid Filatov. But the leadership of Mosfilm considered Oleg's act a violation of labor discipline and issued unspoken order within three years not to shoot an actor in the pictures of the film studio. Dahl did not know about this order, but he had to face its consequences.

By the time of the release in 1980 on the screen of the film "The Adventures of Prince Florizel"

Oleg Dal was in a depressed mood. His persecution at Mosfilm continued, and his health began to fail - his heart let him down. V. Trofimov recalled: “Our last meeting is remembered with bitterness. In the spring of 1980, I came to him with a script about A. Blok. The door was opened by an exhausted man with sunken eyes, in whom it was difficult to recognize the radiant, always elegantly smart Dahl. The conversation was hard. “I really want to, but I probably won’t be able to take on that job ... I can’t do anything yet ... They finished me off ...” Word by word, I squeezed out of him an outrageous story of persecution by the acting department of Mosfilm. How vulnerable this proud man was ... "

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07/25/1980 - the death of Vladimir Vysotsky and the strongest emotional depression of Oleg Dal, which led after some time to his death.

Transiting Uranus in opposition to natal Saturn and the Moon (exact aspect 07/25/1980);

Directional Uranus conjunct natal Ascendant.

During the filming of the film "Uninvited Friend" Oleg Dal learns about the death of Vladimir Vysotsky. According to eyewitnesses who saw Dahl at the funeral, he looked creepy and repeated: "Well, my turn is coming soon." After the funeral of Vysotsky, Dahl is increasingly visited by thoughts of death. Diary entry: “October, 1980. I began to think often about death. Disappointing worthlessness. But I want to fight. Cruel. If we leave, then leave in a frantic fight. With all the remaining strength, try to say everything that I thought and think. The main thing is to do it! The topic of death was also touched upon by Oleg Dal in a conversation with colleagues and relatives. L. Maryagin recalls: “Dal drank a glass of beer and did not touch anything else. We spoke with Anatoly Romashin about the difficulties with which the film was shot. Dal was silent, looking past us. And only half an hour later he asked A. Romashin: - Tolya, do you live there? (A. Romashin then lived near the Vagankovsky cemetery). - Yes, - answered Romashin. “I’ll be there soon,” Dahl said…”

On Vysotsky's birthday on January 25, 1981, Dal woke up in the morning and told his wife: “I dreamed of Volodya. He is calling me."

Dal and Vysotsky were not friends; rather, they were brothers in spirit and like-minded people. Their last meeting took place in May 1980. Then Oleg Dal came to Vysotsky's house, very drunk, he could not appear at home like that. V. Vysotsky sang his songs to him, and Oleg silently listened.

Poems by Oleg Dal after the death of V. Vysotsky:

V. Vysotsky. Brother

Now I remember...

We said goodbye ... Forever.

Now I understand... I understand...

Rupture of the trace

Beginning of May...

I stumble...

Words words words.

Magpie beats with its tail.

Snow falls, exposing

The naked coldness of the branches.

And here's the last chapter

Smelled like a rose bush

Longing and deceit, promising

And died in my chest.

Peace - peace ...

And loneliness and anger

And I cry in my sleep, and wake up ...

Resentment is a silver month.

Branding is a burning test.

And again I repent. I confess. I confess

Holding a broken heart...

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03/03/1981 - Oleg Dal's death from a heart attack

Directional Uranus (ruler of the MC) conjunct natal Ascendant;

The axis of the directional lunar nodes entered into exact conjunction with the natal axis of the MS-IS;

Transiting Black Moon in opposition to natal Black Moon;

Transiting Uranus opposing natal Jupiter (ruler of the 6th house) in the 12th house;

Transiting Neptune square natal Neptune and opposition natal Mercury;

Transiting Mercury in square with the natal Moon (ruler of the horoscope) and natal

Saturn (ruler of 7th and 8th house) in 12th house;

Transiting Pluto trine natal Mercury in 12th house;

Transiting Sun square natal Venus in 12th house;

Solar Sun in the 8th house of solar;

Solar Pluto conjunct Solar Ascendant.

In early March 1981, Oleg Dal went to Kyiv to audition for the film "An Apple in the Palm".

On March 3, 1981, Dahl has dinner at a hotel with his film partner Leonid Markov, then leaves for his room with a gloomy joke - "I'll go to my place to die." In the morning, Oleg Dal was found dead in bed in his hotel room. Doctors diagnosed death from heart failure.

There are two versions about the cause of Oleg Dal's death. According to one version, Oleg Dal deliberately or out of desperation poured a critical dose of vodka into himself, realizing that the next sewn-in "torpedo" would react to it with a sharp jump in pressure. According to this version, Oleg Dal's departure from this world was quite conscious. According to another version, the actor's heart stopped on its own, unable to withstand the enormous psycho-emotional stress of the last two years of his life (the opposition of transit Uranus with the natal Moon-Uranus-Saturn conjunction in 1979-1980).

From my point of view, it could be either one or the other, because. on the one hand, in the directions, transits and solarium there are strong indications of the death of Oleg Dal during this period, and on the other hand, the death of the actor occurred at the moment of the exact square of the transit Neptune to the natal Neptune and opposition to natal Mercury, namely on the previous intense transits of Neptune to natal sun and Venus, the actor went into long and deep binges. I think that by March 1981 Oleg Dal was so mentally and physically exhausted that he could at that moment forget about the mortal danger of a “torpedo” and drink very seriously (consciously or unconsciously striving for death) simply trying to get away from reality and his inner torments and experiences in alcoholic oblivion.

From the memoirs of Elizabeth Dahl:

“Did he foresee his own death?

Oleg was not going to die, but, as a person with a very subtle perception, for the last six months he subconsciously felt that he would die soon. He understood that it would be, that he was ready, that he knew. Sometimes he said things to me...

We were lucky at the end of his life - we rented a dacha in Monino on the cheap. Half of January and all of February we lived in a wonderful house. I somehow entered from the kitchen into a huge hall - he was sitting on the floor and watching some kind of cartoon on TV. small and with sad sad back of the head. I came up behind: “What is the matter with you, Olezhechka?” He didn't even turn around, "I feel so sorry for all three of you." I realized that he meant our mothers and me. This was literally two weeks before his death. Oleg, by the way, was very stingy with words. When we were leaving the dacha, my liver ached. He never liked to speak tenderness, although he was terribly tormented by pity. I tried to hide unnoticed. He suddenly asked, "Does it hurt?" - “Ah, nonsense! Now we'll come, I'll take you on a trip. I’ll find a boiler, cook raisins, croutons.” He suddenly interrupted me: “No, first you get into a hot bath, take a pill, put on a band-aid ... You need to be very healthy now.” And I didn’t even suspect that he knew how I was treated during attacks. It was two days before his death - on March 1, he left for Kyiv to shoot. Usually, to hide pity, he grumbled: “Well! She ate something or lifted something heavy. Will know!" Last month, he, being so stingy with words, spoiled me with attention, words and praises, which was not the case for all ten years.”

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Lyrics of the song "There is only a moment (from the film "Sannikov Land")" (A. Zatsepin)

(In the film "Sannikov Land" Oleg Dal was not allowed to perform this song, and in his performance it came out only together with songs from films performed by Oleg Dal).

Everything is ghostly in this raging world.

That is what is called life.

Eternal peace is unlikely to please the heart.

Eternal rest for gray pyramids,

And for the star that gathered and falls

There is only a moment - a dazzling moment.

Let this world fly into the distance through the centuries.

But not always on the way to me with him.

What I value, what I risk in the world -

In one moment - only in one moment.

Happiness is given to meet, but still trouble

There is only a moment - and hold on to it.

There is only a moment between the past and the future.

That is what is called life.

Rectification (determining the time of birth) ==

Clarification of the time of birth (rectification) according to already occurred major events life and their dates (marriage or divorce, birth of a child, periods drastic changes or the emergence of difficulties in partnerships, moving, emigration, significant career success, cardinal changes in family life, death of loved ones, etc.)

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Childhood of actor Oleg Dal

Oleg Ivanovich Dal was born in the city of Lyublino near Moscow in the family of descendants of the legendary Russian philologist, compiler explanatory dictionary Vladimir Dahl. The father of the future actor Ivan Zinovievich held an important position in the railway engineering services. Pavel Petrovna's mother worked as a school teacher. Oleg Dal had a sister, Iraida.

Ros Dal in the town of Lyublino, the courtyard childhood of the future actor took place near the house number 63 on Moskovskaya Street. While still at school, he was diagnosed with heart disease. Then the boy began to get involved in painting and literary creativity.

After the end of the ten-year period, in 1959, Oleg Dal, who had been very burr since childhood, against his parental will, decided to become a student at the Shchepkinsky Theater School.

The beginning of the creative path of Oleg Dal

Dal passed the creative exam in "Sliver" with a program that included Nozdryov's monologue in "Dead Souls" by N.V. Gogol and an excerpt from the poem "Mtsyri" by M.Yu. Lermontov. According to the results of the competition, the young man was enrolled acting course master Nikolai Annenkov, actor of the Maly Theater, People's Artist of the USSR, three times winner of the Stalin Prize. Oleg's classmates were those who later became famous artists like Mikhail Kononov and Vitaly Solomin.

Dahl made his film debut in 1962 as Alik Kramer in the film My Little Brother, based on Aksyonov's story Star Ticket. After that, at the invitation of Sergei Bondarchuk, the young actor auditioned for the role of Nikolai Rostov in the film epic "War and Peace", but did not pass the test. In 1963, Agranovich's tense psychological detective story The Man Who Laughs appeared at the box office, in which the actor played the main role.

Oleg Dal. Between past and future

Oleg Dal and first popularity

In 1967, Oleg Dal, who quarreled with all the theaters because of his quick-tempered character, was approved by the Lenfilm management for the role in the tragicomic military film directed by Motyl, Zhenya, Zhenechka and "katyusha". In August 1967, the premiere of this film took place. True, Soviet officials recognized the picture as "harmful", and granted it a rental license only in third-rate cinemas in the country. The film appeared on the big screens only after it received great amount positive reviews from admirals and senior officers of the Baltic and Northern Fleets.

Oleg Dal succeeded in finally strengthening his popularity with the viewer, securing regular invitations to act with eminent directors after participating in the filming of a film about the life of pilots during the Great Patriotic War "Chronicle of a dive bomber." In this film, the actor played the main role - radio operator Zhenya Sobolevsky.

In 1968, Dahl played the role of a soldier in a musical film based on the fairy tales of G.Kh. Anderesen "An old, old fairy tale." In 1970, a two-part film adaptation of Shakespeare's King Lear was released on wide screens. In this film, Oleg Ivanovich created most interesting image Jester.


One of Dahl's most famous works was the role of Yevgeny Krestovsky in Sannikov Land, about which, by the way, the actor himself subsequently spoke negatively. A series of fairy-tale films with the participation of the actor was continued by the production of "Shadows" by Yevgeny Schwartz in 1972, where the actor played the role of Christian Theodore, a scientist and his Shadow.

Oleg Dal's career in the theater

Acting in films, Dahl simultaneously actively developed as a theater actor. Since 1963, the aspiring artist was invited to work at the Sovremennik Theater. True, for the first five years he played mainly supporting roles there.

In 1968, he played the thief Vasya Pepla in the play "At the Bottom" staged by Galina Volchek. This role has become one of the artist's most notable works on the Sovremennik stage.

Dahl's first directorial experience was the production of The Princess and the Woodcutter (1969), where he also played one of the main roles.

Having his own idea of ​​\u200b\u200bthe inner "creative kitchen", Oleg Dal repeatedly changed his place of work and director. In the early 70s. he worked in Lenkom, while rehearsing at the Moscow Art Theater with Oleg Efremov. In 1975, having ceased cooperation with the Sovremennik Theater, the artist entered the courses of directors in the Kheifets workshop at VGIK. True, he never finished his studies on them - he quit. In the late 70s, Oleg Dal was a member of the troupe of the theater on Malaya Bronnaya.

Oleg Dal. Last 24 hours

For two years (1973-74) Dahl starred in five films in a row, such as "The Star of Captivating Happiness" (dir. V. Motyl), "Operation Omega" (dir. A.-J. Voyazos) and others.

Recent works by Oleg Dal

One of the most amazing works in last years The life of Oleg Dal was the role in the film "Vacation in September", which was released only after the death of the actor, in 1987. In November 1980, Dahl began to work as part of the troupe of the Maly Theater, where he played the role of Alex in the play "The Shore".

The actor played the last role in the film "Uninvited Friend". The film was released in 1980. True, they claimed Oleg Ivanovich for this role "with a scratch." Because of the conflict, the health of the artist was undermined. In the last months of his life, the actor drank heavily. Aware of the problem, Oleg Dal made attempts to “tie up” with a disastrous habit.


Work to the point of exhaustion, frequent conflicts with directors and the management of film studios, disgrace (Dal called himself a "foreign artist"), the inability to travel abroad, excessive alcohol consumption - all these factors led to the fact that on March 3, 1981, Oleg Ivanovich Dal died due to a heart attack. The actor died in a hotel room in Kyiv, where he was on a creative business trip. The grave of the artist is located at the Vagankovsky cemetery in Moscow.

Name: Oleg Dal
Zodiac sign: Twins
Date of Birth: May 25, 1941 -
Age: 39 years
Place of Birth: Lublino
Date of death: March 3, 1981
Activity: theater and film actor, director
Family status: was married to Elizaveta Apraksina
Wikipedia



Oleg Dal - biography

Oleg Dal is an actor who never fit into the ordinary. Those around him suffered from his causticity and straightforwardness, and he suffered from the injustice and vulgarity of this world.

Childhood, Oleg Dal's family

The family of Oleg Ivanovich Dahl is interesting in that they are descendants of the compiler of the famous explanatory dictionary Vladimir Dahl. Oleg was born into a family that was not only far from theatrical art, but also did not welcome him. They say that Oleg Dal's father in his younger years dabbled in writing stories that he published in a literary magazine under the pseudonym Dal (his real name was Zherko).

And when universal passportization began in the country, he took a new surname - Dalia. In the family, in addition to Oleg Ivanovich, Iraida, the sister of the future film actor, was also brought up.


Oleg lived in his childhood on Moskovsky Street and was no different from all the other yard children, spending most of his time on the street. But when he went to school, already at the first medical examination, unexpectedly for both the boy himself and his parents, the doctors discovered a heart disease. This influenced the views of Oleg Dal so much that he began to paint, and then to write. To this was added the fact that he perfectly began to understand that he had speech defects - he burr.

Study of Oleg Dal

After finishing ten classes, having passed the exams, Oleg Dal goes to apply to the theater school. So, in 1959, he became a student at the Shchepkinsky School, although his parents were against such a choice of profession. Dahl was enrolled in the course of Nikolai Annekov, a famous and honored actor.

Oleg Dal was lucky, and now famous film actors Mikhail Kononov and Vitaly Solomin became his fellow students.

Oleg Dal's career

A cinematic biography of Oleg Ivanovich Dal begins in 1962, when he played a cameo role in the film "My Little Brother". In this film, he was noticed and invited to star in his film epic War and Peace, where he was offered the role of Nikolai Rostov. But, unfortunately, the tests were unsuccessful. But on the other hand, Oleg Dal played a major role in another film, and this detective was released on screens in 1963. But he does not immediately receive fame and popularity. Therefore, he continues to play in theaters.

In 1967, the famous actor Oleg Dal was approved for the lead role in the famous and popular film Zhenya, Zhenechka and Katyusha. But only all this was given to him with great difficulty. So, up to this point, he had already managed to change three theaters, where his relationship did not develop due to the irascibility of his character.


Yes, and for this role, which brought success to Oleg, it only turned out to take samples from the third time, since he plucked the first two, being in drunk. In 1967, the premiere of the film took place, but the officials were dissatisfied with it and did not give permission to show it to the mass audience. The film was released only after numerous disputes and conflicts. So, Oleg Dal became a famous actor.

But the most great popularity comes in the biography of a talented actor after he starred in the film "The Chronicle of a dive bomber", where Dahl played a major role. After that, in 1968, he plays the main roles in several fairy tales. But still, one of his best and legendary works was the role of Krestovsky in the film "Sannikov Land", although the actor himself did not like it.

Oleg Dal: Theater

Acting in films, Oleg Ivanovich did not give up his work in the theater, constantly developing. Already in 1963, he was invited to work at the Sovremennik Theater, but when Dahl agreed and moved here to work, for almost five years he was not allowed to play the main roles at all, and he always had to be only in the background. So he decides to try himself as a director. In 1969, his first performance was released, where he himself plays the main role.


After that, he changed his place of work many more times. So, he worked at Lenkom, but at the same time continued his work at the Moscow Art Theater, working in collaboration with Oleg Efremov.

Trying to find himself in this acting profession, he decides to enroll in directors' courses, successfully enters, but did not finish his studies. Then, breaking off his relationship with the Sovremennik Theater, he moves to the theater on Malaya Bronnaya. But his cinematic work is getting better and better, so he easily wins the love of the viewer. In 1980, the famous actor moved to the Maly Theater.

Personal life

Personal life, like creative biography Oleg Dal was not easy. The famous actor was married three times. The actor had no children with any of his wives.

Wives

Dahl's first wife was actress Nina Doroshina, who ran away from their wedding.

The second wife is Tatyana Lavrova, with whom the marriage lasted only six months.


The happiest streak in the actor's biography came after Oleg Dal married for the third time. His chosen one, Lisa Apraksina, was always waiting for him at home, and endured all his drunken antics. Therefore, this marriage lasted a long time.

Oleg Dal cause of death

The last role turned out to be the most difficult in his acting biography, as they did not want to approve him for the role for a long time. Because of these problems, the health of the popular actor was undermined. But besides, it also affected the fact that he began to drink a lot. Already on March 3, 1981, due to a heart attack, the talented actor died in Kyiv, where at that time he was on a business trip. The cause of death was heart attack due to frequent alcohol consumption. Oleg Dal was buried in Moscow.


Biography by: Tati